Work samples
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My Favorite ObjectMy Favorite Object (2019, 4:54). Analog video transferred to digital. "Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods." - James Joyce
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Love-liesse - Ami DangLove-liesse (2019, 3:45)
This collaboration with musician Ami Dang was directly inspired by Ami’s interest in South Asian and Middle Eastern folktales, specifically the tragic romance Sohni Mahiwal which tells the tale of forbidden love outside the rules of the caste system which ends in the lovers' deaths. Using footage Ami shot on her travels to India and 18th century paintings of the tragic romance Sohni Mahiwal, the video mimics Ami’s process of making music, combining traditional methods with modern digital electronic methods, by using the grey & white “transparency” grid as a sort of digital liminal space—a space from which all creation begins—to allow further rumination and where the images from the paintings are transformed and reconstituted into a vast digital landscape to create a new vision. -
FORTRESSFORTRESS (2018, 3:11)
Hand-processed 16mm reversal film transferred to digital. Building a film about building a fortress. The journey is more important than the destination.
About Meredith

Her films have screened at Anthology Film Archives, Antimatter Film Festival, Athens International Film Festival, Baltimore Museum of Art, International Film Festival Rotterdam, Cosmic Rays Film Festival, Maryland Film Festival… more
My Favorite Object
Analog video tranferred to digital.
"Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods." -James Joyce
Video: Meredith Moore
Sound: Max Eilbacher
Voice: Melissa Epp
Screenings:
Antimatter Film Festival, October 2020
That One Film Festival, September 2020
Crossroads Film Festival, August 2020
Baltimore Museum of Art, June 2020
Athens International Film Festival, April 2020
Cosmic Rays Film Festival, March 2020
Kino Klub Split, Croatia, January 2020
Anthology Film Archives, January 2020
Love-liesse
Music Video for musician Ami Dang.
This video was directly inspired by Ami’s interest in South Asian and Middle Eastern folktales, specifically the tragic romance Sohni Mahiwal which tells the tale of forbidden love outside the rules of the caste system which ends in the lovers' deaths.
Using footage Ami shot on her travels to India and 18th century paintings of the tragic romance Sohni Mahiwal, the video mimics Ami’s process of making music, combining traditional methods with modern digital electronic methods, by using the grey & white “transparency” grid as a sort of digital liminal space—a space from which all creation begins—to allow further rumination and where the images from the paintings are transformed and reconstituted into a vast digital landscape to create a new vision.
In this new vision, the lovers do not perish in the choppy waters, instead they are happily reunited above the waters, depicted here in the late 18th century painting “Embracing Lovers with Sparklers” which shows a loving couple during Diwali, the Hindu Festival of Lights, which celebrates the triumph of light over darkness.
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Love-liesse - Ami DangLove-liesse (2019, 3:45)
This collaboration with musician Ami Dang was directly inspired by Ami’s interest in South Asian and Middle Eastern folktales, specifically the tragic romance Sohni Mahiwal which tells the tale of forbidden love outside the rules of the caste system which ends in the lovers' deaths. Using footage Ami shot on her travels to India and 18th century paintings of the tragic romance Sohni Mahiwal, the video mimics Ami’s process of making music, combining traditional methods with modern digital electronic methods, by using the grey & white “transparency” grid as a sort of digital liminal space—a space from which all creation begins—to allow further rumination and where the images from the paintings are transformed and reconstituted into a vast digital landscape to create a new vision.
FORTRESS
Hand-processed 16mm reversal film with digital effects.
Sound: Owen Gardner.
Building a film about building a fortress. The journey is more important than the destination.
Sections of the film were blocked off during the hand development process to keep parts of the film negative.
Screenings:
Anthology Film Archives
Maryland Film Festival
Athens International Film Festival
Konono Nº1 Ripoff
Music Video for Dan Deacon.
An exercise in identity, the video consists of a series of jittery 3D animated GIF portraits of a small part of the Baltimore arts scene. The 63 person cast is made up of Dan's friends, peers, and collaborators, all active artists. Each person was photographed with objects they deemed special to them- from the deeply sentimental to the highly frivolous. A 2013 time capsule.
The interactive feature lets viewers participate through the use of a smartphone app that syncs the phone to the music video and results in two simultaneous playing videos. The video on the smartphone displays a more detailed view of the objects of the cast members in the music video. The object rotates 360 degrees in either direction, depending on which way the viewer tilts their phone.