Sculpture
This is a portfolio of sculpture in clay, welded steel and cast bronze dating from 1989 to the present. I was born and raised in Washington DC where I was fortunate enough to experience the excitement and turmoil of the 1960s. My mother is an artist and my French father was a journalist during the VietnamWar (where he died in 1967 after stepping on a landmine). I lived in or traveled to other countries as a child, based often on my father's work; Campuchea ( Cambodia), Algeria after its war for independence from the French. My father was also a professor at the historically Black, Howard University.
My father's sister, my aunt, told stories of the horrors of the Holocaust (my grandmother and other family members died in concentration camps). She and my father participated in resistance activities; my young-teen age aunt hiding in a convent, teaching Jewish children new identities so they could go live with Christian families, my father and grandfather joining the French Resistance (my grandfather was tortured to death by Nazis). I would go with my father to the hospital to visit a friend of his who had driven over a landmine in Vietnam, coming eye- to- eye with the results of violence and war.
From all of these experiences I developed a world view and while I lived a priviledged life, I had some understanding of trauma. This understanding has influenced my teaching and my art work. I was raised to question authority and the assumptions of a White-dominant culture. My art teaching career has been focused on equity, and the empowerment of students through the enhancement of critical thinking skills.
My sculptural work uses the forms, color, and, at times, the merciless forces of Nature to consider the human condition- along with a dark, absurdistsense of humor. I am sensitive to the characteristics of each of the media I work with. The physicality of the work ( I studied dance as a youth) in clay and steel involves a "call and response" where I work with the medium and also incorporate what that medium does naturally. The process is more significant to me than the final result. My sense of success about the work is based on how much I have learned from the process of making it.