Work samples
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Soul Check 136Inspired by Shakespeare's Sonnet 136. Handmade textile book using traditional and experimental printmaking and fabric manipulation techniques. Turn to any page and the viewer will encounter the powerful poem, "If they soul check thee that I come so near/ Swear to thy blind soul that I was thy Will." 2022, 9"x16"x5"
About Suzanne
Suzanne Coley is a 2023-2024 Folger Shakespeare Library Fellow and a 2023-2024 Arizona Center for Medieval and Renaissance Studies Fellow. Her main artistic fields are printmaking, poetry, and book arts. She has pioneered the style of book making called "couture textile books," combining precision and intentionality of design with bold experimentation and abstraction. Over the past fifteen years, Suzanne has merged couture sewing techniques with embroidery and poetry in her art. Suzanne… more
Love Sonnets from Shakespeare to Baltimore 2023 (Books 21, 22, and 23)
Coley’s art often explores how trauma can materialize in cultural memory; it shines a light on overlooked or forgotten stories. Her stories are reflections of the physical, moral, and psychological struggles, encounters, and battles that are part of the human experience. Through the COVID-19 pandemic, Coley continued to create important, thought-provoking art. In addition to designing posters for the 2020–21 season of the Baltimore Center Stage theater, the artist also began a new project, “Love Sonnets, from Shakespeare to Baltimore,” inspired by conversations with Baltimore Public School middle school students. Shakespeare is not taught at many inner-city schools because of prejudicial sentiments that assume the students are not ready for it.
Love Sonnets from Shakespeare to Baltimore was supported by a grant from the Robert W. Deutsch Foundation in 2020. This ongoing project uses Shakespeare’s sonnets to create a dialogue between the past and the present. Coley juxtaposes a non-elitist approach to Shakespeare’s language with patchwork quilts and fragments from wedding dresses to create books that give a renewed vitality to the pedagogical approach to the Bard’s works. Coley hopes that the books will serve as both calls to action and symbols of hope for a more equitable world, in which barriers constructed as a result of systemic racism no longer exist.
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In Things of Great Receipt
If thy soul check thee that I come so near
Swear to thy blind soul that I was thy Will
The book opens with very graphic designs that combine traditonal quilting principles with modern fabric manipulation techniques. Fabrics are upcycled from 1960s brocade and damask evening dresses. They are combined with modern embroideries and hand manipulated techniques normally used for couture dressmaking. By combining book making techniques with couture dressmaking techniques, the final pages have a precise, purposeful appearance. -
Soul Check 136 by Suzanne ColeyInspired by Shakespeare's Sonnet 136, the bright floral cover of this book invites the reader to open it and read the contents. Cover was created with traditional heavy weight binders boards, painted cotton fabrics, and over 60 custom made polyester, plastic, and vinyl florals.
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Among A Number One Is Reckoned NoneVintage 1960s damask textiles are combined with muted floral textiles in a patchwork design inspired by "Sharecropper" quilting techniques by African American sewers from North Carolina. The larger damask textile, on the lower right hand page, was handed down to me by a nonagenarian African American seamstress in 2018.
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For Nothing Hold Me1960s gold lame fabric handed down to me from a nonagenarian African American seamstress, was hand embroidered. Other techniques used were broderie perse and appliqué.
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In Bloom, center page
Hand carved linocut printed on newspaper and cotton with embroidery. This is a center page from the handmade textile book In Bloom. This page is in response to the following lines 2-4 in Shakespeare's Sonnet 18:
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
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In Bloom
Handmade book inspired by Shakespeare's sonnet 18, Shall I compare thee to a summer's day. The pink floral cover, made entirely from textiles, reminds us of the beauty of Spring and rebirth. Creating flowers from fabric, although beautiful and meticulously crafted, reminds us of the brief life of real blooms and life. Like the seasons, nothing lasts forever.
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In Bloom, page from textile book
Hand painted wedding dress with silkscreen. Hand painted cotton page appliquéd with embroidery and postage stamps. This page is in response to Shakespeare's Sonnet 18, lines 8 and 9:
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade, -
The Fragile, pages
Inspired by Shakespeare's Sonnet 85, "My tongue-tied Muse," explores the literary devices of alliteration and enjambment with textiles and texture. This is achieved through subtle tonal changes in the fabrics. Historically, the muses were the one of the goddesses that personify the arts. Here the Muse is language (poetry) and her eloquence and harmony are captured in the meticulously sewn complex patterns throughout the pages of the book.
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The Fragile
Handmade textile book with more than 50 handmade fabric flowers that decorate the cover. This is book number 23 in the series "Love Sonnets from Shakespeare to Baltimore." Inspired by Shakespeare's Sonnet 85, "The Fragile," explores the literary devices of alliteration and enjambment with textiles and texture. This is achieved through subtle tonal changes in the fabrics throughout the 16 pages. Historically, the muses were the one of the goddesses that personify the arts. In The Fragile, the Muse is language (poetry) and her eloquence and harmony are captured in the meticulously sewn complex patterns throughout the pages of the book.
Love Sonnets from Shakespeare to Baltimore, 2019 - 2023
The secondary inspiration for this project is fashion history: I am interested in historical textiles and their social, economic, and cultural significances. Through the re-fashioning of wedding dresses from the 1930s to 1970s into new book pages, I re-examine how we experience textiles. Through the convergence of literature and fashion, the project is both a multi-sensory response to Shakespeare and a contemporary social commentary.
The artistic style of the work can be described as deconstructionist couture. The fabric of wedding dresses is cut, dyed, painted, manipulated, and collaged with other historic textiles into new patterns and designs that allow the material of the pages to speak. The final look of the pages is very clean, purposeful, and has a fit-to-measure feel. The connection to my community is emphasizd through the use of traditional Baltimorean quilting, embroidery and intricate needle work techniques.
The carefully screen printed sonnets gain additional layers of meaning on the book pages. The text is complemented by my linocut prints and screen prints. The pages move from one voice to many, offering multiple readings to a wide range of audiences.
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Sonnet II: Forty WintersWhen forty winters shall besiege thy brow. Textile pages made from repurposed wedding dresses. 16.5" x 24", 2019
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Dig deep trenches in thy beautyhandmade textile book using repurposed wedding dresses, 16..5" x 24", 2019
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Thy youth's proud liveryTextile book using repurposed wedding dresses. Hand dyed, hand painted textiles, 16.5" x 24", 2019
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Sonnet II: So Gazed on Now . . .Deconstructed wedding gowns, handprinted, hand dyed, vintage quilt fragment. 16.5" x 24", 2019
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All thy Beauty LiesRepurposed wedding dress, hand dyed, hand painted, hand beading, embellishments, vintage quilt fragment. 16.5" x 24", 2019
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Treasure of thy daysRepurposed wedding gown, deconstructed vintage quilt fragment, printmaking, fabric painting, printmaking. 16.5" x 24", 2019
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Sonnet III: Look In Thy GlassHand painted on repurposed wedding dress and Baltimore duck cotton fabric, 6.5" x 9", 2019
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Cover: Look In Thy GlassCover of book: Hand embroidery, fabric painting, 6.5" x 9", 2019
All I Have
One of the textiles I received was a woman's garment from Northern Africa. I imagined her story based on these news stories and "it was our only hope" and created All I Have.
All I Have
My seventh son is all I have.
We must go to land that doesn't
birth grenades. What good is fertile
soil when Earth knows only graves.
Blessed is the garden of Eden
Our Eves are kidnapped
before they know apples.
My seventh son is all I have.
We must go to land that is dry and calm.
They burn our breath as we pray.
Gorillas teach apples the secrets of war.
We heard the crash, then the waves.
Please blow air into his lungs,
my seventh son is all I have.
- Suzanne Coley
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God has left usGod has left us. Gorillas are spooked.
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All I Havemixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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All I HaveWooden cover for handmade textile book: All I Have
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My Seventh SonMy seventh son is all I have, we must go to land that is dry and calm.
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AliveNothing is alive.
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Magical RainforestOur magical rainforest lost its power.
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SpellsSpells no longer work.
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RebelsThey say rebels put poisoned gun powder on roots.
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Metal ReflectionsMetal reflections send them into violent dances like our boat had in the ocean.
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Blow AirWe heard the crash, then the waves. Please blow air into his lungs, my seventh son is all I have.
Primary Lessons
During my year-long project working with African textiles from the National Museum of African Art, I had the opportunity to speak with scholars from the Congo, Benin, and Nigeria. It was one of the most amazing experiences as an artist to see how art historians view the artistic process and the final art piece.
Poem for Primary Lessons
New primary school curriculum
lots of biology lessons.
Last week we dissected spinal columns
24 true, 9 false vertebrae.
Cicadas, he said, so many of them come out
at the same time that all the birds eating
them get full and leave the rest alone.
"Predator satiation," my teacher explained.
A defense mechanism.
Doesn't work with all predators, I guess.
Today they opened my teacher's throat
for all to see. The whole school was
commanded to come out at the same time.
All the guns shooting us never stopped.
Play dead.
- Suzanne Coley
Please visit my blog for details.
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ScreamA defense mechanism.
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PrimaryLessonsmixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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BonesToday they opened my teacher's throat . . .
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SchoolThe whole school was commanded to come out at the same time.
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Primary LessonsNew primary school curriculum.
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Primary Lessonsmixed media fiber art, 16.5 x 25.5 x 2 inches, 2017
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Torn but Not BrokenCicacadas, he said, so many of them come out at the same time that all the birds eating them get full and leave the rest alone.
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The ShootingThe shooting
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Play DeadBut all the guns shooting us never stopped. Play Dead.
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Defense MechanismA defense mechanism. Does not work with all predators, I guess.
Burgundy Lives
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Torn But Not BrokenUnbound page, 22 x 24 inches, 2017
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Silencemixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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TreasuresStripping wombs of precious treasures
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Treasure Mapshandmade textile book: mixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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Green ParadiseGreen paradise hides truth
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WatchingBurgundy lives in the land of green. Handmade textile book page.
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Mystical Beliefsmixed media fiber arts, 2017
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TornHandmade textile books
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Far From, detailFar from journalists' eyes
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Far Frommixed media fiber arts with hand embroidery, 16.5 x 25.5 x 2 inches, 2017
See Us
Poetry for See Us
Doctors who crossed barbed wire borders
told me to write my story. Perhaps if others knew
what was going on here I . . . we would get help.
Help. Ease. Alleviate. Assuage.
I search for the right words with my limited
vocabulary. How do I say, "Take that 200lb
man off my 12 year old body without that
gun breaking my front teeth?"
How can anyone undo the damage.
Fix all of these broken bodies.
Revive souls already in Psychopomp's arms.
Palliate. Temper. Diminish
- Suzanne Coley
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AssuageDoctors say 12 year old girls in America have birthday parties with lots of pink balloons . . .
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AssuageThey try to make us laugh and dance. mixed meida fiber arts, 16.5 x 25.5 x 2 inches, 2017
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Crossing Barbed Wire BordersI want to write about delicate butterflies.
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Crossing Barbed Wire BordersI want to write about lovely blue feathered parrots who live in the majestic Congo rainforest.
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Promethean BoundThe open sores are healing but the pain is still here.
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I CarryI carry too much weight and fall over with this balloon inside of me.
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MaskMy ankles can't bear the load. They made sandals from plastic water bottles and string.
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See Us, Soothemixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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Blue Feathered ParrotsI want to write about delicate butterflies and lovely blue feathered parrots who live in the majestic Congo rainforest.
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Blue Feathered Parrots, detailI want to write about delicate butterflies and lovely blue feathered parrots . . .
Asymmetrical Zeal
With this in mind, I created Asymmetrical Zeal. I wanted to show the strength of the textiles. Please read my blog post for more information.
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HammeringHammering metal sentiments into carved wooden statues.
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ArtemisArtemis: handprinted cotton textile page
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Asymmetrical Zeal, Coverwood, ink, polyurethane, 2017
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Forcing SpiritsForcing spirits past caged lines, across arid lands.
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Motherhood, detailMotherhood gives birth to new vulnerabilities.
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MotherhoodRapscallions stalk under thick sentimental canopies.
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Criss CrossSun scorched metallic hopes melt before dawn.
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Metallic HopesWinds howl fiercely
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EmotionsRemoving emotions from mass graves
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Gold Squaresletting them flow with the river's current.
Goats
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LionsLions learned from your courage. **Mixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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MonkeysMonkeys basked in your splendor.
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GoatsA thousand shades of green was your kingdom.
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Burning AirWet wasteland, with your burning air, we inhale suffering
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Bellies BloatWet wasteland, our bellies bloat.
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GoatsGreen wetland, hot tempered and feisty, your rugged terrain we roam.
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Goats: Rootsmixed media fiber art with hand beading, 16.5 x 25.5 x 2 inches, 2017
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Goats:Rootsdetail
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Billy GoatsBilly goats don't eat roots.
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Morning DewOur children's last tears make your morning dew.
Exodus
Don't spray so much cleaner! I pay money for it, you know.
Why do dragonflies come out of mudbugs, uh, you ask?
Because they think they are better than everybody, that's why. Because they don't want to be working at this truck stop cleaning windshields all their lives like us.
I told that boy: Nothing good will happen if you try to make it to Europe. But no, he wanted "normal life." He wanted Sweden. So he spread his wings and made it all the way to Algeria. Was beaten and robbed three times along the way. All so that he could drown in the sea.
At least they don't send dragonfly mothers pictures of their squished son
- Suzanne Coley
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The Seamixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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The Sea, detailCrossing the sea . . .
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Migrantsmixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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Migrantshandmade textile book page. hand embroidery. 16.5 x 25.5 x 2 inches, 2017
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Barbed WiresI told that boy: Nothing good will happen if you try to make it to Europe.
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ExodusBut no, he wanted "normal life." He wanted Sweden.
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ExodusSo he spread his wings and made it all the way to Algeria.
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Exodusmixed media fiber art (with hand embroidery), 16.5 x 25.5 inches, 2017
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ExodusHe was beaten and robbed three times along the way. All so that he could drown in the sea.
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ExodusAt least they don't send dragonfly mothers pictures of their squished sons on Volvo trucks.
King
Please read my blog posts for more details.
Poetry for King
when i grow up i want to be king
with body guards dressed in red
on horses with royal names
shielding me from bullies
no more broken bones
when i grow up i want to be king
like the one on postcards my teacher
sent me: King Goerge VI
i don't care about castles, a mud brick
house will do. i don't need electricity
i see through darkness
when i grow up i want to be king
to have a team of doctors,
to take care of my whole family.
to stop my brother from throwing up red.
when i grow up, i want to be king
when people see me, they will say hello
even if the sun isn't shining.
when i grow up
tell them to water
the hurt
grow i,
girls can
be
girls can
be
i, kings
when
- Suzanne Coley
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Girl Kingswhen i grow up i want to be king
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KingTitle page of handmade book King, 16.5 x 25.5 x 2 inches, 2017
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King George VImixed media fiber art, 16.5 x 25.5 x 2 inches, 2017
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King Georg VI, cover imagewhen i grow up i want to be king to have a team of doctors to take care of my whole family to stop my brother from throwing up red
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Chartreusewhen people see me, they will say hello
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Feathers to flyGirl King
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Fractured Shadowsmixed media fiber arts, 16.5 x 25.5 x 2 inches, 2017
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Fractured ShadowsKing George VI stamp
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The Sunhandmade textile page, 16.5 x 25.5 x 2 inches, 2017
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The Hurtmixed meida fiber arts, 16.5 x 25.5 x 2 inches, 2017