Work samples

  • Evolving Cities: Architecture of Transformation

    Custom code, artificial intelligence, ultra wide format 7-channel video projection installation and ultra wide stereo sound installation inside corporate financial space. 2024.

  • Augmented Ocean

    Augmented reality mural. 2024.

  • Alchemical/Elemental: no evidence against me but the specter evidences

    Custom code, artificial intelligence, polycarbonate, monitor, and sound. 2023.

    This installation is part of Millikin's tine-based exploration into occult practices, including how alchemical transmutation could be a strategy for social change. The video reflection system is based on the "pepper's ghost" illusion from ghostly stage shows of the Victorian era. The audio is created with an AI trained on noises from factory machinery and internal organs.

  • "CHARYBDIS-3"

    “CHARYBDIS-3” is an infinitely spiraling video vortex, created by artificial intelligence trained on endangered species of Virginia, and projected on to a waterfall. The video zooms into the eyes and eye-like features of flora and fauna, mutating from one form of wildlife to another. This project uses computer vision, facial recognition, and machine learning to explore different ways humans might see and learn from other species. The vortex can be considered a possible portal to a different world, and an invitation to look deeper, from different perspectives, into Virginia’s threatened wildlife. This series is named after Charybdis, the whirlpool-creating creature from Greek mythology.

     

    Title: CHARYBDIS-3

    Medium: Artificial intelligence, custom code, video projection, waterfall

    Year: 2021

    Dimensions: Variable

About Eric

Eric Millikin is an American artist based in Baltimore, Maryland, (previously in Detroit, Michigan, and Richmond, Virginia) with over 30 years of experience creating computer, internet, video, biological, and artificial intelligence artwork. Millikin comes from a working-class family, growing up in a mobile home in the woods of rural Michigan. He is a first-generation college student and National Merit Scholar who earned his BFA from Michigan State University where he created AI-generated… more

Evolving Cities: Architecture of Transformation

Custom code, artificial intelligence, ultra wide format 7-channel video projection installation and ultra wide stereo sound installation inside corporate financial space. 2024.

  • Evolving Cities: Architecture of Transformation

    Custom code, artificial intelligence, ultra wide format 7-channel video projection installation and ultra wide stereo sound installation inside corporate financial space. 2024.

Augmented Ocean

Augmented reality mural. 2024.

  • Augmented Ocean

    Augmented reality mural. 2024.

Night of the Lepus

Live code sound and video performance. 2024

  • "Night of the Lepus"

    Live code sound and video performance. 2024

"The Dance of the Nain Rouge"

“The Dance of the Nain Rouge” is an experimental decolonial Detroit demonology deepfake dream dance documentary, based on the legend of the Nain Rouge (“Red Dwarf") of Detroit. According to folklore and urban legend, the Nain Rouge is a supernatural shape-shifting native being who was brutally attacked by xenophobic colonists and has since been seen dancing as an omen of successful rebellions by the oppressed, having reportedly been seen before events such as the victory of Chief Pontiac at the Battle of Bloody Run in 1763 and the 1967 Detroit Rebellion against racism and police brutality. Besides short stature and redness, the Nain Rouge is known for dance, metamorphosis, and cross-species collaboration, having according to “Myths and Legends of Our Own Land” (1896) “directed the dance of black cats” and “had power to change shape.”

The video, soundtrack, and voiceover are all created with custom artificial intelligence systems, programmed and trained on a hacked-up second-hand MacBook laptop to minimize environmental destruction and maximize class warfare.

The video is based on an AI trained on Victorian era public domain photos of spiritualists and factory workers (including the Ford Motor Company River Rouge factory), early 20th century dance, science fiction, and horror film stills, as well as microscopic images of red blood cells and telescopic images of red dwarf stars. The soundtrack is created in part from an AI trained on stethoscopic recordings of human, carnivorous plant, and fungus organs, and also radio waves from space. The narration is a prose poem written by an AI programmed to start from the first line of “The Nain Rouge” from “Myths and Legends of Our Own Lands” (1896), end with the last line of “The Nain Rouge” from “Legends of Le Detroit” (1884), and the text in between is based on other contemporary “Red” texts: Edgar Allan Poe’s “The Masque of the Red Death and Other Tales” (1892 collection), Sir Arthur Conan Doyle’s “Round the Red Lamp: Being Facts and Fancies of Medical Life” (1894), Leonora Blanche Alleyne’s “The Red Fairy Book” (1890), Stephen Crane’s “The Red Badge of Courage” (1895), “The Grand Grimoire” also known as “The Red Dragon” (likely from the 1800s, claims to be from 1521), and Karl Marx’s “Das Kapital” volumes 1-3 (1867-1894).

  • "The Dance of the Nain Rouge" (Trailer)

    “The Dance of the Nain Rouge” is an experimental decolonial Detroit demonology deepfake dream dance documentary, based on the legend of the Nain Rouge (“Red Dwarf") of Detroit. According to folklore and urban legend, the Nain Rouge is a supernatural shape-shifting native being who was brutally attacked by xenophobic colonists and has since been seen dancing as an omen of successful rebellions by the oppressed, having reportedly been seen before events such as the victory of Chief Pontiac at the Battle of Bloody Run in 1763 and the 1967 Detroit Rebellion against racism and police brutality. Besides short stature and redness, the Nain Rouge is known for dance, metamorphosis, and cross-species collaboration, having according to “Myths and Legends of Our Own Land” (1896) “directed the dance of black cats” and “had power to change shape.”