Using personal imagery and memory (both organic and artificial) as vehicles for abstraction, these works become part architecture, part quilt. These forms are constructed by the process of mold making. Handmade rubber molds are pulled from personal objects. In this case: a beaded handbag. They are then cast in plastic and used as painting surfaces. These surfaces become spaces for diaristic recollection and visual journal keeping. Each painting in these dyptics is composed of personal photographs which have been filtered through a convolutional neural network. This process combines the two images , picking up forms and patterns from each that the algorithm views as a fundamental descriptor. Our own neural pathways were the blueprint for this technology. I see this filtration process as a visual metaphor for the human senses and memory.