Continuing my explorations of the concept of home, I build upon this idea by constructing domestic interior settings that unrobes our performative nature presented to society and exposes the intimate and private moments that occur behind closed doors. In this exhibition I present jarring juxtapositions, commanding portraits, and sumptuous scenes of spliced reality. Extracting components from family photo albums, vintage magazines, and found imagery the seamless fragmented layers delve into themes of gender roles, representation, sexuality, identity, relationships, and racism through the artistic medium of collage. Behind closed doors entangles viewers in a seductive web of self-examination begging to ask the question who are we when no one is watching?
  • If Looks Could Kill #1
    If Looks Could Kill #1
    Collage, 25x30, 2022
  • If Looks Could Kill #2
    If Looks Could Kill #2
    Collage, 25x30, 2022
  • If Looks Could Kill #3
    If Looks Could Kill #3
    Collage, 25x30, 2022
  • Sticks and Stones
    Sticks and Stones
    Collage, 7x10, 2022
  • Let It Burn
    Let It Burn
    Collage, 9x15, 2022
  • Smoke Signals
    Smoke Signals
    Collage, 9x15, 2022
  • Wifey Material
    Wifey Material
    Collage, 12x15, 2022
  • Close The Blinds
    Close The Blinds
    Collage, 13x9, 2022
  • Mirror Mirror (Who's The Baddest Of Them All)
    Mirror Mirror (Who's The Baddest Of Them All)
    Collage, 12x8, 2022
  • If Looks Could Kill #1
  • If Looks Could Kill #2
  • If Looks Could Kill #3
  • Sticks and Stones
  • Let It Burn
  • Smoke Signals
  • Wifey Material
  • Close The Blinds
  • Mirror Mirror (Who's The Baddest Of Them All)