I was invited by the Virginia Museum of Contemporary Art to create work for their exhibition "More than Shelter." After I expressed the interest to shift the focus of my women's bedroom series to depict transitional spaces used in time of need, the museum facilitated a partnership with the YWCA of South Hampton Roads. I was invited to visit the YWCA  women and family emergency shelter and create a drawing depicting one of the rooms.  A few days prior to my scheduled visit, a woman had unexpectedly vacated her space. I was granted access to photograph the room as she left it behind. From these photos I stitched together a composite and then drew it to scale from the viewpoint of the room's doorway. Shown is Room number 3 as it looked on May 12th of 2022.

This series of drawings depicts architectural structures located in the city of Baltimore, my hometown. This work initially stemmed from a place of loss. As I grieved the death of my father, who was an architect, I used representations of physical structures to attempt to create an external vessel to hold my immense feelings of grief. I found these structures by exploring the City on foot, by bike, or by car. By building space and form through the layering of charcoal marks, I created tonal landscapes, rendering both the city and my internal world. As the work progressed, I developed an increased interest in the interplay of presence and absence, where the tangible and intangible become intertwined.

In January of 2018, David Native Son Ross and I performed a collaborative crankie. A crankie is a scrolled panorama, and for our performance I created 15 drawings of East Baltimore. As I cranked through the drawings, David performed a spoken word piece he specifically wrote to accompany the images.  Included here is a video of the performance and a few of the drawings. Once the performance was completed, the crankie scroll was cut up and sold.