Ghost Life is an ongoing project and its concept is always changing for me. When it first started, I wanted to combine my love of pop and ethnic music with ensemble organization. The instrumentation allowed me to put percussion up front to form its own narrative. At an age where anybody can play a single instrument and fill up a room completely with sound, I wanted all the individual sounds of the group to be tiny. I also tried to avoid any use of chord progressions, relying instead on the constanly shifting rhythmic elements and combinations to sustain interest in the pieces. I've started making virtual ensemble performances to highlight the physical elements of the sound. That element is an important factor in this music and it might be lost on just a listen through. After years of performances with little documentation, I wanted to have some represantaion that would highligt the sound generating process of the physical action.