One man's trash is another man's treasure - This often used phrase is one that truly resonates with me when considering my artwork.

I grew up in a flea market family; we supplemented much of our income through the flea market and yard sales trade. From a young age I learned to find value in places that others ignored. As an artist I want to provide a window for others to appreciate things they may often overlook or undervalue.

Velvet painting is a medium often written off as kitsch or lowbrow and looked down upon by the art world. I choose to address it with a reverence reserved for the finest linen. Velvet painting itself has a rich and interesting history, centuries old. My goal is to elevate this medium and make it worthy of galleries and museums.

The people that I paint, mostly family, friends, and neighbors, are often referred to as inner city hillbillies, or even worse, white trash. The places that I paint are usually seen as deteriorating slums or white trash ghettos. I see once proud neighborhoods and buildings, occupied by real people with real stories. I choose to paint them with sincerity, dignity, and honesty.

My subjects and my medium then, become intertwined, each with its own value and history. This mutual relationship is a driving force in my work.

One man's trash is another man's treasure - This often used phrase is one that truly resonates with me when considering my artwork.

I grew up in a flea market family; we supplemented much of our income through the flea market and yard sales trade. From a young age I learned to find value in places that others ignored. As an artist I want to provide a window for others to appreciate things they may often overlook or undervalue.

Velvet painting is a medium often written off as kitsch or lowbrow and looked down upon by the art world. I choose to address it with a reverence reserved for the finest linen. Velvet painting itself has a rich and interesting history, centuries old. My goal is to elevate this medium and make it worthy of galleries and museums.

The people that I paint, mostly family, friends, and neighbors, are often referred to as inner city hillbillies, or even worse, white trash. The places that I paint are usually seen as deteriorating slums or white trash ghettos. I see once proud neighborhoods and buildings, occupied by real people with real stories. I choose to paint them with sincerity, dignity, and honesty.

My subjects and my medium then, become intertwined, each with its own value and history. This mutual relationship is a driving force in my work.

One man's trash is another man's treasure - This often used phrase is one that truly resonates with me when considering my artwork.

I grew up in a flea market family; we supplemented much of our income through the flea market and yard sales trade. From a young age I learned to find value in places that others ignored. As an artist I want to provide a window for others to appreciate things they may often overlook or undervalue.

Velvet painting is a medium often written off as kitsch or lowbrow and looked down upon by the art world. I choose to address it with a reverence reserved for the finest linen. Velvet painting itself has a rich and interesting history, centuries old. My goal is to elevate this medium and make it worthy of galleries and museums.

The people that I paint, mostly family, friends, and neighbors, are often referred to as inner city hillbillies, or even worse, white trash. The places that I paint are usually seen as deteriorating slums or white trash ghettos. I see once proud neighborhoods and buildings, occupied by real people with real stories. I choose to paint them with sincerity, dignity, and honesty.

My subjects and my medium then, become intertwined, each with its own value and history. This mutual relationship is a driving force in my work.

One man's trash is another mans treasure - This often used phrase is one that truly resonates with me when considering my artwork.

I grew up in a flea market family; that supplemented much of our income through the flea market and yard sales trade. From a young age I learned to find value in places that others ignored. As an artist I try to provide a window for others to appreciate things they may often overlook or undervalue.

Velvet painting is a medium often  looked down upon by the art world and written off as kitsch or lowbrow. I choose to address it with a reverence reserved for the finest linen. Velvet painting itself has a rich and interesting history, centuries old. My goal is to elevate this medium and make it worthy of galleries and museums.

The people that I paint, mostly family, friends, and neighbors, are often referred to as inner city hillbillies, or even worse, white trash. The places that I paint are usually seen as deteriorating slums or white trash ghettos. I see once proud neighborhoods and buildings, occupied by real people with real stories. I choose to paint them with sincerity, dignity, and honesty.

My subjects and my medium then, become intertwined, each with its own value and history. This mutual relationship is a driving force in my work.

One man's trash is another man's treasure - This often used phrase is one that truly resonates with me when considering my artwork.

I grew up in a flea market family; we supplemented much of our income through the flea market and yard sales trade. From a young age I learned to find value in places that others ignored. As an artist I want to provide a window for others to appreciate things they may often overlook or undervalue.

Velvet painting is a medium often written off as kitsch or lowbrow and looked down upon by the art world. I choose to address it with a reverence reserved for the finest linen. Velvet painting itself has a rich and interesting history, centuries old. My goal is to elevate this medium and make it worthy of galleries and museums.

The people that I paint, mostly family, friends, and neighbors, are often referred to as inner city hillbillies, or even worse, white trash. The places that I paint are usually seen as deteriorating slums or white trash ghettos. I see once proud neighborhoods and buildings, occupied by real people with real stories. I choose to paint them with sincerity, dignity, and honesty.

My subjects and my medium then, become intertwined, each with its own value and history. This mutual relationship is a driving force in my work.