Foremost, my art begins with the question "What is drawing?" I work between mediums and dimensions to expand the concept of drawing that includes installation, photography, and works on paper. To further this investigation, I explore the relationship between mark making, time, space, and thinking to see how they can affect and redevelop each other. Works are composed of lines that are signs of time and, referencing artist Avis Newman, thought. Sunlight, shadow, daily life, movement, Martin Heidegger, and Eastern philosophy are influences. I work responsively in the space in-between these entities for greater reflection. That is where experimentation happens and a drawing opens to what it can be.

This ongoing series explores the question "What is a drawing?" and how dimensionality, architectural space, and time can affect the development of a drawing. Shadows cast by the sun coming through a window (in relation to architecture) are traced onto paper. 3D marks (made with dowels) are then interrelated with the 2D lines, creating a dialogue between dimensions. Works are then placed on the walls, floors, and corners of a space to converse and see what happens next.