"Endure" has an interesting etymology. It morphs from the Proto-Indo-European root *deru, meaning “be firm, solid, steadfast,” into Latin’s indurare, meaning “to make hard” or “harden (the heart) against.” In 12th century French endurer meant “to make hard, harden, bear, tolerate, keep up, maintain.” In 14th century English we have “to continue in existence” and “to undergo or suffer (especially without breaking)”.
Children endure in the face of social issues, gender expectations, lack of power, changing technology, and the transitional nature of childhood. They become harder, both in the sense of stronger and more knowing, but also less flexible, more “set in stone.” Their identities solidify as they endure the pressures of the society in which they live.
- Katie Miller, 2014
CONNERSMITH is pleased to present Katie Miller’s second solo exhibition with the Gallery. “Enduring” features a new series of portraits painted in oil on wood panel. Miller’s works have been likened to those of John Currin and Lisa Yuskavage, yet her latest paintings engage more deeply with the master works of Hans Memling, Titian, and Bronzino.
In these paintings Miller depicts children in brilliant colors and astonishing detail. Situating live models in historically inspired poses, the artist renders breathtaking visions of contemporary youthfulness within timeless contexts. Miller’s bust- and half-length portraits of preadolescent girls and boys recall canonical portrayals of rulers and aristocrats. Her larger, full-length portraits secularize the vertical energy of resurrection and assumption scenes in Renaissance altarpieces. Nuanced emotions in the children’s faces intensify the power and mystery inherent in the paintings’ compositions.
Miller augments her young subjects with trendy accessories - toys, beads, costumes, and electronic gadgets. These common trappings of the hyper-present provoke the hierarchical formats of the past, emphasizing that “Enduring” means both long lasting and able to withstand duress. Miller draws from an age-old artistic tradition to create imagery that alludes to pressures experienced by present-day youth. Her fine brushwork produces smooth, gemlike surfaces. Subtle expressions of self-awareness reveal each child’s state of transition from childhood to adulthood. The models’ dispositions and adornments suggest that children currently face challenges such as social issues, gender expectations, power struggles, and technological absorption. If, as they endure these pressures, boys and girls become more knowing, they may also become hardened, like the alluring, impermeable pigments in which the artist portrayed them.
Katie Miller’s works are in the following collections: The Rubell Family Collection, Miami; 21C Museum, Louisville; Ognibene Collection, Washington, DC; among others.
- Jamie L. Smith, Ph.D
Press Release for "Enduring" at CONNERSMITH, 2014
Children endure in the face of social issues, gender expectations, lack of power, changing technology, and the transitional nature of childhood. They become harder, both in the sense of stronger and more knowing, but also less flexible, more “set in stone.” Their identities solidify as they endure the pressures of the society in which they live.
- Katie Miller, 2014
CONNERSMITH is pleased to present Katie Miller’s second solo exhibition with the Gallery. “Enduring” features a new series of portraits painted in oil on wood panel. Miller’s works have been likened to those of John Currin and Lisa Yuskavage, yet her latest paintings engage more deeply with the master works of Hans Memling, Titian, and Bronzino.
In these paintings Miller depicts children in brilliant colors and astonishing detail. Situating live models in historically inspired poses, the artist renders breathtaking visions of contemporary youthfulness within timeless contexts. Miller’s bust- and half-length portraits of preadolescent girls and boys recall canonical portrayals of rulers and aristocrats. Her larger, full-length portraits secularize the vertical energy of resurrection and assumption scenes in Renaissance altarpieces. Nuanced emotions in the children’s faces intensify the power and mystery inherent in the paintings’ compositions.
Miller augments her young subjects with trendy accessories - toys, beads, costumes, and electronic gadgets. These common trappings of the hyper-present provoke the hierarchical formats of the past, emphasizing that “Enduring” means both long lasting and able to withstand duress. Miller draws from an age-old artistic tradition to create imagery that alludes to pressures experienced by present-day youth. Her fine brushwork produces smooth, gemlike surfaces. Subtle expressions of self-awareness reveal each child’s state of transition from childhood to adulthood. The models’ dispositions and adornments suggest that children currently face challenges such as social issues, gender expectations, power struggles, and technological absorption. If, as they endure these pressures, boys and girls become more knowing, they may also become hardened, like the alluring, impermeable pigments in which the artist portrayed them.
Katie Miller’s works are in the following collections: The Rubell Family Collection, Miami; 21C Museum, Louisville; Ognibene Collection, Washington, DC; among others.
- Jamie L. Smith, Ph.D
Press Release for "Enduring" at CONNERSMITH, 2014
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A Girl with Bright Colored Hair - detailoil on panel / 20 x 16 inches / 2013 / This painting has accents of metallic oil paint in the hair and earring. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
A Girl with Bright Colored Hairoil on panel / 20 x 16 inches / 2013 / This painting has accents of metallic oil paint in the hair and earring. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
Boy with a Muscled Sleeve - detailoil on panel / 28 x 22.75 inches / 2014 -
Boy with a Muscled Sleeveoil on panel / 28 x 22.75 inches / 2014 -
Youth in a Party Hat - detail 2oil on panel / 34 x 23 inches / 2013 / This painting has small touches of interference, and metallic oil paint as accents on some portions of the hat. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
Youth in a Party Hat - detail 1oil on panel / 34 x 23 inches / 2013 / This painting has small touches of interference and metallic oil paint as accents on some portions of the hat. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
Youth in a Party Hatoil on panel / 34 x 23 inches / 2013 / This painting has small touches of interference and metallic oil paint as accents on some portions of the hat. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
Girl Behind a Tinsel Veil - detail 2oil on panel / 40 x 24 inches / 2014 / This painting has small dabs of interference and metallic oil paint on the strands of tinsel and the shirt’s rhinestones. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
Girl Behind a Tinsel Veil - detail 1oil on panel / 40 x 24 inches / 2014 / This painting has small dabs of interference and metallic oil paint on the strands of tinsel and the shirt’s rhinestones. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person. -
Girl Behind a Tinsel Veiloil on panel / 40 x 24 inches / 2014 / This painting has small dabs of interference and metallic oil paint on the strands of tinsel and the shirt’s rhinestones. The effect is subtle, adding an extra bit of luminosity when viewing the painting in person.