Work samples
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Being Black
This piece is a meditation disguised as a chant what started as a poem and challenge during covid with a simple structure but a truly expansive in meaning. Through repetition and affirmation, the poem transforms language into rhythm and rhythm into truth. The phrase “Being Black” becomes both a grounding and a celebration, looping like a mantra that insists on presence, pride, and recognizing who I am then loving who I am.
What appears simple in this piece unfolds as deeply intentional. Lines like " Color of my skin, Love this Melanin, It's the skin I'm in and I love it" operate as both self-love and resistance, reclaiming joy in a world that has historically tried to deny it. The repetition is not redundancy, it is ritual and sacred.
The piece reaches its emotional and conceptual apex when paired with visual footage from the 2020 protests and excerpts from the Black Panther 10-Point Program. This juxtaposition grounds the poem in lived history, reminding the viewer or consumer if
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Why
This moment isn’t nostalgia. This moment is a mirror which speaks so often through my work. A reminder of what was and what still is. WHY is a song I wrote years ago addressed to America, through the body and voice of a Black queer artist. Who noticed that time has passed but the themes and feelings didn’t. Reimagined with the brilliance of Mykst Ancestree, Beautifully choreographed by Brittney London featuring Sade Morgan & Nia June, shot by Khamaree Owens & Katie Simbala, edited by Khamaree Owens. Written and performed by Ashley Yates, creatively known as Black Assets.
Inspired by the work of Darlene Cain and her organization Mothers on the Move and Mothers Against Gun Violence.
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Soul's Grasp
About Ashley
Ashley Lakayla Yates, known by the stage name Black Assets, is a dynamic queer masculine-of-center vocalist and songwriter whose art reflects the lived experience of Black people in America. Born in Itta Bena, Mississippi, raised and based in Baltimore, Maryland, Black Assets blends gospel roots and blues grit with the pulse of rock and modern neo-soul but with “bounce”. An interdisciplinary, international recording artist, she has performed in over 20 countries, including Algiers, Taghit,… more
A Soul Stage- Founder
A Soul Stage is an immersive, multi-sensory performance platform that transcends traditional boundaries of music, art, and storytelling. It’s a space where the raw essence of the Black experience is brought to life through soulful performances, visual art, and community engagement. With each event, "A Soul Stage" aims to create a profound connection between Blacks multidisciplinary mediums, the artists and the audience, fostering a shared journey of resilience, love, and truth.
A Soul Stage” seeks to amplify the voices of remarkable soul artists in Baltimore, connecting them to global opportunities and resources. As we look to expand on our previous success, our goal is to further elevate and champion the genre of soul music, continuing our tradition of partnering with local Black-owned businesses such as Adorn Vintage Furniture, Stem and Vine, Rebekah Rose, Gold Room Rehearsal Studio, Mama Koko’s, The Empanada Lady, Time Printers and more.
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A Soul Stage: A Living Sahara Recap
A Soul Stage: A Living Sahara was born from my time creating music and engaging community in the Sahara Desert, specifically in the small town of Taghit. During this period, I wrote music and toured it throughout North Africa, including Bechar and Algiers. That time deeply affirmed my purpose and practice, grounding my work in both spirit and community.
The set design reflected the culture and landscape of the Sahara, the use of carpets inspired by traditional tapestries that provide both beauty and warmth, holding history, function, and care at once. The music, too, was honest and of the people, rooted in lived experience and collective rhythm.
This body of work and performance was fully encompassing, sound, texture, story, and place and bringing this vision to life was nothing short of a blessing and an honor.
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OTR(OAD) - Live Performance
We began this journey in 2023 at the Patterson Theater. This clip features my song OTR (OAD), a reflection on life on the road and the stories gathered along the way.
The artists featured are some of my musician family: Teddy on drums, Tyler Moonlight on keys, Kimchi on bass, Pierre on guitar, Deon on auxiliary keys, Nay (aka Onyx) on background vocals (alto and tenor), and Ryanne on background vocals (soprano).
Set design was curated by me and featured pieces from Rebekah Rose, Stem and Vine, and Adorn Vintage Furniture.
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Music Micro Films
Micro Music Films
I classify my music videos as micro music films because they are not simply visual accompaniments to a track, they are fully realized cinematic experiences. Each piece is treated as a short film. These pieces incorporate intentional cinematography, narrative scripting, lighting design, character development, wardrobe direction, and symbolic visual language. The music is the spine, but the film expands the emotional universe of the song. Where the lyrics hint, the visuals deepen. Where the melody moves, the camera breathes. The films are crafted with the same discipline as independent cinema story arcs, mood boards, shot composition, color theory, and pacing are all deliberate. Lighting becomes language as seen of many of the collaborations between myself and the film directors I partner with. Silence becomes tension. Framing becomes poetry.
The themes present in my music love, lust, joy, revolution, ancestry, softness, rage, spirituality, are translated visually with texture and intention. If the song is ancestral, the visuals feel ritualistic. If the song is sensual, the lens lingers. If the song is revolutionary, the imagery disrupts. I approach each micro music film as world-building a level of space I am able to use to deepen the listeners understanding of the piece of music or the feeling I felt while writing it.
The goal is immersion to allow viewers to enter into my reality and the emotional space of the record rather than just watch it. These films are intimate in scale but expansive in meaning. They are concise yet layered, typically shorter in length but dense with symbolism, mood, and narrative depth. I hope to grow with each visual and each collaboration.
Red Rage Revelation
Adewummi pronounced {Ah-day-Woo-Mee} : emerges as a new facet of the artist known as Black Assets, a name rooted in reclamation, resistance, and creative power. As a multidisciplinary artist, Adewummi weaves together visual art, poetry, and sound to explore the depth of Black identity, memory, and ancestral reconnection.
Their debut exhibition, "RED | RAGE | REVELATION," is an immersive experience that speaks through texture, amplified sound, and striking monochromatic visuals. Each piece is an invocation, of fury, of truth, of rediscovery. Through this collection, Adewummi channels the lost and reclaimed heritage of their Nigerian ancestry, confronting the rupture caused by the Black experience in America while forging a path toward healing and reclamation.
For Adewummi, art is not just an expression, it is a tactile and sonic experience, a vessel for the voices that history sought to silence. Their work invites touch, demands engagement, and amplifies stories often left unheard.
This is more than an exhibition. This is a reckoning.
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Cover Art by Black Assets -
See Me Through The MaskingSee Me Through the Masking is an unveiling, an exploration of raw texture and the truth that lives beneath layers. Anchored by the statement “Being Black is a Miraculous Thing,” the work reflects the lived realities of inhabiting this body, this skin, and this kinship: the obstacles faced, endured, and ultimately overcome.
After experiencing a year of adversity in a role I served for seven years as director, I stood up for myself and was met with abuse until I could no longer endure it. I transformed my termination letter into a tool of creation, using it as a paintbrush to build this series, transmuting that harm into texture, rage into revelation, and erasure into presence.
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Under the Sun (Reprise) – The song, a sonic call to unity, power, and collective greatness.
Under the Sun
Have you ever looked in the mirror
Tell me what did you see Mirror Mirror
What did you see?
Was it a queen
Was beast
Was it a king
All things it could be
Ahhh Oh Ahhh Ahhh Oh Ahh
Was it a king
Was it a beast
Was it a Queen
All things it could be
Oh Yeah Yeah Ahhh
We are Gods
We are Love
It’s powerful
Basking Underneath the sun
We are God
We are Love
It’s Powerful
Basking Underneath the Sun
We’re living the impossible
All things I just gotta know
Believing every is beautiful
Both Struggles and Trials
Believing Everything is beautiful
Because you know from this you grow
Positivity and you’ll become
Dwelling well in your purpose now
We are Gods
We are Love
It’s powerful Basking
Underneath the sun
We are God
We are Love
It’s Powerful Basking Underneath the Sun
Written By: Ashley Yates, artistically known as Black Assets
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Burning Words: Underneath The SunBurning Words: Under the Sun – A declaration of presence, of resilience, of standing in the light despite the weight of history, where language and texture merge into a visceral experience about the power of oneness.
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Echoes and EmbersEchoes & Embers – Repeated statements, signifying lingering truths, scattered yet connected.
The Music and the Performance
At all times, I am a recording artist. I write constantly. I record constantly. I stay in practice because music is not something I visit, it's something I live inside of. I believe in keeping the muscle present, the pen sharp, the voice active, and the catalog growing. There is always music being created, always something new for streaming platforms, for the fans who have been with me, and for the listeners who are just discovering me.
My goal is clear: I am writing toward a Grammy. Not for validation, but for impact for my family and for me. I believe this gift is given for a reason that reason being excellence. Also for recognition of the depth and intentionality behind my craft. I am preparing for an album that captures what people experience when they see me live, because my live sound is a force. It is textured, layered, embodied. It is spiritual and now, translating that electricity into a recorded body of work is the challenge I am committed to conquering this year for Grammy consideration.
My work is rooted in deep folk storytelling, ancestral narratives that feel gifted to me through dreams, spirit, inspiration, and what I call Source. I often feel like I am remembering songs as much as I am writing them. There is lineage in my lyrics. There is inheritance in my melody.
But my artistry is not confined to one lane.
My spectrum is wide because my spirit is wide. I write about love and lust. Sex and softness. Joy and peace. Revolution and rage. Healing and hunger. I write what feels true in the moment in the inspiration and in the spirit, and what feels honest in my body. My genre bends around the emotion. Indie. Folk. Soul. Blues. Rock. EDM. Pop. Club. I don’t chase genre I respond to feeling. My spirit hears the music first, and my body delivers it in the most organic way possible. That is my sound. It is not manufactured. It is embodied.
When you experience me live, you see the passion in real time. You see the sweat, the breath, the surrender, the storytelling the way the music moves through me instead of just from me. That live experience is the blueprint. Capturing that raw, unfiltered energy on record is the album I am building now.
I am not experimenting with identity. I am refining translation turning the fullness of my live spirit into something you can press play on and feel just as deeply. That is the work.
That is the goal.
The Living Room Social- Founder
Who We Are
The Living Room Social is a platform for artist musicians and art lovers to come "Home" to enjoy art, music, people & positive vibrations while we curate and provide love language connective art and music, positive energy & soul for you and the community, in no better place than our "Living Room".
The Living Room Social is where creativity thrives, music resonates, and artistry flourishes. As an artist incubation station, music education space, artist management hub, and event curation business, we are more than just a venue, we are a vibrant community hub pulsating with positive energy and boundless inspiration.
We call the places we commune, our sanctuaries, where artists, musicians, and art enthusiasts alike converge to ignite their passions and forge meaningful connections. Here, amidst the eclectic rhythms and vibrant hues, we curate an immersive experience that transcends boundaries, inviting you to explore the depths of your creativity and bask in the beauty of human expression.
From intimate acoustic sessions to electrifying performances, from interactive workshops to curated exhibitions, every moment at The Living Room Social is infused with soul-stirring energy and boundless possibility. In our living room, everyone is family.
Our Current Challenges
As we navigate the path forward after the challenges brought by the COVID-19 pandemic, The Living Room Social stands resilient, yet mindful of the road ahead. Reinstating our vibrant community space amidst uncertain times has still been a journey marked by perseverance and adaptability. We've faced the daunting task of rebuilding connections, reigniting creativity, and restoring the heartbeat of our sanctuary. Which we have not been able to do.
But our challenges don't end there. Alongside our revival efforts, we must also contend with the ongoing need for vital funding and resources to sustain and thrive. As we strive to provide a nurturing environment for artists to grow, music education to flourish, and events to inspire, we recognize the importance of securing the support necessary to fuel our mission.
Despite the obstacles, we remain steadfast in our commitment to fostering a haven where creativity knows no bounds and where the spirit of community thrives. With your support, we will overcome, adapt, and emerge stronger together. Join us as we write the next chapter of The Living Room Social's legacy which will be a testament to resilience, innovation, and the transformative power of art.
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The Living Room Social Ministry Lofts
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The Living Room Social Meets Vent Coffee Roasters
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The Living Room Social's Love Peace & Light challenge
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Our very first public event.
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TLRS Year 1
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The Living Room Social Brings Adidas to Baltimore's Open Mic Scene
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We transitioned to in home shows throughout COVID
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The Living Room Social's Love Peace and Light Takeover at Ikea
Black Sips-Founder
Born from lineage, love, and the ritual of gathering, Black Sips is rooted in my grandmother's legacy.
Before cocktails were craft and before bars were brands, my family was already making spirits. My grandmother was a wine maker. My lineage includes moonshiners, people who understood fermentation from potato skins, the patience needed, and the sacred act of sharing drink as communion.
When my grandmother transitioned, she left me her wine recipe. As I journey toward bringing that wine back into production in my own way, Black Sips became a living bridge, my way of staying connected to her, to our ancestry, and to the communities whose influence on the cocktail industry is foundational yet too often unacknowledged. Similar to that of my people's contribution to America.
Black Sips is an extension of my creative works as Black Assets as I journey through art, sound, authenticity, and storytelling.
Whether in a hidden Baltimore speakeasy or a neighborhood bar with deep roots, Black Sips uncovers the people, rituals, and relationships behind the cocktails we love, making intentional space for Black joy, flavor, presence, and authorship in all areas of hospitality.
This platform exists to honor the makers. To slow the moment down. To tell the stories behind the glass and to bridge the gap between community, art, music, cocktails and storytelling.