Work samples

  • Negotiating Gun Violence in Student Screenplays (PP & Text, University Film & Video Association, 2022)

    In my academic work, I delve into the pervasive trend of students incorporating guns into their narratives. Drawing from my personal experience as a victim of gun violence at the age of 17, coupled with the disturbing rise in school shootings and societal violence, my research addresses the urgent need for alternative approaches in student storytelling.

  • Mi Shebeirach (Eight Very Bad Nights, Soho Press Anthology, 2025)

    Soho Press will publish a collection of today's best crime fiction writers with an anthology of crime stories that take place over Hanukkah, a companion collection to their crime anthology taking place at Christmas called THE USUAL SANTAS. The tentative tile is EIGHT VERY BAD NIGHTS. I wrote my short story "Mi Shebeirach" about Molly Blaze, a character I have written about before in my short story "Wheelwoman."

    END NOTE | I was asked to contribute a story shortly after learning of the loss of Gabe Hudson, a terrific writer, advocate and educator in the writing community. As a tribute ot him and the great empathy he shared with the world, I dedicated this story to him, as he came as a great inspiration.

  • Kill These Motherf***ing Trolls! (Best Characters in a Feature Script, BNW Web Fest, 2022)

    LOGLINE | When an elite group of mercenaries prepare for a simple mission to recover a lost Civil War treasure, they learn of ungodly monsters that await them, but little do they know the monsters are already here.

    This 25-page unproduced short screenplay won the Best Characters in a Short Screenplay in the Baltimore Next Media Filmfest in 2022. This short piece continued to grow into the feature film GOON SQUAD MOTHERFUCKERS! also included here. 

  • Nemesis (Best Dark Comedy Short Screenplay, Houston Comedy Film Festival, 2020)

    Winner of the Houston Comedy Film Festival for Best Dark Comedy Short Screenplay, Nemesis is about a bored middle-aged man suffering a mid-life crisis hires a middle school teacher to be his nemesis.

    This short film is currently in development and being produced by Pinto Pictures. 

About Ross

Baltimore County

Ross Angelella is an award-winning educator, screenwriter, and novelist. He is the author of the irreverent and twisted coming-of-age novel Zombie (2012). His short fiction has appeared in various journals, including Hunger Mountain, Sou’wester, The Literary Review, Coachella Review, and Southampton Review. His original screenplays have won numerous awards, most recently “Best Comedy Short Script” at the Houston Comedy Film Festival (2020) and “Best Characters in a Screenplay” at the… more

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SCREENPLAYS

As the creator of these genre screenplays close to my heart, I find myself in the humble space between imagination and vulnerability. Each script is a testament to a personal journey, a reflection of the stories that stirred within and begged to be shared on screen, in both strange and meaningful ways. Genre becomes not just a canvas for storytelling but a medium through which I explore the depths of my own fears, hopes, anxieties and curiosities. The genres chosen are not merely artistic choices but intimate revelations, peeling back layers of my own understanding and unveiling narratives that resonate with me.

These screenplays are more than tales; they are fragments of my own experiences, colored by plot twists and character arcs, crises of faith and conflicts of the heart. The heart of these screenplays remain in the quiet moments of creation, where the lines between fiction and reality meet, and I find solace in the act of giving life to stories that have lived within me. Welcome to this humble collection, where the personal meets the genre, and storytelling becomes an intimate dance between creator and creation.

  • Goon Squad Motherfuckers! (Feature Screenplay)

    LOGLINEA team of American mercenaries, on a mission in a Caribbean jungle to recover Christopher Columbus’ lost treasure, find themselves hunted by trolls.

    In January of 2022, I was 90-ish days away from being a 42-year old dad to a little girl. I was wrapt with anxiety and over-whelmed with fear. This is when the idea of the troll script came to mind. I had written a short script with a similar premise, and decided to expand it into a feature screenplay, focused on the anxiety, fear and warmongering of the 1980s. But really, at the end of the day, it is about me being a parent of at 42.

  • Kill These Motherfucking Trolls! (Best Characters in a Short Script, BNW Web Fest, 2022)

    LOGLINE | When an elite group of mercenaries prepare for a simple mission to recover a lost Civil War treasure, they learn of ungodly monsters that await them, but little do they know the monsters are already here.

    This 25-page unproduced short screenplay won the Best Characters in a Short Screenplay in the Baltimore Next Media Filmfest in 2022. This short piece continued to grow into the feature film GOON SQUAD MOTHERFUCKERS! also included here. 

  • Nemesis (BNM WebFest, Finalist, Best Dark Comedy Short Screenplay, 2020)

    LOGLINE | A short-tempered businessman, suffering a mid-life crisis, interviews a Christian grade school math teacher to be his nemesis.

    BACKGROUND | Ten years ago I was scrolling through Craigslist when I happened upon an ad of a man looking to hire someone to be his nemesis. He was serous about it. He felt stuck in life and was suffering a mid-life crisis and needed a jolt to his system. I saved the advertisement until I knew how I wanted to use it. This was the story that came about years later -- NEMESIS -- which went on to not only be a finalist in the Baltimore Next Media Wefbest in 2020 for Best Dark Comedy Short Screenplay, but is now in-development with Pinto Pictures to be made into a short film. 

SHORT FICTION

In my stories, the ordinary collides with the extraordinary in unexpected ways, mixing suspense, horror, humor and wit to transcend conventional boundaries. Each story is a glimpse into the depths of human experience, exploring the complexity of emotions and the delicate balance between reality and imagination. From the mundane to the fantastical, navigating the surreal or delving into the intricacies of the human psyche, I aim to make my readers feel and see some aspect of themselves reflected back, but not always in how they expect or even hope.

  • Mi Shebeirach (Eight Very Bad Nights, Soho Press Anthology, 2025)

    Soho Press will publish a collection of today's best crime fiction writers with an anthology of crime stories that take place over Hanukkah, a companion collection to their crime anthology taking place at Christmas called THE USUAL SANTAS. The tentative tile is EIGHT VERY BAD NIGHTS. I wrote my short story "Mi Shebeirach" about Molly Blaze, a character I have written about before in my short story "Wheelwoman." END NOTE: I was asked to contribute a story shortly after learning of the loss of Gabe Hudson, a terrific writer, advocate and educator in the writing community. As a tribute ot him and the great empathy he shared with the world, I dedicated this story to him, as he came as a great inspiration.

  • Does She (Short Fiction, The Southampton Review, 2019)

    The short story "Does She?" presents a series of probing and intimate questions that delve into the narrator's emotional turmoil and distress over a romantic betrayal. The narrative adopts a stream-of-consciousness style, reflecting the chaotic and intense thoughts racing through the narrator's mind. The questions cover a spectrum of emotions, from insecurity and jealousy to explicit and dark scenarios.

    The repetitive nature of the questions highlights the obsessive nature of our thoughts in such situations, revealing the depth of our pain and anguish. The narrator appears to be grappling with feelings of inadequacy, betrayal, and a sense of loss. The questioning also explores themes of identity, self-worth, and the impact of infidelity on one's psyche.

  • The End Is Bear _0.pdf

    "The End is Bear" is a complex narrative that explores themes of loss, identity, and the quest for meaning. The story unfolds with a brutal honesty that captures the raw emotions of the protagonist as he grapples with the sudden death of his wife and the subsequent unraveling of his life. The narrative delves into the protagonist's struggle with grief and his attempts to cope through his writing. The reference to the bear as an ongoing script waiting to be fed with more words becomes a metaphor for the protagonist's inability to conclude or find closure in the face of death. The repetition of "the end is near" underscores the sense of impending doom that haunts the protagonist.

  • The Hammer and the Flame (Short Story, Kelp Journal, 2020)

    This short story, "The Hammer and the Flame," explores themes of identity, generational expectations, and the impact of biology on destiny. The narrative is presented through the perspective of a woman reflecting on her hands and the contrasting expectations placed upon her and her father. The symbolic use of flame and hammer hands adds depth to the narrative, inviting reflection on the roles imposed by society and the desire for personal agency and strength. The final lines suggest a sense of redemption and liberation through the son's arrival, offering hope for breaking free from the constraints of history.

  • Wheelwoman (Short Fiction, Close to the Bone Publishing, 2022)

    In "Wheelwoman," Molly Blaze, a strong and independent woman, navigates the aftermath of her divorce, reclaiming her autonomy and identity. The central conflict revolves around the disappearance of her prized possession, a 1987 Buick Regal Limited T–Type Turbo, believed to be hidden by her ex-husband, Ritch, as a symbolic gesture of control and disdain for her profession.

    The narrative is framed within the emotional context of Molly's divorce proceedings, highlighting her resilience and pragmatism. Molly's character is portrayed as unapologetically tough, a characteristic that sets her apart from the emotional vulnerability displayed by her ex-husband. Despite their differences, the story subtly explores the complexity of their past relationship, revealing moments of tenderness and connection.

  • A Good Hour (Short Fiction, Failbetter, 2020)

    This short story portrays Ransom, a copywriter, spending his lunch break observing the demolition of a church. The narrative hints at Ransom's impending job loss later in the day, possibly setting a tone of personal and professional instability. The destruction of the church becomes a central event, symbolizing change and upheaval.

    Overall, the story explores themes of change, detachment, and the subjective nature of value. The destruction of the church serves as a backdrop for the characters' reactions, allowing for a reflection on their relationships and the broader implications of upheaval in both personal and communal aspects of life.

  • Horse and His Fishermen (Short Fiction, Textshop Experiments, 2019)

    "Horse and his Fishermen" presents a gritty and atmospheric snapshot of a coastal bar, its patrons, and the impending storm that becomes a metaphorical and literal force within the narrative. This story combines elements of gritty realism with a touch of the surreal, crafting a vivid and compelling narrative that explores the dynamics of a coastal community in the face of both internal and external storms.

  • The Room of Ransom Black (Short Fiction, MicroLit Almanac, 2022)

    After a stay in a small, dimly lit hotel room, I began to write this short story and found myself immersed in the atmosphere of Ransom Black's solitary existence. The first-person perspective allowed me to observe the mundane yet strangely captivating details of his surroundings. As Ransom stood by the dresser, meticulously counting coins next to a typewriter, I could sense an air of quiet contemplation that permeated the room. My aim was to immerse the reader in the protagonist's solitary world, painting a vivid portrait of a man grappling with routine, isolation, and enigmatic past events.

  • Light Like Gunshots (Short Fiction, Close to the Bone Publishing, 2020)

     

    "Light Like Gunshots" unfolds as a fragmented narrative, revealing layers of the protagonist's life, past experiences, and present predicaments. The disjointed structure, interspersed with memories and present events, contributes to the overall sense of disorientation and emotional turmoil. This story weaves a complex narrative that explores the intersections of trauma, relationships, and existential questioning. The fractured structure and the protagonist's internal musings create a poignant and enigmatic reading experience. The story prompts reflection on themes of intimacy, violence, and the search for meaning in a tumultuous existence.

NOVELS

In writing my debut novel ZOMBIE, my foremost objective was to fashion a compelling metaphorical narrative that transcends the traditional confines of a zombie novel. Rather than a literal exploration of the undead, the novel serves as a symbolic landscape, delving into the complexities of personal transformation, societal decay, and the haunting nature of one's own demons.

Through the characters and the seemingly savage, dystopian world they navigate, I aimed to construct a metaphorical commentary on the struggles inherent in the human condition. ZOMBIE is not just a story about survival against external threats; it's an allegory for the internal battles we all face—existential crises, inner conflicts, and the relentless pursuit of purpose in a world that often seems surreal and disorienting.

The novel becomes a mirror reflecting the fractured aspects of the human psyche, challenging readers to confront their own fears, insecurities, and the masks they wear in the daily performance of life. By weaving a tapestry of metaphorical richness, my aim was to engage readers in a thought-provoking journey that invites introspection and fosters a deeper understanding of the profound, sometimes unsettling, aspects of the human experience. 

Moreover, it serves as a coming-of-age story in a world that is on the brink of destruction, or at least so it seems to our teen hero, where he must fight to survive and ave those he loves.

  • ZOMBIE Novel copy_0.pdf

    DESCRIPTION | Fourteen-year-old Jeremy Barker attends an all-boys Catholic high school where roving gangs of bullies make his days a living hell. His mother is an absentee pillhead, his older brother a self-diagnosed sex-addict, and his father disappears night after night without explanation. Jeremy navigates it all with a code cobbled together from the zombie movies he’s obsessed with: Night of the Living Dead, 28 Days Later, Planet Terror, Zombieland, and Dawn of the Dead among others. The code is put to the test when he discovers in his father’s closet a bizarre homemade video of a man strapped to a bed, being prepped for some sort of surgical procedure. As Jeremy attempts to trace the origin of the video, this remarkable debut moves from its sharp, precocious beginnings to a climax of almost unthinkable violence, testing him, and the reader, to the core.

    BLURBS

    Available for Purchase

ACADEMIC PAPERS

In my academic work of late, I delve into the pervasive trend of students incorporating guns into their narratives. Drawing from my personal experience as a victim of gun violence at the age of 17, coupled with the disturbing rise in school shootings and societal violence, my research addresses the urgent need for alternative approaches in student storytelling.

Recognizing that guns often serve as a superficial shorthand for character emotions, I introduce an innovative method inspired by Sakichi Toyoda's exploratory questions. Through a series of repetitive inquiries, I guide young writers to explore the depths of their characters' interior lives, emphasizing empathy and understanding over the default use of gun violence. The research aims to challenge the prevalence of weapons in student screenplays, urging creators to excavate characters' root cause pain for a more nuanced and authentic portrayal of human drama. By promoting empathy as a central element in storytelling, my work advocates for a shift away from stylized violence towards narratives that are both compelling and socially responsible.

  • Negotiating Gun Violence in Student Screenplays (PP & Text, University Film & Video Association, 2022)

    PowerPoint & Text included.

    TITLE Negotiating Gun Violence in Student Screenplays: Teaching Young Writers to Examine and Develop Characters’ Unknown Needs in Their Narratives; or How to Fight ‘Cool Characters Wielding Weapons’ with Empathy and Understanding

    BRIEF DESCRIPTION Students love to write guns into their narratives. But just as tears can offer a less interesting shorthand to a character’s sadness, guns are often a poor substitute for something much more dynamic—a character’s root cause need. Through a series of repetitive exploratory questions developed by the Japanese inventor and industrialist Sakichi Toyoda, I guide young writers to excavate the interior lives of their characters through empathy and understanding, rather than defaulting to the easy, passive aggression of gun violence.

PODCASTS

As a storyteller, I am always looking for opportunities to make creative writing accessible to the masses. Too many times have I had the conversation with a talented writer who feels they are unable to enter the storytelling world due to lack of schooling or education or knowledge. Podcasts are an excellent avenue to signal boost our shared love of craft and storytelling. My participation in these are paramount in that mission statement, in both sharing personal experiences with new writers developing their skills as well as examining professional content through an entertainment lens.

  • LitHub's Literary Disco: Episode 203 -- With Violence All Around Us, What Does It Actually Mean For a Book To Be a Crime Novel?

    LITHUB | Literary Disco launches a new format with a new “Genre Season.” Each episode of this season, we’re going to dive deep into a particular literary genre, exploring what defines it, what makes it work or not work, interviewing authors, talking to fans, scholars, whoever can help us unlock what it is that makes a genre a genre. With our second episode episode, Julia, Rider, and Tod find a body, a clue or two, maybe even some justice, as they undoubtedly confront the darkness and the human heart as they talk crime. This week, their special guests are private investigator Lee Lofland, author of Police Procedure & Investigation: A Guide for Writers; Melissa Chadburn, author of A Tiny Upward Shove; and writer Ross Angelella.

  • UCR Palm Desert Center: Lit Flicks Binge Fest: Bosch Season 6

    UCR | This is part of the University of California Palm Desert's community series where authors watch movies based on books and talk about them. Authors J.R. Angelella and Tod Godlberg discuss season six of the TV show Bosch, how it was adapted from the novels, what works, how and why it works, where it falls short, and favorite moments.

    PERSONAL | I love the books with the character Harry Bosch, and especially love the television show of the same name. At the onset of the pandemic, the world was quarantined to their homes and many turned to television shows as an escape. In an attempt to keep critical engagement and creative thought thriving in public channels, I was invited to discuss the latest season release of the show and discuss the storytelling as a novelist and screenwriter. We had over 100 live viewers during its broadcast.