Work samples

  • Progress:Regressed
    Progress:Regressed

    Warrior Angel figure armored ironically in stereotypical domestic "home & hearth" found objects. This female warrior's legs end at ankles and her feet are replaced by rusty wheels which are sunken into concrete symbolizing her forward progress in society as being impeded by society itself. This piece was my reaction to Roe v Wade being reversed and she has various vintage kitchen gadgets used as armor as well as fireplace screen as her skirt and in the area where her reproductive organs lie, I used an egg slicer, a vintage coin changer, and a hasp with a padlock. 

    Her hair is represented by chain and her wings which I use in place of arms (symbolizing disability to make decisions)  are railroad tracks. I create my own head (machine works for inside) and attach to a highly manipulated mannequin on which I attach my found objects. 

  • Iron Horse
    Iron Horse

    This piece references what I consider a non-romanticized version of "how the west was won" in that the horse is static and rusted and stands tiredly on a desolate piece of sparse dry land represented by rusted brown and embellished with found objects such as railroad tracks ( a play on "iron horse") and agricultural or metal items that add to the narrative. I find a toy horse, remove the middle and replace with a machinery filled caged torso that refers to "horse power". I have replaced the plasticity of the former mane and tail with chains that are bike and/or window sash chain that I also rust with muriatic acid. I carefully prep the toy horse before painting with reactive metal iron paint that after having an activator turns into real rust and not a faux finish. I do this to the wooden base as well and this reactive paint continues to rust an affect the metals that touch it and I like this aging process. I typically add machine parts from deconstructed "obsolete" machinery like adding machines and typewriters as a nod to both repurposing things that only can be in landfills but also to my being a late career assemblage artist. 

  • Swan
    Swan

    Fashioned from a variety of naturally white found objects or those I whitewashed this swan is great example of pareidolia at play. This is a psychological phenomenon that causes people to see patterns or images in random or vague stimuli. It's a type of apophenia, which is the human tendency to find patterns in random information and in this case it's recorders, tongs, dice and dominos and salad spoons or railroad tracks. A rocking chair arm becomes the graceful neck and is twined with surveyors tape. The fanned tailfeathers are a carpenters ruler. 

About Michelle

Specializing in enigmatic and thought provoking pieces, Michelle Lamb manipulates found objects, re-contextualizing them to fit uniquely unconventional narratives. Her meticulous treatments cause these objects to appear so integral to one another they become an intriguing and satisfying riddle for the viewer to identify. She has received numerous awards, and has had art displayed at Republic Plaza, various art venues around the state and is part of the collection of Kaiser Permanente, the… more

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Seahorse

Using found objects in a brass tone along with a wood substrate fashioned from found pieces of wood, I created this almost steampunk looking seahorse. I did a copper/bronze reactive paint on the box it rests in and it's patina had the lovely verdigris that I enhanced with aqua acrylics to give it a contrasting backdrop. The spines are spliced together chess pieces and most of the body are drawer pull backing plates, among various other bits and pieces I had to mill and hammer to fit curve of the fish. 

  • Seahorse
    Seahorse