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Work Samples

The Biggest is The Best, excerpt from the short film, The Feast

The Feast is a stop motion animated short film, produced as part of Baltimore Rock Opera Society's Six Pack Puppet Feature. I served as Music Director, wrote and performed the score for this film with Patrick McMinn. Release date: Jan. 22, 2021. The Feast continues to be selected for film festivals and was honored with a Juror Citation at the 2021 Sweaty Eyeballs Animation Festival. Credits: Music composed by Abby Becker with Patrick McMinn. Lyrics by Abby Becker. Abby Becker on Guitar, Violin, Backing Vocals, Chord Organ, Dreadful Autoharp, 808 Drum Machine.

THE SONGSTER SERIES Presents: ABBY BECKER: hosted by BROOKS LONG

Feature / Interview with the Songster Series, hosted by Brooks Long at Creative Alliance Feb. 6, 2018. Video by Thomas Kessler. This clip includes my thinking behind my song The Bottle and my larger work with my band, Cora Sone.

The Nanjoy Sessions: Cora Sone

In October 2017, Cora Sone recorded our debut EP at a small, hand-built cabin on the Nanjemoy River. This video is a peek into the process. It features two of my original songs: a clip of "Roses" and "White Hat." The recording was made entirely by us and a few close friends on borrowed equipment (in true DIY style). We covered the china cabinet in moving blankets, made a nest for my guitar amp in the back bedroom for isolation, and ate copious amounts of pancakes.

Stop Making Sense Encore (live performance)

Road to Nowhere by the Talking Heads, Stop Making Sense encore at the Ottobar, Nov. 2019 (unreleased video by Jesse Goldstein, mixed by Patrick McMinn). This is the beautiful, messy, joyful finale to Stop Making Sense, a musical benefit and performance art piece for Baltimore Harm Reduction Coalition. I hope this clip gives you a glimpse at the joy in the room. I was one of the lead event producers and performed in the show, involved in just about every aspect of the show: casting, artistic direction, promotion, costumes, and musical interpretation.

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About Abby

Baltimore City

Abby Becker's picture
Baltimore singer/songwriter, producer, poet, & multi-instrumentalist Abby Becker’s projects range from indie rock to cinematic chamber to avant garde theatrics. She credits her musical adventures to a diverse and unique musical childhood, one informed by the square dances and old-time music of her native West Virginia, her father’s professional experience with both Debussy and Chicago Blues, and her upbringing in community theater, including the radical Yiddish theater tradition. A classically... more

Cora Sone

Cora Sone is a light heavy band from Baltimore. The trio features singer-songwriter Abby Becker on lead vocals and guitar, Patrick McMinn on modular synth, bass and keys, and Sam Balcom on drums. We achieve dreamy, glitched out, stuttering, and utterly unique sound by sending Becker’s lead vocals through the modular synth. The band started with a question: what happens when two people are playing one instrument at the same time? We grew to embrace rhythmic divergence, allowing time to expand and collapse in a style evocative of Becker's background in Klezmer music. This feeling of waiting and momentum serves as a vehicle for songs about imminence, the ethics of love, and heartbreak in the face of the every day world. Cora Sone has appeared with  Eze Jackson, War on Women, Wume, and Caleb Stine.

  • Band Photo

    Art direction by Abby Becker, photo by Greg Bowen of Human Being Productions
  • Cora Sone live at The Metro Gallery, Baltimore 3-15-19

    This song is called Killer Man. I intentionally wrote it at a walking tempo, to represent the dread that so many of us feel just from walking alone.
  • Cora Sone (self-titled)

    In April 2018, my band Cora Sone released our debut EP on fifty, limited-edition, hand painted cassette tapes. Conceived as a demo and recorded at a small cabin with a wood burning stove in Nanjemoy, Maryland this recording became much more than that. It was important that every aspect of the album have our unique stamp on it, from the ambience of the forgotten Wes Anderson fairy tale that is Nanjemoy to our painstaking mixing process to the album's release at the Mercury Theater transformed by a hanging lavender and gold rose petals.
  • EZE JACKSON + CORA SONE: The Black Friday Planned Parenthood Fundraiser @ Rituals, Baltimore, 2019

    We did a live collaboration with Eze Jackson to benefit Planned Parenthood Nov. 29, 2019. We had just about a week to pull this set together with some of his songs and some of ours and some blended together. Video by Thomas Kessler
  • Mood Board: Cora Sone EP

    I work with mood boards to visualize an album: both to guide audio/recording/shaping the songs, song order, transitions, as well as graphical representation and artwork. You will see a lot of opalescence, purples and gold, neon lights, and a sense of longing. This image is a slide from my teaching artist residency, Project Rock Star, a songwriting craft series for young people.
  • Cora Sone live at Mercury Theater

    Cora Sone live at The Mercury Theater, Baltimore City. We designed and installed every aspect of this show: lighting, projections, sound, and bar to be an immersive, multi-sensory experience.
  • Cora Sone Stage Plot

    Stage Plot for live performances

    PDF icon Cora Sone Stage Plot

Mobtown Live!

Mobtown Live is Baltimore's favorite public-access style variety television show. April 4, 2020, at the very beginning of the pandemic, I produced, co-hosted, and performed for The Great Baltimore Telethon with The Mobtown Ballroom. This very early online event was a 16-hour fundraiser for Baltimore artists and gig workers freshly out of work. I booked more than fifty acts in less than two weeks, and the event raised over $17,000 for participating artists. The Telethon was an exercise in performance art; part of the fun was to watch our skeleton crew of four descend into madness as we stayed live for 16 hours straight. The event featured dancers, puppeters, Drag Queen story hour, magic, taxidermy, music, crafting, cocktail making, hula hooping, etc. My role was as producer, curator, one woman house band, MC, and production manager. 
This glorious event evolved into a weekly live stream variety TV show, Mobtown Live which I produced with The Mobtown Ballroom and Matt Hachi Reid. Mobtown Live aired weekly for a year, Wednesday evenings live at 7PM. The program is a gesture at connection, at holding our community together while elevating the artists we love. So many featured artists told us, this is my first performance in 6 months. My artistic world is not a solo project; my work is in creating, maintaining, and elevating the community that I love and respect here in Baltimore. Guests included Mayor Brandon Scott, Comptroller Bill Henry, Eze Jackson, Bobbi Rush, Zeb Bangash, Jonathan Gilmore, Baynard Woods, Landis Expandis, and many more.

Trucker Talk

Fondly known as every puppet's favorite band, Trucker Talk started as the house band for the episodic puppet show "The Motherload" and has gone on to score an international award-winning short film, collaborate with Light City artists large scale installations, and even play music without puppets. Loosely styled as an experimental chamber group or "chamber transport" Trucker Talk is the product of four fiersome artists having way too much fun. Our members are Jessica Keyes (saxophone/flute/synth), Greg Bowen (drums/keys at the same time), Rich Kolm (bass and yips) and Abby Becker (violin/vocal effects/vibraslap). Our original album Dreams and Nightmares,  the story of a single night's sleep, is forthcoming. 

  • The Elephant's Song, Excerpt

    EXCERPT: "The Elephant's Song" tells the true and tragic tale of Old Bet, the first circus elephant in America, as recounted in song by her friend the old farm dog. Their story is portrayed in colorful, handcrafted animation, created frame by frame with clay-on-glass and oil pastel animation. The Baltimore band Trucker Talk arranged and scored this international award-winning short film directed by Lynn Tomlinson. The music was written by Sam Saper, adapted for the band's instrumentation.
  • Marigold's Theme

    Written by Abby Becker, Performed by Greg Bowen and Abby Becker. Marigold is a puppet who can't catch a break. This song appears in The Mother Load Episode 9: Time.
  • Argyle Theme Song

    Written by Abby Becker, Performed by Rich Kolm and Greg Bowen. Argyle is a MacGyver character, except that he's a sock. The song appeared in The Mother Load Episode 9: Time.
  • Trucker Talk :: Pictures at an Exhibition (Abridged)

    An original, multimedia adaptation of Modest Mussordsky's "Pictures at an Exhibition"
  • Neighborhood Lights at Brooklyn Park/Curtis Bay

    A collaboration with artist Maura Dwyer and the community of Brooklyn Park/Curtis Bay. Photo by Nicole Caracia
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    We wrote an original score to two different shadow puppet shows. Pictured is our show at Brooklyn/Curtis Bay. Photo by Nicole Caracia

Stop Making Sense: A Musical Benefit for Baltimore Harm Reduction Coalition

In November 2019, I produced and performed in a remount of the Talkings Heads classic 1983 concert film Stop Making Sense. With a core band, a different lead singer on each song, horn section, lights, projections, film, and staging this ambitious, two night show was not so much a restaging as a performance art piece. I put my heart into producing this show and was deeply involved in casting, artistic direction, promotion, and performance. It was my priority to cast a lineup that brought an unlikely, powerful group together and honor those artists by encouraging them to make the performance their own. Our team included rappers, punks, and Peabody grads, as well as dancers and theater techs. We sold out the Ottobar, raised over $4,000 for The Baltimore Harm Reduction Society, and produced a show BmoreArt called “a booster shot” for the city.

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    "Heaven" live at Stop Making Sense Photo by Brian O'Doherty
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    Photo by Brian O'Doherty
  • C&Pwithcrew.jpeg

    Photo by Brian O'Doherty
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    It was my concept to have two dancer's represent each half of David Byrne's iconic big suit. The design was brought to life by Kat Zotti. Pictured: Marissa O'Guinn Dahl and Blair Hagan. Photo by Quinton Randall.
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    Photo by Brian O'Doherty
  • amy.jpg

    Pictured: Amy Reid of Grl Pwr. Photo by Brian O'Doherty
  • StopMakingSense_DigitalPoster_10302019_0845.jpg

    Show Poster by Shannon Light Hadley
  • Screen Shot 2019-12-23 at 3.02.56 PM.png

    Feature in BmoreArt Nov. 13, 2019 || Music Director Rich Kolm and I were interviewed about the show. Abby Becker, one of the event’s main producers, notes parallels between the way Talking Heads was sort of a sponge for various musical styles and influences and the appealing expansiveness of Baltimore’s music scene. “They were art school kids who built a sort of funk band and hung out at CBGB’s with the punks,” Becker says. “The breadth of their influences make their music accessible to different kinds of people because they are completely untethered to genre.”
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    WTMD interview with Sam Sessa. Myself, Rich Kolm, and Landis Exandis appeared on The Baltimore Hit Parade.
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    Stop Making Sense: Photos appeared in Bmore Art Nov. 25th, 2019. "I was happy to buy a ticket to support the artists putting on Stop Making Sense—they all received a stipend—and to support a small organization doing valuable and life-saving work in this city.

The Baltimore Mixtape

The first ever Baltimore Mixtape Music and Arts Festival took place, May 4th - 5th, 2019 in Station North. This event, featuring over 60 acts, almost every single one of which is from Baltimore City and represented a glimpse into the rich diversity of musical genres and artistry our city has to offer. From hip hop to punk to country, we brought them together in a curated, mind blowing single weekend of celebration and inspiration. This was our love letter to the city; it's our way of holding up our community to say we are worthwhile. After the city shuttered, threatened, and drove the DIY world in Baltimore so far underground that we were effectively silenced, a lot of us wondered if that era was over. Even though I've been playing music in the city for years, I can't pretend to claim a particular scene as mine. But I was asked by a couple of friends who wanted to show that energy, that something-from-nothing spirit that is still thriving in the city and I said yes. I was deeply involved in booking and curating the diverse lineup, developing the concept, managing meetings and the production team, press (I wrote the copy, mission/vision, and press release for the festival), promotions, budgeting, permits / licensing, interfacing with venues, ticketing, logistics, stage managing, and performing. We managed to pay every single artist who took a risk playing this first-year event (despite heavy rain the second day) and year two is currently in the works.  

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Abby's Curated Collection

View Abby's favorite works from other Baker Artists