My next book is A Most Perilous World: The True Story of the Young Abolitionists and their Crusade Against Slavery, and will be published by Dutton Young Readers in June 2025. The book tells the story of the latest period of the abolition movement through the eyes of the four young adult children of prominent abolitionists. Set before and during the Civil War, I aim to tell a surprisingly contemporary braided coming-of-age narrative exploring questions like: what does it mean to be part of a resistance movement? what is my role in that resistance; and is the movement radical enough? 

Lucy McKim, Charlotte Forten, Lewis Douglass, and George Garrison are my main characters, and were strongly committed to the anti-slavery cause. Their parents and relatives--Frederick Douglass, William Lloyd Garrison, Lucretia Mott, Robert Forten, and James Miller McKim--were some of the most active anti-slavery crusaders in the years leading up to the Civil War. So just as important as being a part of the cause, they felt just they needed to make their own names, away from the often over-protective or disapproving shadows of the famous adults in their lives.

Their parents’ radical ideas meant that these young people had radical upbringings. Boys and girls studied in the same classrooms and schools were not segregated by race. They learned it was perfectly fine to harshly criticize the government. These young people were as committed to the anti-slavery cause as their parents, and joined the army, promoted Black culture, and fought for what they believed in. 

While researching my book Well of Souls: Uncovering the Banjo’s Hidden History, I came across the story of Lucy McKim, and how at 19 she joined her father in South Carolina during the Civil War. Her father helped John Brown’s widow retrieve his body from Harper’s Ferry and yet when Lucy actually saw slavery (not just self-emancipated people coming to their home as they made their way north), she wrote to her mother, “How lukewarm we have been.” That gives me chills--militant abolition was too lukewarm. She believed in the abolition of slavery, and the promotion of Black culture, and she went on to co-edit Slave Songs of the United States, the first book of Black music in U.S. history.

I love the idea that she, her friends, and other children of activists held unpopular ideas (like abolition and equal rights), and weren’t afraid to stand up for those ideas. Frederick Douglass’s sons Lewis and Fred Jr. helped their father’s abolitionist cause in so many ways, yet have never been thoroughly researched or written about. Given the Black Lives Matter protests and the ridiculous attacks on history through the banning of “Critical Race Theory,” I don’t think there’s a better time for this book.

As with Well of Souls and Flowers in the Gutter, I want to fully immerse my readers in the lives and viewpoints of these characters, and have spent countless hours reading 19th century letters and diaries from Lucy, Charlotte, Lewis, George, and their friends and family to bring their world to life in a way that readers today will connect with. 

Advance Praise

“Impeccable research and incredible details bring the stories of these four young people (two white and two Black) to life as they come of age in the years leading up to and during the Civil War. The inclusion of surprisingly relevant primary source materials will draw readers in, allowing them to connect the dots from this nation’s dark past to today and furthermore to arm themselves with information to work toward a brighter future.” —Kip Wilson, award-winning author of White Rose

  • Excerpt from A Most Perilous World

    This excerpt from A Most Perilous World comes from the first section, where I introduce Lewis Douglass and his family living in Rochester, New York; and George Garrison and Charlotte Forten has they see first-hand the impact of the Fugitive Slave Law of 1850, and even then begin to realize that what their abolitionist friends and family are doing may not be enough. (Please note: this is from the uncorrected proofs of the book.)

    Available for Purchase
  • At Hedgebrook
    At Hedgebrook

    In February 2024, I was incredibly lucky to receive a residency at Hedgebrook on Whidbey Island in Washington State to work on A Most Perilous World. Hedgebrook's self-stated mission is to "support visionary women-identified writers whose stories and ideas shape our culture now and for generations to come." Here, I focused on finishing my first draft of the book, which involved reading lots and lots of handwritten letters and diaries that I had only had enough time to take scans of while at the various archives I visited. I couldn't have completed this book without that support, and in my acknowledgements, I write, "This book wouldn’t be possible without support from arts organizations. The Maryland State Arts Council gave me a project grant to develop the book proposal in the fall of 2022; I had an incredible residency at The Mastheads, where this book started taking shape in the summer of 2023; and I (mostly) finished the book at a residency at Hedgebrook in February 2024. We need the arts, we need arts organizations, and we need funding for the arts both through the government on the state and local level and funding for amazing private arts organizations."

  • At the Mastheads
    At the Mastheads

    In the summer of 2023, I was awarded a residency at The Mastheads in western Massachusetts to work on A Most Perilous World. The studios were at the home of Herman Melville outside Pittsfield. Melville wasn't famous yet, but his friend Nathaniel Hawthorne was loved by one of my characters, Charlotte Forten, despite Hawthorne's unpleasant views on race. While there, I wrote an essay exploring what Forten might have thought about this place and residency. 

  • Homes of American Authors

    This is the essay that I wrote for The Mastheads while in residence at Herman Melville's Pittsfield, Massachusetts home. I was fascinated by Charlotte Forten's convictions to being anti-racist, while at the same time dealing with the white supremacist culture that invaded her everyday life. 

  • Lucy McKim Portrait at the Archive
    Lucy McKim Portrait at the Archive

    While in western Massachusetts, I had the opportunity to do research at the Smith College Archives, which hold many of the Garrison Family Papers, including Lucy McKim's correspondence. This is a photo of Lucy McKim around the time that she went to the Eagleswood School in New Jersey--a radical place for the time where boys and girls, white students and Black students were educated together under the direction of the well-known abolitionists Theodore Weld, Angelina Weld Grimke, and Sarah Grimke. 

  • Lucy McKim's Book
    Lucy McKim's Book

    I was thrilled and delighted to see a copy of the book that Lucy McKim spearheaded on display at the Smithsonian Museum of American History in an exhibit on Women in Music. It was a fascination with Lucy's unusual upbringing that brought me to the idea of writing about the Young Abolitionists. Being from Maryland and living in Baltimore, I had long wanted to write something about Frederick Douglass, and writing about his son Lewis and the abolitionist movement through that generation's eyes really opened mine.

  • Primary Source Documents
    Primary Source Documents

    In late summer 2023, I traveled to Boston to visit the Massachusetts Historical Society, which holds letters and diaries of George Garrison, and the Harvard library, which also has Garrison Family Papers. I took time to walk around Boston, which has changed a lot since the 1850s and 60s, but I still wanted to get a feel for the landscape of the city that was so important to the abolition movement. My belief in narrative nonfiction also stems from my belief in facts and truth, and so I spend a great deal of time researching primary sources in libraries and archives, and supplementing that with secondary sources (often found at the Pratt Library in Baltimore).