Flag Studies is a meditation on statecraft and how Philippine national identity is invented and imagined. This series also aims to critique the state-sanctioned "imaginings" of Philippine national identity, its ties to American imperial rule, and how its contemporary articulations evolve within the Philippine diaspora. For these studies, I use different types of fabric from all over the Philippines, along with imagery from various sources. The material histories of the textiles are significant in conveying the complexity and overlaps within national identity and histories of colonial commodification. The use of woven textiles from various parts of the Philippines is both a way to try to represent the myriad of indigenous communities largely unseen and show how the textiles have morphed for tourist consumption. Each flag speaks as a gesture or tangent, the collective expression fluctuates over time as new flags are added or reworked.