Block title

Share:

About Margaret

Baltimore City

Margaret Rorison is a Baltimore based filmmaker and curator.  Her recent films explore the visceral nature of memory and its dialogue between space and experience. She is interested in the potentials of storytelling through the use of 16mm projection and sound, often collaborating with sound artists, exploring ways in which the image and machine can converse.  Her work has been exhibited at Anthology Film Archives, Ann Arbor Film Festival, Edinburgh International Film... more

Memory of August

Memory of August
2016 | 16mm | 6m | sound

A series of moments captured in room 139. Intimate spaces of time spent with my grandmother, Margaret during a month long recovery in a rehabilitation center in Baltimore, Maryland.

Special Jury Award for Best Experimental Short, New Orleans Film Festival, 2017
Edinburgh International Film Festival, International Premiere, 2017

One Document for Hope

One Document for Hope
2015 | 16mm to digital | B/W | sound | 8m

The sterile and procedural narrative of the Baltimore City Police Scanner recorded on Monday April 27 against precious moments of gathering, celebration and protest in Baltimore from April 28 – May 3, 2015.
Documentation: Margaret Rorison
Thanks to Karl Ekdahl for providing the BCP scanner recordings.
Baltimore, Maryland 2015

Select Screenings & Exhibitions
The National Gallery of Art, January, 2018

Made in Baltimore Short Film Festival, The Creative Alliance, Baltimore, MD (Winner, Second Prize); "A Bleak Reality" curated by Tomonari Nishikawa, Uplink Theater, Tokyo; 2017 Montreal Underground Film Festival; 2017 Minneapolis St. Paul International Film Festival; Athens International Film & Video Festival Juror Screening, Athens, OH, 2017; Abigail DeVille's “Only When It's Dark Enough Can You See the Stars”, The Peale Museum, Baltimore, MD, 2016 Maryland Film Festival, Baltimore, MD 2016; Athens International Film and Video Festival, Athens, OH; Sondheim Semi-Finalist Exhibition, Decker Gallery, 2015

PULL/DRIFT

PULL/DRIFT is a project that evolved into many parts.

In 2013, Clarissa Stowell Gregory and Joshua Wade Smith collaborated on dance & sculpture for a performance involving: water, woods and raft. Clarissa & Joshua created the site-specific performance PULL / DRIFT on September 8th at Patapsco Valley State Park, Daniels Area.

For six months, Baltimore photographers/filmmakers Liz Donadio, Carr Kizzier, and Margaret Rorison documented the evolution and execution of this site-specific performance, which finalized in a gallery exhibition, Pull / Drift: In the Slipstream at Gallery CA from December 6 2013 - January 10, 2014.

The documentation that I captured from the dance performance became a 16mm film with a live sound accompaniment by sound artist, Josh Millrod. This piece premiered at Mono No Aware Festival of Expanded Cinema in December of 2013. It has been made into a video and has screened at various festival and venues since.

Throughout my documentation process of Pull/Drift, I focused on the flow of the human form and its relationship to its surrounding environments. I was interested in discovering a dialogue between limbs and hips, the curves of the land, the mechanics of flesh, the rhythmic channeling through water, grass and earth. I was captivated by how the development of motion sculptured a new sense of time and established a magical sense of ritualistic bliss.
-Margaret Rorison

CONTRIBUTORS OF PULL/DRIFT:
Director & Choreographer – Clarissa Stowell Gregory
Sculptor – Joshua Wade Smith
Additional Choreography– Jenny Berkowitz, Lily Susskind, and input from the dancers
Cinematography – Liz Donadio, Carr Kizzier, Margaret Rorison
Dancers – Jenny Berkowitz, Sarah Fask, Danielle Fistner, Hannah Friedland, Clarissa Gregory, Corey Hennessey, Amy Reid, Erin Reid, Christine Stiver, Lily Susskind, Rebecca Tischman
Costume Designer – Stephanie Santos
Music – Rod Hamilton and Tiffany Seal
Post-Production Video Editor for 5minute promo video – Maggie Schneider
Flag Designer & Lead Guide – Graham Coreil-Allen
Flag Guides – Mary Anne Arntzen, Rachel Boss

vindmøller

vindmøller
2014 | 16mm | 3m | sound

This short film is a study of the monolithic wind turbines along the shores of Amager, Copenhagen. Triple exposed on one roll of color film, then finding four generations of grain. The soundtrack is a recorded live-improvisation by artist Mario de Vega using unstable media and acoustic resonators

Winner of ORWO Award for Best Cinematography, 53rd Ann Arbor Film Festival, 2015

DER SPAZIERGANG

DER SPAZIERGANG
2013 | 16mm | 3m | sound

The film is shot on one 100' roll of 16mm color film, all of which was composed and shot in-camera. The film is made of up single frames taken during extensive walks throughout the layered historical landscape of Berlin, Germany in April 2013.

The title, DER SPAZIERGANG (The Walk) comes from a story by German-Swiss writer, Robert Walser.

Die Leute von Lichtenberg

During a three week residency at Lichtenberg Studios in former East Berlin, I made a series of pencil and gouache drawings of various notable citizens who lived in Lichtenberg, Berlin throughout the years. The portraits include anti-Nazi fighters, former Stasi members, a nurse, actors, and members of the Social Democratic Party.

The drawings were hung in a public park across the street from the studio and Lichtenberg Museum, an area that is notable for it’s complex and violent past.

Lichtenberg Landscape

A series of hand processed 35mm black and white photographs taken during a residency at Lichtenberg Studios in Berlin, Germany, December 2016. These photographs focus on the layers of historical trauma, industry that embed the landscape of Lichtenberg, Berlin.

SCANSION

SCANSION
2014 | 16mm | 7m | sound

“…in complete consciousness I understood what for me walking travel and cinema had in common. Sometimes I preferred walking, that is to say, talk
ing with my legs over speaking, which is to say, walking with my mouth- but basically, it’s the same thing”
-Serge Daney

SCANSION is a short 16mm film composed of extensive walks through various Baltimore landscapes. The film has been hand edited like a poem, where cuts function like line breaks, working to establish inherent rhythm and meter.

This documentation is an installation of my short film, running on a continuous loop with an accompanying surround sound speaker installation. The soundtrack has been compiled of field recordings taken on my walks through Baltimore City. Additional sound by C. Spencer Yeh and Lea Bertucci, voice by Kelly Laughlin.

Connect with Margaret

Margaret's Curated Collection

This artist has not yet created a curated collection.