The Miracle is an experimental horror film that uses the blurred lines between dream, reality, and found footage to tell a story of cyclical abuse on both the micro and macro level. Finished in March, 2025, I created the film in collaboration with Isaac Lucy, who both played the lead role, and created the film's haunting original score and visceral sound design, while I crafted the visuals. As of December, 2025, The Miracle has been screened at several local events and festivals including New/Next Film Fest, Baltimore Horror Film Fest, and New Works.

This is a digital collage made from photos taken throughout the last several years as well as a childhood photo of me dressed as the Grim Reaper. Ever since I was a very small child, I've been obsessed with death, what lies beyond it, and the temporary nature of everything living. This fixation has colored many of my earliest, fuzziest memories, as well as much of my day to day life. Completed in November, 2025, this piece is meant to reflect just how deep that unhealthy obsession has serplanted itself within my psyche, taking root within the darkest corners of my mind reserved for intrusive thoughts and things best left forgotten. 

Originally intended as the first installment in an ongoing web series, Pipe Dream is a surreal, science fiction short film about Emma, a trans woman with a rare type of amnesia who attempts to reconstruct her fractured memory at a clandestine clinic ran by the enigmatic Dr. Speck. With an intensely multimedia, balls to the wall maximalist aesthetic, Pipe Dream is by far my most visually dense piece of work, and was an all encompassing endeavour unlike anything I have experienced before or since. Working nearly entirely alone (other than a guest animated segment by Salt Lake City based artist, Mavis Rice), it was basically all I ever did or thought about during the summer of 2024, and for that reason it holds a special place in my heart.

This is the official music video for the song "Black Box," by the Los Angeles based band, Automatic. Officially credited as an animator and plate creator, I was responsible for creating the animated cars, TV monster (a physical sculpture that I fabricated and digitized), and some of the background elements seen in the video. Directed by Niccolò Verrecchia and Bryce Williams, the video was officially released in September, 2025 as a part of the rollout for the band's most recent album, Is It Now?

Created in June, 2025, this digital collage depicts what I imagine it was like for God to create the very first dead animal, represented here by an obliterated crow. I find myself intensely preoccupied with thoughts of "what goes on behind the scenes," imagining the universe as a computer program being manipulated by some higher power beyond humanity's comprehension. I don't mean that in the literal, simulation theory sense, but rather the idea that there is always a man behind the curtain, always some higher level of understanding to be attained, something waiting in the wings that dictates everything we do. If such a thing were to exist, then naturally the concept of death must have been born from some sort of cosmic development meeting. Is this a healthy train of thought? Probably not, but I at least find it very compelling.

This is the official music video for the song "Lover's Lullaby," by Boston based band, The Juice is Okay. Shot on tape with a grimy aesthetic, the video tells a story of love and loss where, after being designated scientifically unlovable by a computer program, a schlubby loner turns to occult magic to conjure himself a homunculus lover.  As a lover of prop design and practical effects, crafting the two unsettling creatures seen throughout the video was a particularly fulfilling task that allowed me to really revel in the yuckiness of it all. Starring Patrick Flanagan as the titular lover, the video was released in June, 2025 as part of the roll out for the album, Resynthesis in Glitterland.

Warm Hugs in Hard Times is an acrylic painting I made in June, 2023 for a album I never finished. It was created in the midst of one of the most emotionally difficult periods of my life, right before I moved to Baltimore once the anti-trans legislation back in Florida really started picking up steam. At the time it served as a comforting escape from the oppressive darkness, ensuring myself that there indeed will always be loved ones to give warm hugs in hard times.

This is the official music video I created for the song, "Jumping Spider," by the Boston based band, The Juice is Okay. An overwhelmingly colorful mixture of live action film and hand painted paper cut-out/puppet based animation, the video follows a lonely alcoholic who gets sucked into his VCR and transported to a fantastical circus populated by a variety of wacky characters. Completed in December,  2024 and starring Patrick Flanagan in the lead role, the video was one of the most intricate, labor intensive projects I have ever undertaken.

This is the front and back cover art I created for my band, Yell Occult's, debut EP, Cross Country Escapism. Composed from a variety of miscellaneous photos taken over the past several years all built around two acrylic paintings, these digital collages encapsulate the aesthetic and tone of the musical project, which itself was meant to capture the raw emotions associated with my tumultuous move from Florida to Baltimore in the summer of 2023. The EP itself was released in December, 2024, made in collaboration with my close friends, Isaac Lucy and Arianna Ganley.

MOG is an abstract short film that utilizes elements of animation and vibrant, live action footage to tell a loose narrative about violent intrusive thoughts and gender dysphoria. It was initially produced for the soft opening of a house venue/art gallery in Tallahassee, and serves as an encapsulation of many of my anxieties at the time. Created in March, 2023,  MOG was my first real foray into combining live action footage with overlaid animated elements, serving as an important landmark in my artistic journey.