about FIYAH!!!

this album is everything that i am and everything that i am not. i wanted to embrace all of the facets of my identity but not let those paradigms build chains around my artistic vision. this album is a queer’d journey of interrogation in order to discover the seed of my fire. realizing i didn’t need to go anywhere else but my past for inspiration, i shoveled into my upbringing of living in Baltimore, where as a youth, during humid summer days i often would here in the distance, the go ghetters having marching band practice, or how i would sneak into 17 and over nights at the paradox to be engulfed by the vibrations of the powerful subwoofers the played bmore club or vogue music all night long, or how i would love post church sunday drives with grandad, as he play the stylings of motown in his dodge caravan (sometimes he would play a mix of pfunk or mystikal tool) after witnessing the visceral beauty of gospel performances at bethal ame.

so i wondered how can i take my baltimore experiences and my hometown sound into the future where my influences of free jazz, soul, punk, and rap could be fused into one movement? i wondered how could i unleash social political critiques, emotions, and personal traumas into a musical abyss of revolution? FIYAH!!! is me wondering, questioning, climbing up a mountain into the burning bush of endless musical possibilities in a post afro futurist realm. i feel as though, this is the first established musical chapter of Abdu Ali and im excited to invite you into this journey.

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  • FIYAH!!! by Abdu Ali
    this album is everything that i am and everything that i am not. i wanted to embrace all of the facets of my identity but not let those paradigms build chains around my artistic vision. this album is a queer’d journey of interrogation in order to discover the seed of my fire. realizing i didn’t need to go anywhere else but my past for inspiration, i shoveled into my upbringing of living in Baltimore, where as a youth, during humid summer days i often would here in the distance, the go ghetters having marching band practice, or how i would sneak into 17 and over nights at the paradox to be engulfed by the vibrations of the powerful subwoofers the played bmore club or vogue music all night long, or how i would love post church sunday drives with grandad, as he play the stylings of motown in his dodge caravan (sometimes he would play a mix of pfunk or mystikal tool) after witnessing the visceral beauty of gospel performances at bethal ame. The writing within my work is inspired by
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    20190301_MG_8905.jpg
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    20190301_MG_8932.jpg
  • Chastity, Cinematic Audio Visual
    This is a cinematic audio visual for Abdu Ali's song Chastity. The principal location is a Sci-Fi church designed by Modern architecture icon Eero Saarinen. Futurist themes and radical world-building resonate in both Saarinen’s designs as well as Ali’s song “Chastity.” The church’s 1960s design is also reminiscent the era’s parliament buildings. This setting positions Ali as both a socially radical and spiritual leader. A dance sequence featuring Ali and another performer underscores themes of empathy and interpersonal relationality. While the scenes featuring modernist architecture emphasize place, in stark contrast, the dance sequences are staged in black box theater to evoke non-place expressing the psychological dimension of our conflicts and communions. The song “Chastity” his Abdu’s newest single for their forthcoming debut album “FIYAH!!!” scheduled to be released in 2019. Recognized by the New York Time’s as an artist changing the sonic landscape of Baltimore music in 2018
  • Abdu Ali makes "FIYAH!!!" from Baltimore's past and future
    A short doc by the Baltimore Sun