About Scott
Scott Pennington is a Baltimore-based artist specializing in large-scale participatory installation and sculptural assemblage works. Drawing upon his background as a furniture and cabinet-maker, Pennington utilizes woodworking and construction techniques to create colorful, detailed works of art that engage varied audiences and invigorate public spaces. Pennington’s work suggests a tangible, yet illusory reality that examines labor, consumer culture, the pursuit of simple pleasures, and the… more
The Midway
2022
14' tall x 33' long
Plywood, Lumber, sheet metal. acrylic sheeting, incandescent lighting, LED lighting, latex paint, micro-controllers, electronic relays
A free standing light based installation that further explores the carnival aesthetic found in my work. The piece takes a series of differing components sifted from the variation of overlapping visual experiences found on a carnival midway and locks them together as a complete landscape of their own while still democratically allowing each unit to individually compete for the viewers attention and it's turn to bask them in a warm blanket of electric joy.
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The MidwayThe Midway, installed on the grounds of Ladew Gardens at dusk
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102222_SCOTT_PENNINGTON_1287 copy.jpgThe Midway at night
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102222_SCOTT_PENNINGTON_1269 copy.jpgThe Midway at night
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102222_SCOTT_PENNINGTON_1126 copy.jpgDetail "The Hexagon"
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102222_SCOTT_PENNINGTON_1137 copy.jpgDetail "The Pointer"
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102222_SCOTT_PENNINGTON_1141 copy.jpgDetail "The Disc"
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The Midway 2022 Scott PenningtonNight time video of The Midway including sounds from festival attendees
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The Midway (detail) 2022 Scott PenningtonNight time video detail of The Midway.
Populist Hurricane
2023, Plywood, latex paint, lumber,
A triptych of billboard like structures in the median of a main thoroughfare in Baltimore City. Main panel is pictured measuring 14 feet wide x 10 feet tall. A stream of conscious composition inspired by roadside signage and the over saturation we are exposed to on a daily basis in modern life.
Two-Minute Joys
We live in a world of time clocks, traffic jams, inescapable commercialism, and overbearing religious ideals. For many people, much of modern life is a struggle to find and maintain some level of fulfillment and happiness—while fending off the continuous voices that tell us what we should think and how we should do things. We are taught to fear everything and fall in line. Some people enable themselves to rise above, but others simply hope for a momentary distraction from the repressive forces of our society. Growing up in a small Maryland town, the traveling carnival that came for a single week every summer was just such a distraction for many families including my own. We would anticipate the sounds, sights, and smells of this miraculous event all year, attending the annual spectacle with an almost spiritual devotion. The social space that the gathering of rides, games and attractions creates is a comforting yet surreal landscape that seems to strike at our inner most desires to be transported from normality. The primal lure of these garish structures draw us in—offering promises of delight and joy like sirens on the sea. We allow ourselves to be seduced, knowing all the while that it is really our money that this beautiful capitalist creation wants.
My work emulates the hypnotic patterns and tidal rhythms of the carnival. I investigate the way that multiple components and systems work together, drifting in and out of synchronicity while striving to maintain the overall continuity of a single organic landscape. I am enthralled by the engineering and technology that goes into the giant machines built to twist, turn and shake us for two minutes—all while we are mesmerized and hypnotized by the bright-blinking and chasing lights. Through sculpture and installation, utilizing programmed lighting technology, I explore the nostalgic and captivating nature of the idealized carnival landscape. While maintaining the impermanent feel of this temporary wonderland, I distill its visual effects and psychological components down to a condensed and refined experience, creating moments where viewers can gather and pay homage via a concentrated dose of electric joy.
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MAP Back Room edit.jpgArcade Cascade and Trade-Up installation view at Maryland Art Place 2018
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MAP Front Room edit.jpgThe Serpent, Duck Pond III and Diamonds, Installtion view at Maryland Art Place 2018
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"Trade-Up" and "Arcade Cascade"Installation view from my solo show at Maryland Art Place in 2018
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"Trade-Up"2018 13' x 13' x 10' Micro controllers, Incandescent light bulbs, plywood, sheet metal, inflatable toys, latex paint The installation references carnival game play and takes advantage of a pre-existing stage at Maryland Art Place to accentuate the unattainability of ‘the prize’. The piece attempts to demonstrate that despite our attempts to ‘play the game’ be it in the world of business, love, financial gain or even art, so many of our actions, working toward our goals, are futile attempts. ‘The game’ merely exists as a stage for those already in positions of power to watch those ‘beneath them’ struggle through a distracting set of actions that will ultimately provide no meaningful reward.
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"Arcade Cascade""Arcade Cascade" 2018 9" x 13" x 9" Plywood, incandescent light bulbs, latex paint, micro-controllers
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"Integrated Carnival Energy Systems" aka "The Serpent"10' x 48' x 6"' Micro controllers, Incandescent light bulbs, plywood, sheet metal, LED lighting, acrylic sheeting, glitter, latex paint This Light based art installation was created in 2017 for a solo show at Penn State University where it stretched across 3 gallery walls. This video shows the installation on a single wall at Maryland Art Place in 2018.
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"Trade-Up" detailDetail of the installation "Trade-Up" 2018
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"Trade-Up" detail
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Detail, Integrated ICES / The Serpent
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Discussing light based ArtDiscussing lighting technology at the opening of "Two-Minute Joys" with fellow light artist Sean Hennessy. I love this photo taken by photographer Kyle Bergner, because it shows a certain confidence, strength and fulfillment that accompanies an accomplishment like the opening of a large solo show. Being an artist can be a struggle and when I question myself its nice to look back and see a moments like this, captured and preserved by a fellow artist.
Integrated Carnival Energy Systems / The Serpent
Integrated Carnival Energy Systems / The Serpent
2017
Plywood, Sheet metal, Plexi-glass, LEDs, Incandescent light bulbs, Glitter, Micro-controller
A solo show at Penn State University in the fall of 2017.
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Installation view, Integrated ICES / The Serpent
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Detail, Integrated ICES / The Serpent
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Scott Pennington, ICES
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Installation view, Integrated ICES / The Serpent
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Detail, Integrated ICES / The Serpent
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DiamondsA part of the installtion "Integrated Carnival Energy Systems" as seen from outside of the Gallery windows.
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Installtion view, DiamondsA part of the installtion "Integrated Carnival Energy Systems" as seen from outside of the Gallery windows.
Bombers
2017
12' x 18' x 6"
Plywood, Sheet metal, Plexi-glass, LEDs, Micro-Controller
As a child I was fascinated by the machines of war, by the power and seeming grace of missiles and aircraft. These were my familiar toys writ large and potent, inspiring thoughts of adventure and heroism in my early life. All that comes after the arc of the plane, the plummet of its cargo, was invisible to me, obscured by the sheltering media and by sheer distance from those un-exceptional un-American places where the consequences of warfare are everyday reality.
In some ways, little has changed with maturity. I hear and see reports from distant lands: abstractions for an audience who does not really want to know; simplified sequences of events that are familiar in their outlines, devoid of brutal detail and confusing complication. It occurs to me that a great many Americans are rendered childlike in our relationship to military technologies- some by our trust in the judgment of authorities who assume responsibility for their use, others by our frustrated helplessness to stop them. In either case, our innocence of the war machines’ flesh and blood effects is preserved. The damage done we do not understand.
Smaller Work
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"Shield I""Shield I" 2018 36" x 72" x 8" plywood, sheet metal, acrylic sheeting, latex paint, glitter, LED lights, Incandescent light bulbs, micro-controller
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"Sparkle Tank""Sparkle Tank" 2018 36" x 72" x 22" plywood, acrylic sheeting, latex paint, glitter, LED lights, Incandescent light bulbs, micro-controller
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"Assembly I""Assembly I" 2018 7' x 16" x 8" plywood, sheet metal, acrylic sheeting, latex paint, glitter, LED lights, Incandescent light bulbs, micro-controller
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"Zig-Zag" 2018"Zig-Zag" 2018 36" x 72" x 5" plywood, sheet metal, latex paint, glitter, Incandescent light bulbs, micro-controller
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Otis Street Arts Project installation view
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"Assembly I" 2018
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"Assembly II" .jpgAssembly II 2018 8' x 12' x 8" Plywood, acrylic sheeting, LED lights, incandescent light bulbs, latex paint, micro-controller
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"The Orb"The Orb 2018 50" x 56" x 6" Plywood, sheet metal, acrylic sheeting, LED lights, incandescent light bulbs, latex paint, micro-controller
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"Assembly II" and "Triangle" Installation view"Assembly II" and "Triangle" Installation view
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"Triangle" and "The Orb" Installation view"Triangle" and "The Orb" Installation view
Plaza
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Scott Pennington, Plaza, Baltimore MD, 2016
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The Zipper
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The Spider
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The Motel
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PlazaNight shot of PLAZA
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The Fibonacci
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PlazaDaytime installation view. Several of Plaza's benches can be seen among the structures.
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The ZipperDaytime view of The Zipper
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The MotelDaytime view of The Motel
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The FibonacciDaytime view of The Fibonacci
Carnival Interior
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Scott Pennington, Carnival Interior, 2015
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Carnival Interior
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Carnival InteriorUpholstered banquette detail
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Carnival InteriorWooden duck detail.
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Carnival InteriorInstallation shot from "Carnival Interior" 2015
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Carnival InteriorWooden ducks and carnival wheel
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Carnival InteriorView of entry way from inside of the installation
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Carnival InteriorInstallation view from entry
SuperGame!
Introduced at Baltimore’s Artscape in July of 2014, SuperGame! inhabits a large colorful structure with a nostalgic carnival aesthetic. Game operators invite festival goers to interact with the installation by playing 5 classic carnival games, each with a twist based on contemporary culture. Players are rewarded for playing each of the five games with a custom-designed hand stamp.
In the evening SuperGame! is lit by an elaborate series of programmed LED lights, designed specifically for this piece, which are integrated into the structure. Game play is accompanied by a lively sound track of new and old songs as well as sound pieces created by contributing artists.
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Political Punk RackA classic punk rack, also know historically known as ‘Tip the cat’ in the case of SuperGame!, the targets were politicians, celebrities, and TV personalities. Players threw bean bags printed with images of shoes, to try and topple their favorite, or least favorite president, despot, or wild card celebrity. Game design in collaboration with Melissa Webb.
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Danger Beach Ball RollPlayers manipulated a tilting play field to maneuver a ball thorough various ocean-themed obstacles and safely reach the beach! Game play is accompanied by lights and sounds reminiscent of an old school pinball machine.
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Battleship Duck PondA twelve-foot battleship houses a classic duck pond. Try your luck, pick a duck!
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World Destruction Ring TossA classic ring toss, but in the SuperGame! version, players threw rings around objects that they wanted to save from certain environmental destruction, such as toy dinosaurs, unicorns, and a Gene Simmons doll, sparing them from catastrophic earthquakes, volcano eruptions, and tidal waves. Game design in collaboration with Alishea Galvin and Alicia Puglionesi.
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Black Hole Corn HolePlayers threw bean bags printed with satellites into a small hole on a spinning disc. A direct hit popped a balloon, stopping alien invaders from emerging through the black hole and conquering the earth… Game design by Adam Franchino.
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SuperGame!Overall view, opposite angle
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SuperGame!Nighttime view
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SuperGame!View from above, atop the ferris wheel... Photo by Katherine Crosby
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SuperGame!Overall view