My art questions what a drawing is and how it can affect thinking. Works are composed of marks that are signs of time and, referencing artist Avis Newman, thought. I take an interdisciplinary approach to expand the concept of drawing that includes installation, works on paper, and photography. Eastern philosophy, time,  architecture, and the everyday are influences. I work responsively between all of these entities. That is where experimentation happens and the medium opens to what it can be.
 
Recent installations, In Between Classes,  focus on temporality and the interplay of light and shadow upon architecture or geometric structures. Works explore how drawings can develop from this everyday phenomenon. They grow out of moments in time; when light enters a window or peeps through the slits in a wooden deck. Interventions are made with small scale geometric materials like cinderblocks to stir a drawing into being. Shifts in lighting and shadow are documented. Times are recorded in titles. Like Walking Drawings, they are created in the in between moments, in this case classes of the workday.