Domestic QT + The Spatial Anamolies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. A new series of paintings will surround these assemblages, which will further attempt to contain the duo’s QT (quarantine) fugue state—with the picture plane full of extrusions, attachments, plug-ins and portals, as if in the middle of a machinic transformation or a system-wide breakdown.
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Domestic QT + The Spatial Anomalies
Dec 2020, Installation Shot, Domestic QT + The Spatial Anamolies, VonAmmon Co. The exhibition consists of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures. -
Domestic QT + The Spatial Anomalies
The exhibition will consist of over a dozen new large-scale works, including seven printed acrylic panels suspended within rakish, jungle-gym-like metal scaffolds. Printed on both sides and riddled with cutaway shapes, these new works resemble holiday advent calendars whose visual lexis depicts a hallucinatory, non-Newtonian home interior wherein family pets and furniture trade appendages freely and the dialectics of the household—intimate vs. public, guileless vs. dirty, protected vs. exposed—invert themselves freely like deep sea creatures.