The paintings in this grouping are informed by the expansive experience of a place as one is engaged with the marking of time through the witness of subtle changes in light, shape, and color. Broadening on processes in other portfolios, this work explores the limits of all four edges of the painting, expanding the fields of vision as opposed to drawing inward toward a collection of bodies. This imagery is influenced by interactions with nature, creating paintings with no horizon lines, and the only spatial orientation being the movement within the composition and the interplay between forms and forces. These are painted on a flat surface with a liquid medium, and so the painting is an immersive act where the artist disrupts the plane with an assortment of thoughts and then begins to coax out references by relying on memory of color, shape, and light.