About Nate

Nate Larson (he/him) is a contemporary artist and documentarian working with photographic media, artist books and time-based media. His projects have been widely exhibited across the US and internationally as well as featured in numerous publications and media outlets, including Wired, The Guardian, The Picture Show from NPR, Slate, CNN, Hyperallergic, Gizmodo, Buzzfeed News, Vice Magazine, the New York Times, Utne Reader, Hotshoe Magazine, Flavorwire, the BBC News Viewfinder, Frieze… more
El Puente: On Juvenile Incarceration in Argentina (2022 - present)
For El Puente: On Juvenile Incarceration in Argentina (working title), I travel to La Plata, Argentina to work with incarcerated juveniles. I partner with El Puente Arte y Cultura, an organization that facilitates access to the arts with underserved communities, and the artist residency program Residencia Corazón. Through these partnerships, I gain regular access to four juvenile prisons near La Plata in Buenos Aires province: Centro Cerrado Almafuerte, Centro de Recepción Eva Perón, Centro Cerrado Eva Perón, and Centro Cerrado Pellegrini.
I approach this work and these spaces humbly and earnestly, eager to listen, learn, and find productive ways to contribute to this important conversation on global incarceration. The camera is a focal point in my conversations with the youth. I work by observing, photographing, and sharing images on the camera screen for feedback and further conversation. The youth are also active participants, making photographs themselves with my primary camera, secondary camera, and phone. After each visit, I share images through their personal phones (initially permitted during the pandemic and now difficult to rescind) and DMs on Instagram. Some of the portraits I made were posted on their personal Instagrams, a special kind of validation when a young person shares your image in that way.
The photographs we created together pierce my heart like an arrow, both through the powerful imagery and the challenging realities of the social conditions within these prison spaces. I will continue to work with El Puente and Residencia Corazón to identify pathways for public policy impact. I am currently working on an artist book that can be shared with both the youth and the public.
I am deeply grateful to my Argentinian collaborators, whose dedication and support have been instrumental in making this work possible: Juan Pablo Ferrar, Rodrigo Mirto, Claudia Lopez Lombardi, Mora Gutierrez, Luciano Guglielmino, Carlos Ignacio Bogino, Aime Portela Gallo, and Hanna Kratsman-Robles.
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Installation View, Decker Gallery, Baltimore, Maryland, 2023
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Almuerzo, Centro Cerrado Almafuerte, Melchor Romero, Argentina, 2023
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Ilan, Centro de Recepción Eva Peron, Abasto, Argentina, 2024
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Sin Titulo, Centro Cerrado Almafuerte, Melchor Romero, Argentina, 2024
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Ariel en la Invernadero, Centro de Recepción Eva Peron, Abasto, Argentina, 2024
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Fogata de Residuos, Centro Cerrado Eva Perón, Abasto, Argentina, 2024
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Gonzalo, Centro Cerrado Almafuerte, Melchor Romero, Argentina, 2024
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Santuario de Gauchito Gil, Centro Cerrado Pellegrini, Abasto, Argentina, 2024
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Thiago y Zamira, Centro de Recepción Eva Peron, Abasto, Argentina, 2024
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Familia, Centro Cerrado Almafuerte, Melchor Romero, Argentina, 2023
On Montegiovi (2022)
In my artistic practice, I create site-responsive portraits of communities and examine contemporary identity in both physical and digital spaces. My work as an artist strives to illuminate the peculiarities of contemporary culture and to create a record of the historical complexities of the times in which we live.
In August 2022, I was an artist-in-residence in the rural Tuscan village of Montegiovi, Italy. Having made photographs extensively in small towns in the rural United States, I wondered how the context of my practice would shift in a rural community in a new country and culture? Montegiovi currently has 172 residents, down from a peak population of around 1,000 people. I spent my month learning about the history of the village, working collaboratively to make portraits with community members, and documenting the vast and changing landscape.
I wish to gratefully acknowledge Cultivate Projects, Samuele Pii, Madeleine Keller, Joe Giordano, Valentina Peruzzi, Susan Main, and the community of Montegiovi that welcomed me into their lives. The project will be exhibited at the Villa Clara Cultural Center in Montegiovi in 2025.
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View from Montegiovi, Italy, 2022
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Alessandro in the Workshop, Castel Del Piano, Italy, 2022
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Serena and Giovanni, Montegiovi, Italy, 2022
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Gigi, Montegiovi, Italy, 2022
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Irene, Lorenzo, and Zina, Montegiovi, Italy, 2022
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Dario, Primo, and Marta on the Ranch, Montegiovi, Italy, 2022
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Chestnut, Santa Fiora, Italy, 2022
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Giancarlo, Montegiovi, Italy, 2022
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Angela and Mother, Montegiovi, Italy, 2022
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Chiesa San Rocco - Santa Elena, Montegiovi, Italy, 2022
Commodore Photo Collaborative (2021 - 2022)
In the 2019 and 2022 academic years, I worked with students at the Commodore John Rodgers School in East Baltimore as the Commodore Photo Collaborative. CJR is a Baltimore City Public School serving grades PreK-8. I loaned cameras to the student collaborators for the year to document the school community. We made photographs both separately and together, and come together weekly to discuss the nature of photographs, composition and technique, as well as what it means to make a portrait of a community. The result was two artist books, combining student photographs and my own.
For the purpose of this Baker Artist Awards portfolio, I have highlighted photographs from my contributions to the project. The artist books that include the youth photographs may be viewed on my website.
I'm grateful to my collaborators: Miya Jones, Aylin Cerezo, Destiny DeChamps, Lola Jones-Carter, and Glori Mahammitt. Thank you to the Commodore John Rodgers community for your trust. Special thanks to Michael Rennard, the CJR Gifted & Advanced Learning Coordinator, and the CJR administration for facilitating our collaboration.
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Daydreaming, Commodore John Rodgers, Baltimore, Maryland, 2019
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Damon Testing, Commodore John Rodgers, Baltimore, Maryland, 2019
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Kennedy / Fur Lining, Commodore John Rodgers, Baltimore, Maryland, 2021
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Slide to Unlock, Commodore John Rodgers, Baltimore, Maryland, 2019
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Kamira, Commodore John Rodgers, Baltimore, Maryland, 2022
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E’niya / You Got This, Commodore John Rodgers, Baltimore, Maryland, 2021
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Untitled, Commodore John Rodgers, Baltimore, Maryland, 2019
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Graduation Cake, Commodore John Rodgers, Baltimore, Maryland, 2022
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Destiny at Gateway Graduation, Commodore John Rodgers, Baltimore, Maryland, 2022
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& Middle, Commodore John Rodgers, Baltimore, Maryland, 2019
Centroid Towns (2014 - present)
Centroid Towns is an anthology documentary project studying the twenty-five cities that have been the mean center of population of the United States using photography, oral history interviews, and local archive research. The project puts a face to statistical data, chronicling these towns and their inhabitants to illuminate the ongoing social and political transformation of America. The chapters in the project completed to date examine the environmental impact of overdevelopment, historical legacies of colonial settlers, the changing face of industrial manufacturing, the evolution of American Christianity, economic pressures created by multinational corporations on small business, and civic engagement in small towns. Selections from this project have been exhibited at the Baltimore Museum of Art in Maryland, Tephra Institute of Contemporary Art in Virginia, the Mason-Scharfenstein Museum of Art in Georgia, and the VHS-Stuttgart Photogallery in Germany.
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Empire Quarry, Site of the Empire State Building Extraction, near Bloomington, Indiana, 2018
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Mill Worker, Empire Quarry, near Bloomington, Indiana, 2018
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Michael's Letters from his Incarcerated Father, Bloomington, Indiana, 2018
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Lenja and Elizabeth, Bloomington, Indiana, 2018
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Ross, at the Bloomington Catholic Worker, Bloomington, Indiana, 2018
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Regiment Von Huyn Breaching, Waterford, Virginia, 2019
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Janelle, in the Pierpoint House, Waterford, Virginia, 2019
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Laura's Silhouette Tracing, Waterford, Virginia, 2019
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Patriotic Dollar General, Olney, Illinois, 2017
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Sue and Sunshine at the Travelers Inn Motel, Olney, Illinois, 2016
Centroid Towns (2014 - present)
Centroid Towns is an anthology documentary project studying the twenty-five cities that have been the mean center of population of the United States using photography, oral history interviews, and local archive research. The project puts a face to statistical data, chronicling these towns and their inhabitants to illuminate the ongoing social and political transformation of America. The chapters in the project completed to date examine the environmental impact of overdevelopment, historical legacies of colonial settlers, the changing face of industrial manufacturing, the evolution of American Christianity, economic pressures created by multinational corporations on small business, and civic engagement in small towns. Selections from this project have been exhibited at the Baltimore Museum of Art in Maryland, Tephra Institute of Contemporary Art in Virginia, the Mason-Scharfenstein Museum of Art in Georgia, and the VHS-Stuttgart Photogallery in Germany.
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Griffy Water Treatment Plant (Drain the Swamp), Bloomington, Indiana, 2018
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Mike, at his Subsidized Studio Apartment, Bloomington, Indiana, 2018
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Rachelle after Incarceration, with daughter Mya, Bloomington, Indiana, 2019
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Simulated Window, Moll Funeral Home, Mascoutah, Illinois, 2017
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Juanita at the Frozen Foods Shop, De Soto, Missouri, 2017
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Site of the Former Shoe Company, De Soto, Missouri, 2017Site of the Former Shoe Company, De Soto, Missouri, 2017
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The Citizens of Hillsboro Warn You!, Hillsboro, Ohio, 2019
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Indiana State Police Post #33, Bloomington, Indiana, 2018
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Think American, Speak English, near Hartville, Missouri, 2016
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Pearl Harbor Reenactment, Scott Air Force Base, Illinois, 2017
Petro Masculinity (2015 - ongoing)
Dr. Cara Daggett proposes the term ‘petro-masculinity’ to describe the hypermasculine mode of support for fossil fuels, as linked to climate denial and rising authoritarian movements across the globe. Thinking about this frame, I seek with my camera to understand these macro forces at a hyperlocal level.
Fieldwork in Morocco, Indiana, is indebted to my extended family, and in particular, my brother in law, Donovan Vaughn.
Fieldwork in Belle, Missouri, was graciously supported by the Osage Arts Community. I wish to gratefully acknowledge the support of Mark McClane, Tony Hayden, John Dorsey, Ray Swaney, Nathanael Stolte, and Mindi Romani.
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Michael, Belle, Missouri, 2023
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Brandon and Barlow, Belle, Missouri, 2023
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HillyBilly Mud-Bog, Morocco, Indiana, 2015
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Racer's Son, Morocco, Indiana, 2015
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Isaac at the MotorPlex, Morocco, Indiana, 2015
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David's Derby, Belle, Missouri, 2023
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Loose Tire, Demolition Derby, Upperco, Maryland, 2019
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Dave After the Crash, Morocco, Indiana, 2016
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Motocross III, Belle, Missouri, 2023
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Car Fire, Belle, Missouri, 2023