About A
A. Moon is an experimental filmmaker whose work has screened nationally and internationally. In recent years, she has been a Fulbright Senior Research Fellow , a fellow with the Center for Asian American Media, a Sondheim Semi-Finalist (x3), a MSAC Individual Artist Awardee (x3), a Creative Baltimore Fund Grantee, a MSAC Creativity Grant winner (x2), and a GBCA/Deutsch Foundation Rubys grantee (x2).
Bitter Medicine
35mm B/W cameraless film. Sound. 3 min.
An elixir of Chinese herbs.
Signs Point to Yes
16mm cameraless film. Color. Sound. 4 min.
A tea leaf divination.
How Do They Do It?
16mm. Color. Silent. 5 min.
How do they roll with the punches?
Exquisite Corpse
16mm film. Silent. Black and white. 6:16 min. Made in collaboration with Pat Doyen & Rebecca Reynolds.
A cinematic "exquisite corpse” collaboration. The exposed footage was hand-processed using a coffee-based developer and old US Army processing tanks.
I Am Learning to Abandon the World
16mm. Color. Silent. 10 minutes.
I'm suffering—but only slightly.
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Moon06_Abandon_c.jpgStill from I Am Learning to Abandon the World. -
Moon04_Abandon_a.jpgStill from I Am Learning to Abandon the World. -
Moon07_Abandon_d.jpgStill from I Am Learning to Abandon the World. -
Abandon_still_01_beach.jpgStill from I Am Learning to Abandon the World. -
AM_Abandon_e.jpgStill from I Am Learning to Abandon the World. -
AMoon-AbandonPostcard-FRONT_cropped.jpgPostcard image for I Am Learning to Abandon the World.
Untitled
16mm found footage, edited and distributed on video. Silent. Color. 5 min. Commissioned for projection with live musical performance of Prokofiev's Quintet in G minor.
Performers: Emily Tsai (oboe) Robert DiLutis (clarinet), Irina Muresanu (violin), Katherine Murdock (viola), Robert Gibson (bass).
One Storey
16mm & Super 8mm film exhibited and distributed on digital video. Color. Stereo sound. 13 min.
The right word is always just at the tip of my tongue.
Even Lovers Have Still Lives
16mm. Color and B/W. Sound. 17 min.
After Kathy Acker and Marguerite Duras: For rejection in love creates a real and permanent wound in and below the flesh.
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ELHSL2_clift.jpgStill from Even Lovers Have Still Lives -
ELHSL3_drive.jpgStill from Even Lovers Have Still Lives -
ELHSL_van.jpgStill from Even Lovers Have Still Lives -
ELHSL_CP_2.jpgStill from Even Lovers Have Still Lives -
Excerpt, Even Lovers Have Still Lives
Password = NAATA
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Excerpt, Even Lovers Have Still Lives
Password = NAATA
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Excerpt, Even Lovers Have Still Lives
Password = NAATA