Work samples
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Saan Ka Man Naroroon, Carry Me Across the Sea“Saan Ka Man Naroroon, Carry Me Accross the Sea”
Baltimore, 2023
Bamboo, Reeds, Nipa Palm, abaca, hemp, jute, Copper
Divinagracia uses a balikbayan box to create a traditional Bahay Kubo, a nipa house that is indigenous to the Philippines. The balikbayan box is a cardboard box full of foreign goods and gifts sent by OFWs (Overseas Filipino Workers) back to the Philippines for their family and loved ones at home. The balikbayan box symbolizes the spirit of bayanihan or communal unity in Filipino culture. Through “Saan Ka Man Naroroon, Carry Me Across the Sea,” Divinagracia investigates Philippine culture and the ways it shifts forms through the diaspora. A home built on the foundation of community. -
A Game of DreamsA Game of Dreams
Baltimore, 2024
Mixed Media (Wire, concrete, chain, dollar bills, inkjet print on Lustre, ribbons)
3 x 3 x 10 ft
"A Game of Dreams" reimagines the Filipino pabitin, a beloved cultural tradition where participants grasp for hanging treats and prizes. In this piece, the usual assortment of snacks and toys is replaced with items that symbolize my perception of the forces that often motivate immigration. It captures the tension between aspiration and sacrifice in the pursuit of the pervasive American Dream. “A Game of Dreams” builds on my intention to investigate the way Filipino cultural traditions evolve within the diasporic context of immigration, and the challenge of preserving these traditions while adapting to a new environment. The piece transforms the pabitin into a metaphorical playground of fear, security, perceived success, longing, and yearning. The contrast of sweet nostalgia with stark and dangerous realities invites viewers to contemplate the complex intersections of tradition, identity, and survival within the immigrant experience.Available for Purchase
About Anna
Anna Divinagracia is lens based interdisciplinary artist, whose work is inspired by her shared experiences growing up in the Philippines and coming of age in Baltimore. Born in 1997 in Davao City, Philippines, Divinagracia's artistic journey began at a young age when she discovered her passion for viewing and capturing the world around her through her camera. With a particular curiosity towards the intricacies and nuances of Filipino and American culture, Divinagracia uses her art to explore… more
Pandarayuhan
Pandarayuhan: Home is a Memory (2025)
Pandarayuhan: Home is a Memory is a solo exhibition by Anna Divinagracia that reflects on the complexities of home, identity, and longing through the lens of the Filipino immigrant experience. Rooted in personal history, the exhibition deconstructs familiar symbols and spaces of a house to reconstruct what it means to create a home, especially when shaped by two vastly different places: the Philippines and Baltimore.
The show weaves together lens-based work, sculptural installations, and alternative photographic processes that contrast the two places. Divinagracia builds a visual language shaped by fragmented memory, bureaucracy, and dislocation by using photographs, family archives, and immigration documents as recurring materials embedded and collaged into the surfaces of the work. These documents act as both personal record and visual anchor, representing the quiet, ongoing tension between belonging and uncertainty.
Pandarayuhan, meaning migration or the act of moving away, is not just about departure. It’s about the emotional labor of building something from fragments, and the quiet resistance in claiming space while also tethered elsewhere. The exhibition invites viewers to consider the quiet and often unseen details of immigrant life, the paperwork, the waiting, the adaptation.
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Skyline Village, Land of Castles“Skyline Village, Land of Castles”
Baltimore, 2024
Mixed Media
25 x 25
Available for Purchase -
Saan Ka Man Naroroon, Carry Me Across the SeaSaan Ka Man Naroroon, Carry Me Across the Sea
Mixed Media
48x32x34
Baltimore, 2023
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Perception and the Allegory of the SunPerception and the Allegory of the Sun
Baltimore, 2024
Cyanotype on cotton
40 x 32in
Available for Purchase -
A Game of DreamsA Game of Dreams
Baltimore, 2024
Mixed Media (Wire, concrete, chain, dollar bills, inkjet print on Lustre, ribbons)
3 x 3 x 10 ft
"A Game of Dreams" reimagines the Filipino pabitin, a beloved cultural tradition where participants grasp for hanging treats and prizes. In this piece, the usual assortment of snacks and toys is replaced with items that symbolize my perception of the forces that often motivate immigration. It captures the tension between aspiration and sacrifice in the pursuit of the pervasive American Dream. “A Game of Dreams” builds on my intention to investigate the way Filipino cultural traditions evolve within the diasporic context of immigration, and the challenge of preserving these traditions while adapting to a new environment. The piece transforms the pabitin into a metaphorical playground of fear, security, perceived success, longing, and yearning. The contrast of sweet nostalgia with stark and dangerous realities invites viewers to contemplate the complex intersections of tradition, identity, and survival within the immigrant experience.Available for Purchase -
This Land Will Cost YouThis Land Will Cost You
Archival Inkjet Print
24x30
Baltimore, 2023
Pamabahay
Directed and photographed by Anna Divinagracia.
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Velvet & FemiVelvet & Femi, Pamabahay 2020 -
DaniDani, Pambahay 2020 -
Diamon & WykeemDiamon & Wykeem, Pambahay 2020 -
LeeshLeesh, Pamabahay 2020 -
Jon PaulJon Paul, Pambahay 2020 -
SolarSolar, Pambahay 2020 -
DaniDani, Pambahay 2020 -
Diamon & WykeemDiamon & Wykeem, Pambahay 2020 -
Velvet & FemiVelvet & Femi, Pamabahay 2020 -
SolarSolar, Pamabahay 2020
Comfortably Numb
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JancenJancen, Comfortably Numb 2018 -
DanielDaniel, Pambahay 2020 -
LeeshLeesh, Comfortably Numb 2018 -
OmarOmar, Comfortably Numb 2018 -
ChervinChervin, Comfortably Numb 2018 -
KuyaKuya, Comfortably Numb 2018 -
JeepneyJeepney, Comfortably Numb 2018 -
BataBata, Comfortably Numb 2018 -
JancenJancen, Comfortably Numb 2018 -
DanielDaniel, Comfortably Numb 2018