At its simplest, these works are images of perception; their content fluctuates between the visible and the invisible, the presence and absence. Themes that interest me are linked to synthesis of that which is ubiquitous, trivial, marginal, shattered and displaced, and the significance of painting in technological and disposable reality. In my works I utilize eccentric and distress-evoking imagery and use overwhelming, multilayered, color-sumptuous brushstrokes. I employ dialogical transferences from one mode of representation to another, and from one genre to another analogous to incessant Instagram feeds. Facts, associative references and flashbacks are convulsing simultaneously on the surface. The coloristic spectrum in my works ricochets from impressionist’s lyrical palette to formless and lurid psychedelic blotches. My visual vocabulary cluster is enriched in personal and collective labyrinths and impressions. By employing impulsive and gestural approach, my works are condensed into energetic densities where forms and images push, usurp, assimilate and dominate by means of color, line and shape.