Work samples

  • This Land Will Cost You
    This Land Will Cost You

    This Land Will Cost You

    Baltimore, 2023

  • This Must Be The Place
    This Must Be The Place

    This Must Be The Place
    Archival print on Lustre, wood, acrylic on foamboard, vinyl window
    56 x 42 in
    Baltimore, 2025

  • A Game of Dreams
    A Game of Dreams

    A Game of Dreams

    Baltimore, 2024

    Mixed Media (Wire, concrete, chain, dollar bills, inkjet print on Lustre, ribbons)

    3 x 3 x 10 ft


    "A Game of Dreams" reimagines the Filipino pabitin, a beloved cultural tradition where participants grasp for hanging treats and prizes. In this piece, the usual assortment of snacks and toys is replaced with items that symbolize my perception of the forces that often motivate immigration. It captures the tension between aspiration and sacrifice in the pursuit of the pervasive American Dream. “A Game of Dreams” builds on my intention to investigate the way Filipino cultural traditions evolve within the diasporic context of immigration, and the challenge of preserving these traditions while adapting to a new environment. The piece transforms the pabitin into a metaphorical playground of fear, security, perceived success, longing, and yearning. The contrast of sweet nostalgia with stark and dangerous realities invites viewers to contemplate the complex intersections of tradition, identity, and survival within the immigrant experience.

    Available for Purchase
  • Self Portrait I-485
    Self Portrait I-485

    Self Portrait I-485
    Baltimore, 2025
    Cyanotype on paper
    20 x 24 in

    Self Portrait I-485 is an immigrant self-portrait built from the paperwork required to obtain a green card. A cyanotyped image of myself is printed directly onto documents from my I-485 application, which are stitched together by hand. The labor of sewing mirrors the administrative process itself: repetitive, precise, and dependent on documentation as proof of existence.

    The piece offers a window into the bureaucratic systems that determine belonging in the United States. By using official forms as both surface and structure, the work reflects how identity is flattened into paperwork, case numbers, and approvals, and reframes these materials as the physical body of the portrait.

About Anna

Anna Divinagracia is lens based interdisciplinary artist, whose work is inspired by her shared experiences growing up in the Philippines and coming of age in Baltimore. Born in 1997 in Davao City, Philippines, Divinagracia's artistic journey began at a young age when she discovered her passion for viewing and capturing the world around her through her camera. With a particular curiosity towards the intricacies and nuances of Filipino and American culture, Divinagracia uses her art to explore… more

Pandarayuhan: Home is a Memory

 

Pandarayuhan: Home is a Memory (2025)

Pandarayuhan: Home is a Memory is a solo exhibition by Anna Divinagracia that reflects on the complexities of home, identity, and longing through the lens of the Filipino immigrant experience. Rooted in personal history, the exhibition deconstructs familiar symbols and spaces of a house to reconstruct what it means to create a home, especially when shaped by two vastly different places: the Philippines and Baltimore.

The show weaves together lens-based work, sculptural installations, and alternative photographic processes that contrast the two places. Divinagracia builds a visual language shaped by fragmented memory, bureaucracy, and dislocation by using photographs, family archives, and immigration documents as recurring materials embedded and collaged into the surfaces of the work. These documents act as both personal record and visual anchor, representing the quiet, ongoing tension between belonging and uncertainty. 

Pandarayuhan, meaning migration or the act of moving away, is not just about departure. It’s about the emotional labor of building something from fragments, and the quiet resistance in claiming space while also tethered elsewhere. The exhibition invites viewers to consider the quiet and often unseen details of immigrant life, the paperwork, the waiting, the adaptation.

  • Mom's Ref
    Mom's Ref

    Mom’s Ref
    Baltimore, 2025
    Phototransfer on wood
    36 x 24 in

    Mom’s Ref recreates my mother’s refrigerator as a domestic space shaped by immigration, accumulation, and memory. The refrigerator becomes a symbol of American maximalism influenced by market capitalism, and by the lived experience of growing up with very little. For many immigrants, abundance is not indulgence but a response to scarcity— an urge to keep, save, and hold on. Filipino refrigerators are often filled beyond capacity with mismatched containers and layered leftovers, where the contents rarely match the label, reflecting adaptation, care, and resourcefulness.

    The exterior is lined with magnets and memorabilia;
    Disney characters, the Statue of Liberty, and souvenirs from different states accross the country, incorporating images of family and loved oness in the Philippines. These objects coexist as markers of aspiration, migration, and memory. The work is interactive, inviting viewers to open and close the refrigerator(keep the fridge door closed lol). What once felt embarrassing for how full and different it was from my friends and their refrigerators now offers comfort, grounding the piece in a distinctly Filipino sense of home shaped by survival, longing, and care.

  • This Must Be The Place
    This Must Be The Place

    This Must Be The Place
    Archival print on Lustre, wood, acrylic on foamboard, vinyl window
    56 x 42 in
    Baltimore, 2025

  • Skyline Village, Land of Castles
    Skyline Village, Land of Castles

    Skyline Village, Land of Castles

    Mixed Media

    Baltimore, 2024 

     25 x 25

  • Saan Ka Man Naroroon, Carry Me Across the Sea
    Saan Ka Man Naroroon, Carry Me Across the Sea

    Saan Ka Man Naroroon, Carry Me Across the Sea

    Mixed Media

    48x32x34

    Baltimore, 2023

  • A Game of Dreams
    A Game of Dreams

    A Game of Dreams

    Baltimore, 2024

    Mixed Media (Wire, concrete, chain, dollar bills, inkjet print on Lustre, ribbons)

    3 x 3 x 10 ft


    "A Game of Dreams" reimagines the Filipino pabitin, a beloved cultural tradition where participants grasp for hanging treats and prizes. In this piece, the usual assortment of snacks and toys is replaced with items that symbolize my perception of the forces that often motivate immigration. It captures the tension between aspiration and sacrifice in the pursuit of the pervasive American Dream. “A Game of Dreams” builds on my intention to investigate the way Filipino cultural traditions evolve within the diasporic context of immigration, and the challenge of preserving these traditions while adapting to a new environment. The piece transforms the pabitin into a metaphorical playground of fear, security, perceived success, longing, and yearning. The contrast of sweet nostalgia with stark and dangerous realities invites viewers to contemplate the complex intersections of tradition, identity, and survival within the immigrant experience.

    Available for Purchase
  • This Land Will Cost You
    This Land Will Cost You

    This Land Will Cost You

    Archival Inkjet Print

    24x30

    Baltimore, 2023

  • Self Portrait I-485  and Hiraya
    Self Portrait I-485 and Hiraya

    Self Portrait I-485
    Baltimore, 2025
    Cyanotype on paper
    20 x 24 in

     

    Hiraya

    Baltimore, 2025

    Site Specific Installation

  • Ate, Tabi Tayo Dyptich
    Ate, Tabi Tayo Dyptich

    Ate, Tabi Tayo Diptych
    Baltimore, 2024
    Archival print on Lustre 
    40 x 28
    Pandarayuhan: Home is a Memory

  • They Tried to Make Me Believe in White
    They Tried to Make Me Believe in White

    They Tried to Make Me Believe in White

    Archival Print on Lustre

    Baltimore, 2024

    24 x 36

  • Lola's House on Sundays
    Lola's House on Sundays

    Lola's House on Sundays 

    Archival print on Lustre 

    Baltimore, 2024 

    18 x 24 in

Philippines/Baltimore

Philippines / Baltimore - a series of in-camera analog double exposures. 1st exposure was shot in the Philippines during my trip home at the beginning of 2025 and the 2nd exposure was shot when I returned home to Baltimore. I was shooting these images blindly, having nothing but my notes app to guide my orientation. Led by my spirit and daily walks, I aimed to shoot scenes that most reminded me of home and found ways to tether and mirror my two homes.

These photographs are part of my solo exhibition, Pandarayuhan: Home is a Memory. The exhibition runs from 10/23 - 11/22. Artist talk and opening reception on 11/21.

  • Philippines / Baltimore 1
    Philippines / Baltimore 1

    Philippines / Baltimore 1

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 2
    Philippines / Baltimore 2

    Philippines / Baltimore 2

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 3
    Philippines / Baltimore 3

    Philippines / Baltimore 3

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 4
    Philippines / Baltimore 4

    Philippines / Baltimore 4

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 5
    Philippines / Baltimore 5

    Philippines / Baltimore 5

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 6
    Philippines / Baltimore 6

    Philippines / Baltimore 6

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 7
    Philippines / Baltimore 7

    Philippines / Baltimore 7

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

  • Philippines / Baltimore 8
    Philippines / Baltimore 8

    Philippines / Baltimore 8

    Philippines - Baltimore, 2025

    Archival print on Lustre

    12 x 18 in

Pamabahay

Pambahay (2020) is in my native language Tagalog. It translates to "in the house." This project tells the story of the routines we have practiced since life outside became suspended due to the unexpected quarantine that was caused by the COVID-19 pandemic. It focuses on the comfort of home and the awareness of the beauty that is found in the everyday and seemingly monotonous actions that we take. Since the pandemic people have been given a chance to look within to appreciate the fundamental of being. Nothing is more rudimentary than the element of home. Pambahay is a photo series that captures these stories.

Directed and photographed by Anna Divinagracia.

  • Velvet & Femi
    Velvet & Femi
    Velvet & Femi, Pamabahay 2020
  • Dani
    Dani
    Dani, Pambahay 2020
  • Diamon & Wykeem
    Diamon & Wykeem
    Diamon & Wykeem, Pambahay 2020
  • Leesh
    Leesh
    Leesh, Pamabahay 2020
  • Jon Paul
    Jon Paul
    Jon Paul, Pambahay 2020
  • Solar
    Solar
    Solar, Pambahay 2020
  • Dani
    Dani
    Dani, Pambahay 2020
  • Diamon & Wykeem
    Diamon & Wykeem
    Diamon & Wykeem, Pambahay 2020
  • Velvet & Femi
    Velvet & Femi
    Velvet & Femi, Pamabahay 2020
  • Solar
    Solar
    Solar, Pamabahay 2020

Comfortably Numb

Comfortably Numb is a color series. It is an effort to visually express the frustrations of continually feeling displaced. It was created when my visa expired and I left Baltimore without a return ticket. Although I was returning home to the Philippines, I was leaving the home I have in Baltimore. Comfortably Numb is my journey to finding and maintaining peace through that challenging time. It is a collection of photographs of my experience.
  • Jancen
    Jancen
    Jancen, Comfortably Numb 2018
  • Daniel
    Daniel
    Daniel, Pambahay 2020
  • Leesh
    Leesh
    Leesh, Comfortably Numb 2018
  • Omar
    Omar
    Omar, Comfortably Numb 2018
  • Chervin
    Chervin
    Chervin, Comfortably Numb 2018
  • Kuya
    Kuya
    Kuya, Comfortably Numb 2018
  • Jeepney
    Jeepney
    Jeepney, Comfortably Numb 2018
  • Bata
    Bata
    Bata, Comfortably Numb 2018
  • Jancen
    Jancen
    Jancen, Comfortably Numb 2018
  • Daniel
    Daniel
    Daniel, Comfortably Numb 2018