A room with many doors, all opening to many different times and places. Crossing the plane of one could uproot everything or do nothing at all. Our mirrored image repeated endlessly, curling into different possibilities and manifesting the potential outcome of each decision. From this precipace we could gaze down on and evaluate everything. A room with no boundary, turning perpetually from edge to edge and back on itself. To see everything, and know finally what to do with absolute assurance. 
"I have seen such a place..."
"Will you take me there?"

Omni-Threshold re-presents ideas that have grown seperately and defines my growth within a specific methodology. These works span four years in seperate groups in my studio. I have attempted to make new pieces that are distinctive from the last. The barriers between them break down when viewed alongside each other. Certain approaches are repeated and enhanced when they are seen this way. Viewing the work all together eliminates the sequence of their creation. The changes I've made to my practice are not apparent and they all appear awakened from within the same vision. 

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    From left to right: Via Mocht, Psareve Valley, Avarrane Mantefall, Before the Snare, A Vessel for Holding Attention, Structural Technicality, Qij Presser, Gleone Surface Treatment {Installed in Abington Art Center}
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    From left to right: Miirs Shard, Garranchite, Red(y), Red(b), Shifting Plates of Teschak {Installed in Abington Art Center}
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    From left to right: Prima Facie, Zzernofas Mixed Plates, Deep Ridiculous, Together in the Crypt {Installed in Abington Art Center}
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    From left to right: Red(y), Red(b), Shifting Plates of Teschak, Meyier Plane, Emoboy {Installed in Abington Art Center}
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    From left to right: Via Mocht, Psareve Valley, Avarrane Mantefall, Before the Snare {Installed in Abington Art Center}
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    From left to right: Prima Facie, Zzernofas Mixed Plates, Deep Ridiculous, Together in the Crypt {Installed in Abington Art Center}
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    From left to right: A Vessel for Holding Attention, Structural Technicality, Qij Presser, Gleone Surface Treatment {Installed in Abington Art Center}
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    From left to right: Okay Decline, Unabated {Installed in Abington Art Center}
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    From left to right: Miirs Shard, Garranchite {Installed in Abington Art Center}
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