With nature always in view and a BFA in graphic design and illustration I returned to school to gain more scientific knowledge in preparation for graduate study in the graduate program of Medical and Biological Illustration at the University of Michigan under the instruction of Gerald P Hodge from 1979-1981. Two mediums stand out, pen and ink and carbon dust. Carbon dust was taught for many years originating over 100 years ago in my current department @ Johns Hopkins by Max Broedel (1870-1941) considered the father of modern medical illustration. Carbon dust is applied with varying sizes of dry sable brushes on either a clay coated surface or textured charcoal paper. Tones are built up slowly with the brushes and accented by carbon pencils pushed and pulled from light to dark and rubbed into the surface. White highlights are created either by erasing with a special eraser, scratching them out with a scalpel or knife blade, or by painting opaque paint on to the paper’s surface close to the drawing’s completion. This drawing represents the type of classical teaching I received and, also, displays my early leanings into the nature art I create today.

My most important pen and ink mentor over 40 years ago was Craig Gosling. Craig’s pen and ink style was casual and spontaneous and seemed to ooze extreme confidence in its mark making. It seemed effortless in his hands but as we come to find out pen and ink is not an easy medium to master.  As with all art influences we individually identify with works that we either want to excel in or have an affinity for, embracing a style that wells up in each of us, that speaks to us, and, then becomes us! It however takes Hours upon Hours of PRACTICE and PRACTICE. Over time we pick and choose and look for common artistic ground and then add it to our individual expression. There is where the confidence lies in the simplicity of identifying your own voice and seeing the new found magic flow from your fingertips as desired imagery appears. Joy Soon Follows! For pen and ink and many other things I am thankful and forever grateful to Craig Gosling who passed in early July 2021.
 
While in the beginning I teach my students the use of the flexible nib pen, Micron pens have been a staple of mine for over 25 years. There is ease to the release of the ink that provides a photo reproductive line that faithfully mimics my desired drawing style and dries quickly on my preferred surface of vellum. In my tenure as a medical illustrator and professor I have created well over 5000 pen and ink illustrations that have appeared in dozens of textbooks, surgical atlases and research publications. For more about pen and ink please visit my blog @ phelpsmandala.com.
  • Baboon Skull in Carbon Dust
    Baboon Skull in Carbon Dust
    Carbon dust study of a baboon skull created in the graduate program of Medical and Biological Illustration at the University of Michigan under the instruction of Gerald P Hodge from 1979-1981.
  • Sunflower Visitors
    Sunflower Visitors
    From 1995: A traditional pen and ink line illustration of nature's own mandala in the whorls of a sunflower bloom visited by a goldfinch, skipper butterfly, and a bumblebee. This image acted years later as inspiration for my current fascination and emersion in the creation of my nature mandala images.
  • Muscles of the Back
    Muscles of the Back

    This is a pen and ink illustration (1 of 70 created) depicting selected muscles of the back from the book "Dance Science" awarded a Certificate of Merit in the Book Category @ the annual meeting of the Association of Medical Illustrators in 2015. This is an example of the type of art work I have been producing for 40 years.

  • Great Horned Owl Loose in the Spruce
    Great Horned Owl Loose in the Spruce
    A traditional pen and ink illustration of a great horned owl part of a collection of black and white nature images I began in the early 90's that has now blossomed into full color interpretations of nature subjects and nature mandalas.
  • American Toad Pen and Ink
    American Toad Pen and Ink
    A single American toad, Bufo Americanus and Anaxyrus americanus, with cryptic marking, coloration and warts sits quietly but alert in the midst of tall growing ground clover and tall grasses with scattered rocks and a single fallen oak leaf in this late summer traditional pen and ink black and white scientific illustration.
  • Triceps Muscle Repair
    Triceps Muscle Repair
    This is typical of the type of pen and ink medical illustrations I create for surgeons for textbooks and journal articles that I have done for the past 40 years. The 3 images outline the suture pattern used to re-attached the triceps tendon to the ulna. The red and blue color coding instructs the proper direction for the placement of the sutures. Pen and ink has served as a foundation for my visual story telling and is often utilized when I create my art asset outlines for plants and animals before scanning and applying self created patterns and digital painting.