Work samples

  • Waterfall
    "Waterfall"

    oil paint and transparencies on aluminum 36x36

  • Yin/Yang In The Garden Of Eden
    "Yin/Yang In The Garden Of Eden"
  • The Big Wave, After Hokusai.jpg
    "The Big Wave, After Hokusai".jpg
  • Singularity   from Particles series .jpg
    "Singularity " from Particles series .jpg

    "Singularity" the center of a black hole. all the laws of physics break down completely, and even time and space disappear. Transparencies and paint on aluminum 36x24

About Peggy

Baltimore County

Peggy Fox is a photographer, painter, and mixed media artist. She grew up outside Philadelphia and moved to Baltimore in 1962.

Combining her own photographic images and paint on worked aluminum, allowing the surroundings to reflect back into the work, her narrative also  reflects the dilemmas of being human and in this time.
She also combines and reworks her images in her computer to  make archival pigment prints.

Her mural for the Maryland Transit Authority, … more

"Morality Tales "

" Morality Tales" are a series of transparencies and paint on worked aluminum.
....and I supose that is where my visual stories begin;  with a photograph of mine, a setting, or a person and then a metaphorical story emerges, collaged and painted, and carved into the aluminum.

The works in“Morality Tales” are an ongoing commentary about man’s folly; personal, political and environmental, and my attempt  to illustrate the things we humans grapple with confronting our human dilemmas.

For many years I was an independent , commercial photographer. I did documentary, editorial and institutional work; a career that allowed me into many worlds, and I was free to roam, to find the story. . Now, I use the photographic image less as I make my stories, relying more on drawing,hand work and allowing the work to inform me. 

 

  • Waterfall jpg
    "Waterfall "jpg
    Transparencies and paint on aluminum 36x36
  • Yin Yang and the Garden of Eden
    "Yin Yang and the Garden of Eden"
  • The Big Wave, After Hokusai
    "The Big Wave, After Hokusai"
    paint and transparencies on worked aluminum . 36x24"
  • Teeter Totter State of the State
    "Teeter Totter State of the State"
    paint and transparencies on worked aluminum . 36x36"
  • Shaking House, Blind Justice
    "Shaking House, Blind Justice"
  • Ladies Room at the Senator
    "Ladies Room at the Senator"
  • Masks San Miguel%22 oil paint & transparencies on worked aluminum 12x12jpeg.jpeg
    Masks San Miguel%22 oil paint & transparencies on worked aluminum 12x12jpeg.jpeg

    "Relax,, While The Enemy Exhausts Itself." 36"x24"nTranspatencies and paint on aluminum.

  • Ouroboros.jpg
    "Ouroboros".jpg
    36X24 Transparencies and paint on aluminum

More Morality Tales

“More Morality Tales” are archival pigment prints, digitally created from my files, and some with painted mats.

I was raised on the Greek myths, and Grimms & Anderson's fairy tales, and I suppose that is where my visual stories began.

 

  • Hommage to St Francis & St George
    "Hommage to St Francis & St George "
    three painted Gelatin silverpoints 16x20" with painted mat.
  • Que Pase?
    Que Pase?
    "Que Pase? t"wo gelatin silver prints 16x20 with painted mat.
  • On Palentine Hill
    "On Palentine Hill"
    "On Palentine Hill%22 Archival Pigment Print with Painted mat.
  • Stalker archival pigment print with painted mat.~.jpg
    "Stalker" archival pigment print with painted mat.~.jpg
    "Stalker" archival pigment print with painted mat.~.jpg
  • Roman Walls
    Roman Walls
    "Roman Walls"archival pigment print
  • Drawn Skin
    "Drawn Skin"
    "archival pigment print
  •  Everywhere Eyes
    "Everywhere Eyes"
    Archival pigment print

Spain From the Train and Other Landscapes


 
This series began after I developed a  love of photographing through windows of moving vehicles. While unsuccessful at shooting from a car, I took these images  either from the window of an airplane, or from the window of a train.  A viewpoint  that reveals a narrative, a patterning of the land, and  the freedom of applied color.
. The photographs themselves are the sort of images I delight in finding.

  • Orange Olive Groves
    "Orange Olive Groves"
  •  yinyang
    yinyang
    Painted Transparency on colored paperon black board.
  • Indigo Hills Spain from the Train & Other Landscapes painted transparency 13x19 on colored paper mounted on black foamcore 20x 25jpg.jpg
    Indigo Hills Spain from the Train & Other Landscapes painted transparency 13x19 on colored paper mounted on black foamcore 20x 25jpg.jpg
  • The Rose Plateau
    "The Rose Plateau"
  • Two Pink Hills.jpg
    Two Pink Hills.jpg
    Two Pink Hills
  •  Pink Ribbon Road .jpg
    Pink Ribbon Road .jpg
  • Steps and Terraces
    Steps and Terraces
    First, it's a land abstraction. Looking closer one sees the steps on the terraces, adding their own geometry.Painted transparency on colored paper, on black foam core 20x25.
  • %22Roadside, Spring in Sicily%22 (Spain from the Train & Other Landscapes) painted transparency 13%22x19%22 on colored paper mounted on black foamcore 20%22x25%22 $800.jpg
    %22Roadside, Spring in Sicily%22 (Spain from the Train & Other Landscapes) painted transparency 13%22x19%22 on colored paper mounted on black foamcore 20%22x25%22 $800.jpg
    "Red Earth, Sicily" (Spain from the Train & Other Landscapes) painted transparency 13"x19" on colored paper mounted on black foamcore 20"x25"
  •  Road to Lalibella  Spain from the Train & Other Landscapes painted transparency 13%22x19%22 on colored paper mounted on black foamcore 20%22x25%22 .jpg
    Road to Lalibella Spain from the Train & Other Landscapes painted transparency 13%22x19%22 on colored paper mounted on black foamcore 20%22x25%22 .jpg
  • The Yellow Road. Spain from the Train Painted transparency on colored paper mounted on foamcore  20v25'jpg.jpg
    The Yellow Road. Spain from the Train Painted transparency on colored paper mounted on foamcore 20v25'jpg.jpg

Particles All and other Invisible Phenomena

 
 
PARTICLES  ALL
 
This work attempts to explore visually and poetically, what 
can only be understood mathematically and cannot be seen by the eye at all.
 
 After a career of photographing people, places and things, I rediscovered my interest in abstraction, as well as a delight in exploring the place where physics and eastern philosophy intersect. These images are not illustrations; rather they explore such statements as “It has been concluded that the visible universe represents only a small part of the universe. The rest is formed by an invisible substance called dark matter. It’s existence has been suggested by experimental evidence, yet it’s characteristics remain unknown.”
These images, particles or pearls tossed across the cosmos, wonderlands of theory, are an attempt to translate that theory into poetic imagery.
The work consists of archival pigment prints 51x35, and painted and worked aluminum with transparencies.

  •  

All the things we cannot see .The virus,  the lies, the illusions.I started this series in march 2020.As I progressed with this thought I  included images from the "Just Before Times".
What Started as minimalist has evolved, and other images drawn in, and color is back.
Glass beads and oil paint on worked aluminum. Sizes range from 12x16 to 36x36.

  • Invisible 1.
    Invisible 1.
    "Invisible 1" All the things we cannot see. Glass beads and oil paint on worked aluminum 36x36 2020
  • Invisible 2
    Invisible 2
    Black spray paint, Glass balls on worked aluminum 24"x24" 2020
  • Invisible 6.jpg
    Invisible 6.jpg
    Worked aluminum with black paint and glass balls 24x24"
  • Invisible 4.jpeg
    Invisible 4.jpeg
    Worked aluminum Black spray paint and glass balls.24x24" 2020
  • Invisible 5  .jpg
    Invisible 5 .jpg
    Glass balls and oil paint on aluminum
  • Dark Matter
    "Dark Matter"
    Archival pigment print 56x34
  • Fundamental Constant
    Fundamental Constant
    Archival pigment print 56x34

13 Ways of Looking

In China I took eight photographs of goldfish swimming, swirling and swarming for food.  Recalling Wallace Stevens' "13 Ways of Looking at a Blackbird", I combined those images 13 different ways to express 13 interior states.

Ten of the 13 images are shown.  Additional images available upon request.
  • 1 Tantra.jpg
    1 Tantra.jpg
  • 2 Constellations.jpg
    2 Constellations.jpg
  • 4 Q4.jpg
    4 Q4.jpg
  • 5 innuendo.jpg
    5 innuendo.jpg
  • 6longspiral fling2.master.jpg
    6longspiral fling2.master.jpg
  • 7  thin man.jpg
    7 thin man.jpg
  • 8 Eightpointone.jpg
    8 Eightpointone.jpg
  • 9 one of nine circles.jpg
    9 one of nine circles.jpg
  • 10 tenstream .jpg
    10 tenstream .jpg
  • 11 fishgirl .jpg
    11 fishgirl .jpg

Lost In the Cosmos

A commision by Peggy Fox from the Maryland Transit authority.
In creating and designing this ten foot by twohundred foot publick mural, I wanted to give people something to think about as they waited for the Train. I ecided to make a visual toy of travel. I layered images and patterns, intersecting planes and fractured dimentions. The viewer, like Alice in wonderland, is drawn into  a story of star dancers, an elopement  on the subway, and a cow jumping over the moon.

I collaged my own photographs with star maps, and had 30x40"black and white  prints produced. I then painted the prints, which were then scanned, screened and fired on 4x10 foot porcelaine panels. This resulted in a permanent wall, resistant to damage by the elements and cleaning.

I collaborated with the architectual/ engineering team from the initital planning stages, integrating the work into the architectural design.
  • 1-MTA-lost-in-cosmos-panels-1,2,3,4-.jpg
    1-MTA-lost-in-cosmos-panels-1,2,3,4-.jpg
    The first four panels of Lost in the Cosmos"
  • lostshow2.jpg
    lostshow2.jpg
  • 08_MTA_cosmic.jpg
    08_MTA_cosmic.jpg
  • MTA all Panels.flat_.jpg
    MTA all Panels.flat_.jpg
  • background1 copy.jpg
    background1 copy.jpg
  • 17_MTA_cosmic.jpg
    17_MTA_cosmic.jpg
  • 36 Lost #24.jpg
    36 Lost #24.jpg