Work samples
About Peggy
Peggy Fox is a photographer, painter, and mixed media artist. She grew up outside Philadelphia and moved to Baltimore in 1962.
Combining her own photographic images and paint on worked aluminum, allowing the surroundings to reflect back into the work, her narrative also reflects the dilemmas of being human and in this time.
She also combines and reworks her images in her computer to make archival pigment prints.
Her mural for the Maryland Transit Authority, … more
"Morality Tales "
" Morality Tales" are a series of transparencies and paint on worked aluminum.
....and I supose that is where my visual stories begin; with a photograph of mine, a setting, or a person and then a metaphorical story emerges, collaged and painted, and carved into the aluminum.
The works in“Morality Tales” are an ongoing commentary about man’s folly; personal, political and environmental, and my attempt to illustrate the things we humans grapple with confronting our human dilemmas.
For many years I was an independent , commercial photographer. I did documentary, editorial and institutional work; a career that allowed me into many worlds, and I was free to roam, to find the story. . Now, I use the photographic image less as I make my stories, relying more on drawing,hand work and allowing the work to inform me.
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"Waterfall "jpgTransparencies and paint on aluminum 36x36
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"Yin Yang and the Garden of Eden"
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"The Big Wave, After Hokusai"paint and transparencies on worked aluminum . 36x24"
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"Teeter Totter State of the State"paint and transparencies on worked aluminum . 36x36"
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"Shaking House, Blind Justice"
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"Ladies Room at the Senator"
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Masks San Miguel%22 oil paint & transparencies on worked aluminum 12x12jpeg.jpeg
"Relax,, While The Enemy Exhausts Itself." 36"x24"nTranspatencies and paint on aluminum.
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"Ouroboros".jpg36X24 Transparencies and paint on aluminum
More Morality Tales
“More Morality Tales” are archival pigment prints, digitally created from my files, and some with painted mats.
I was raised on the Greek myths, and Grimms & Anderson's fairy tales, and I suppose that is where my visual stories began.
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"Hommage to St Francis & St George "three painted Gelatin silverpoints 16x20" with painted mat.
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Que Pase?"Que Pase? t"wo gelatin silver prints 16x20 with painted mat.
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"On Palentine Hill""On Palentine Hill%22 Archival Pigment Print with Painted mat.
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"Stalker" archival pigment print with painted mat.~.jpg"Stalker" archival pigment print with painted mat.~.jpg
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Roman Walls"Roman Walls"archival pigment print
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"Drawn Skin""archival pigment print
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"Everywhere Eyes"Archival pigment print
Spain From the Train and Other Landscapes
This series began after I developed a love of photographing through windows of moving vehicles. While unsuccessful at shooting from a car, I took these images either from the window of an airplane, or from the window of a train. A viewpoint that reveals a narrative, a patterning of the land, and the freedom of applied color.
. The photographs themselves are the sort of images I delight in finding.
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"Orange Olive Groves"
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yinyangPainted Transparency on colored paperon black board.
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Indigo Hills Spain from the Train & Other Landscapes painted transparency 13x19 on colored paper mounted on black foamcore 20x 25jpg.jpg
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"The Rose Plateau"
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Two Pink Hills.jpgTwo Pink Hills
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Pink Ribbon Road .jpg
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Steps and TerracesFirst, it's a land abstraction. Looking closer one sees the steps on the terraces, adding their own geometry.Painted transparency on colored paper, on black foam core 20x25.
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%22Roadside, Spring in Sicily%22 (Spain from the Train & Other Landscapes) painted transparency 13%22x19%22 on colored paper mounted on black foamcore 20%22x25%22 $800.jpg"Red Earth, Sicily" (Spain from the Train & Other Landscapes) painted transparency 13"x19" on colored paper mounted on black foamcore 20"x25"
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Road to Lalibella Spain from the Train & Other Landscapes painted transparency 13%22x19%22 on colored paper mounted on black foamcore 20%22x25%22 .jpg
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The Yellow Road. Spain from the Train Painted transparency on colored paper mounted on foamcore 20v25'jpg.jpg
Particles All and other Invisible Phenomena
PARTICLES ALL
This work attempts to explore visually and poetically, what
can only be understood mathematically and cannot be seen by the eye at all.
After a career of photographing people, places and things, I rediscovered my interest in abstraction, as well as a delight in exploring the place where physics and eastern philosophy intersect. These images are not illustrations; rather they explore such statements as “It has been concluded that the visible universe represents only a small part of the universe. The rest is formed by an invisible substance called dark matter. It’s existence has been suggested by experimental evidence, yet it’s characteristics remain unknown.”
These images, particles or pearls tossed across the cosmos, wonderlands of theory, are an attempt to translate that theory into poetic imagery.
The work consists of archival pigment prints 51x35, and painted and worked aluminum with transparencies.
All the things we cannot see .The virus, the lies, the illusions.I started this series in march 2020.As I progressed with this thought I included images from the "Just Before Times".
What Started as minimalist has evolved, and other images drawn in, and color is back.
Glass beads and oil paint on worked aluminum. Sizes range from 12x16 to 36x36.
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Invisible 1."Invisible 1" All the things we cannot see. Glass beads and oil paint on worked aluminum 36x36 2020
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Invisible 2Black spray paint, Glass balls on worked aluminum 24"x24" 2020
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Invisible 6.jpgWorked aluminum with black paint and glass balls 24x24"
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Invisible 4.jpegWorked aluminum Black spray paint and glass balls.24x24" 2020
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Invisible 5 .jpgGlass balls and oil paint on aluminum
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"Dark Matter"Archival pigment print 56x34
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Fundamental ConstantArchival pigment print 56x34
13 Ways of Looking
Ten of the 13 images are shown. Additional images available upon request.
Lost In the Cosmos
In creating and designing this ten foot by twohundred foot publick mural, I wanted to give people something to think about as they waited for the Train. I ecided to make a visual toy of travel. I layered images and patterns, intersecting planes and fractured dimentions. The viewer, like Alice in wonderland, is drawn into a story of star dancers, an elopement on the subway, and a cow jumping over the moon.
I collaged my own photographs with star maps, and had 30x40"black and white prints produced. I then painted the prints, which were then scanned, screened and fired on 4x10 foot porcelaine panels. This resulted in a permanent wall, resistant to damage by the elements and cleaning.
I collaborated with the architectual/ engineering team from the initital planning stages, integrating the work into the architectural design.