National, state, and local parks preserve the nation's historic and cultural resources, natural landscape, native habitats, and remaining wildlife. I first experienced the Park system in my teens. I was always photographing where I was, drawing sketches and collecting bits of debris from trail sides, tidal pools, and roadways. I've maintained those visual memories cataloged in large, purple boxes, each marked with a bit of blue painter's tape. Abandoned bird, wasp, and hornet nests plucked from the ground and brush, preserving each from decay. Jagged bits of pale white, orange, and purple shells pocketed on beach walks; brown, torn, and perforated leaves of every variety, size, and shape; small bits of dead tree bark, birch white, and walnut brown; mammoth, gourd sized pinecones from the west coast and delicate, cylindrical cones from Maine; brick red and grey-speckled stones of all shapes; umber hued bits of oddly shaped oxidized metal; geometrically shaped ocean glass in shades buff-green, dusty blue and translucent white; disregarded, often fingerless work gloves; the crumpled skeletons of armless, lens-less eyewear; countless sketches on stained cardboard, scrap paper, and plywood and photographs; hundreds and hundreds of photos. Each artifact is a memory. Each memory an image; each image holds the potential for new work.
Our health and, at times, our sanity depends on being able to get outdoors. The use of parklands trails and open spaces has doubled since the Covid pandemic began, as has the thoughtlessly inappropriate disposal of trash, animal waste, and general disregard for the landscape of our parklands. Our parklands change as we use them. We have to find a way to coexist.
Our health and, at times, our sanity depends on being able to get outdoors. The use of parklands trails and open spaces has doubled since the Covid pandemic began, as has the thoughtlessly inappropriate disposal of trash, animal waste, and general disregard for the landscape of our parklands. Our parklands change as we use them. We have to find a way to coexist.
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Sedimentary Limestone- Blue RidgeFrom various entry points in Virginia to Asheville, NC, by way of Fancy Gap, I’ve made the drive 100 times on my way to and from southern destinations. It’s slow traveling, but the views and overlooks are worth the time. I travel the Blue Ridge in the fall. That’s when my exhibitions are scheduled in this part of the country; the waning deciduous leaf color combined with adelgid devastated hemlocks gives the ride an at times somber feel. But, I enjoy the quiet, the slow pace, the misty fall colors, and the absence of trucks. Plaited copper over a turned wood substructure, knotted steel wire, chemical patina, polychrome 17" x 7" x7" -
Great Smoky MountainsLate summer in the Smokys north of Gatlinburg, Tennessee. Recycled materials gathered in gatlinburg, woven copper, chemical patina, polychrome 24" x24" x2" -
Acadia National Park-SeawallWaves continually crash on this easterly point of land. Rocks are tossed from the tiny sand beach strip inland; as tides roll in, heavier stones are piled on and around smaller ones. Tidal pools form, filled with life; they perish and persist in the continually changing landscape. Plaited copper, multiple chemical patinas, recycled materials polychrome 24" x 24" x 2". -
Appalachain PlateauPassing through the Cumberland Mountains on my way to Chicago, September 2017. I have a 13-hour drive in front of me, but from my vantage point on 68 west, as I exit Sideling Hill road cut, I have to pull over, the spectacular fall foliage spills over the valleys in front of me. Just glorious. 20 minutes later, I am on my way, a few photos taken; I ponder sleeping in my van in the Elkhart truck stop that night. Copper over a turned wood substructure, knotted steel wire, chemical patina, polychrome 9' x 9.5" x 9." -
Eclipse from BeaverbrookNovember 2020. Pandemic, social unrest, economic strain, and the brief glimpse of a penumbral lunar eclipse. Hope springs eternal. Plaited copper, multiple chemical patinas, recycled materials polychrome 24" x 24" x 2". -
ShenandoahDriving south on 81, to my left lies the park. The Skyline Drive runs its length. The decision of a moment, I take the road less traveled and arrive in Atlanta a day late but happier. Woven Copper. Chemical patina and polychrome. 24" x 24" x 2" -
BandelierI parked and immediately noticed 2 signs."Extremely Narrow Canyon" and "Those with heart conditions do not proceed". I had been told only the most physically fit should consider scaling the steep-walled canyon paths of Bandolier; disheartened I began to turn back. Then I noticed 2, 300lb. tourists in flip-flops exiting the canyon. What the hell! Ignoring the warnings I scramble with little difficulty to the top. My Dad always said don't take no for an answer. 24" x 24" x 2" -
Sunspots on BeaverbrookPicnicking at my friend's home in rural West Virginia, we somehow got around to discussing astronomy when Jean Pierre said he knew a method to view sunspots. I said I had never seen a sunspot except in a book. So he got out his telescope, focused on the sun, and then projected the image onto my salad stained, no longer, white lunch plate. Viola! Sunspots Copper, chemical patina, polychrome 24" x 24" x 2" -
Echo Lake Beach-Acadia National ParkThere must be 100’s of Echo lakes in the world but, to anyone who has ever visited Maine, Echo lake means only one thing, Echo Lake Beach in Acadia National Park. A crystal clear freshwater lake at the foot of Beech mountain. In the early morning, before the crowds arrive, it’s a serenely quiet and contemplative space often glazed in grey morning mists 24" x24" x2" -
Water coursing through Rocky Gap gorgeRocky Gap gorge in western Maryland with the rhododendron and mountain laurel in bloom. Copper, chemical patina, polychrome. 24" x24" x2".