Early in the Pandemic, Brooklyn, NY-based artist, Christina Massey, began to collaborate with her artist friends, each sending beginnings of works to each other to complete. In addition to trying to recapture a feeling of normalcy and maintain an art community connection during a time of isolation when the world was shut down, she was also doing a form of Mail Art. This time, however, the mailed art was intended to specifically support the Postal System while the former president was actively working to sabotage the system.
I was already going to the Post Office regularly to send off the many masks I was making for specific people (by now at least 100), I am a fan of Mail Art in general, and I was as upset as Massey was about what was happening politically, so I decided to reach out to some people, and eventually to participate in her project. It turned out to be a saving grace for me during that time, and it helped me get back to my own work (in progress). The images here include a “start” from my artist friend with the result that I completed and sent to selected shows that Massey organized.
I was already going to the Post Office regularly to send off the many masks I was making for specific people (by now at least 100), I am a fan of Mail Art in general, and I was as upset as Massey was about what was happening politically, so I decided to reach out to some people, and eventually to participate in her project. It turned out to be a saving grace for me during that time, and it helped me get back to my own work (in progress). The images here include a “start” from my artist friend with the result that I completed and sent to selected shows that Massey organized.
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Lyndie1.jpgLyndie Vantine sent me a silkscreen print of colorful brush strokes that she created in the 1990s. -
2648161-large.jpgI added a tangle of lines and drew into the brush strokes using colored pencil. This was exhibited at Pelham Art Center, Pelham, NY, and Ely Center for Contemporary Art, New Haven, CT. -
IMG_0117.jpegPatti Tronolone gave me a watercolor start, one side of which I cut and attached to its opposite side on watercolor paper. There is no image of the origninal before cutting. She also created a collage from small starts that I gave her, but did not participate in the exhibition portion. -
2647557-large.jpgI drew into Patti's washes with pastels and charcoal pencil. After creating the new drawing, I cut the image an additional time, remounting the left side form onto foam core to create a dimensional difference. This was exhibited at Pelham Art Center (and was purchased). -
LoriRoundsPrint.jpgLori Niland Rounds sent me this portion of a block print she created ca. 1990s. She folded it up like a "fortune telling game", the way I had done with the image I sent. -
PandemicPoem6.jpgThis was the first of three collages I created after removing the negative space from Rounds' print. It was meant to be exhibited at Ely Center for Contemporary Art, but due to an accidental snafu it was not hung. -
PandemicPoem7.jpgThis is the second of three collages I made with the positive material from Lori Niland Rounds' print. It was exhibited at Sunset Art Studios, Dallas, TX. -
PandemicPoem8.jpgThis is the third of three collages I made with the positive material from Lori Niland Rounds' print, using up the remaining small pieces. It turned into some kind of bird. It was exhibited at Sunset Art Studios, Dallas, TX.