Work samples

  • over/medicated/under
    over/medicated/under
    PRESCRIPTION BOTTLES, CABLE TIES; [INSTALLATION DIMENSIONS VARY]; 2022 There is no shame in taking medication, whether it's an antibiotic or antipsychotic. This installation coaxes viewers to recontextualize prescription medication, exemplifying unforeseen elegance through material metamorphosis. ______________________ 2 years 1,000 people 4,800 prescription bottles 1 community This project, first and foremost, belongs to the community. Over two years ago, I sought to collect prescription bottles for a prospective sculpture that would relate implications linked to mental illness. I shared this pursuit via word of mouth, online community forums, social media, and a dozen flyers. I watched in astonishment as bags of empty prescription bottles flooded my front porch, messages came pouring into my various inboxes, and even boxes arrived with postage hailing from all corners of the country. The support I felt was all-encompassing. I wish I could personally name each contributor, as every single one of you made this project what it is. I hope you find joy in the work and feel a sense of pride, knowing your little bottles exist somewhere within this installation. To my family, friends, and Baltimore community, you have touched my core with your overwhelming support, unwavering encouragement, beautiful personal narratives, and stories of survival. This work unintentionally became a way for us to reattain a sense of belonging and find connection when we desperately needed it most.
  • Connected
    Connected
    'CONNECTED'. 2017. 12 X 3.5 X 3.5'. Powdercoated nails. Connected explores the power in even the smallest of influences and their potential to unite into something much greater than their individual voices. Fabricated out of thousands of fused nails, this sculpture embraces our connections and recognizes the worth of each individual, as well as our collective impact.
  • Be Careful, You Know Alcoholism Runs in the Family
    Be Careful, You Know Alcoholism Runs in the Family
    'BE CAREFUL, YOU KNOW ALCOHOLISM RUNS IN THE FAMILY'. 2019. 12’ 8” X 5’ 7” X 6”. Self-collected wine corks, zip-ties, wire. A visual investigation of the genetic predispositions associated with addiction and the fear associated with one’s likelihood of developing an addictive personality and/or being plagued by addiction.
  • Burdens They Wear
    Burdens They Wear
    'BURDENS THEY WEAR.' Dimensions vary. Hand-embroidery, used clothing. A collaborative collection of words and statements that viscerally express the reality of the burdens we all carry. This project obliterates the societal standard ingrained within us to falsify our feelings, fears, and thoughts in order to conform to what has been deemed socially appropriate. This ongoing project embraces the words, statements, and brutal reality of the constant struggle with mental health that nearly every individual is confronted with internally and triumphantly brands the truth on our standard daily attire. "You are not a burden. You have a burden. Which by definition, is too heavy to carry on your own."

About Kellie

Baltimore City - Station North A&E District
Kellie Gillespie is an interdisciplinary artist practicing and exploring new concepts of sculptural installation in both the Washington DC-Baltimore Metropolitan Area and Los Angeles, CA. Her work focuses on issues specifically associated with mental health, as well as the concepts of recovery and survivorship. Motivated by her direct personal experiences, she embraces the controversial subject matter of mental illness as she investigates the problematic place it holds in society. Gillespie… more

over/medicated/under

PRESCRIPTION BOTTLES, CABLE TIES; [INSTALLATION DIMENSIONS VARY]; 2022
This project, first and foremost, belongs to the community. Over two years ago, I sought to collect prescription bottles for a prospective sculpture that would relate implications linked to mental illness. I shared this pursuit via word of mouth, online community forums, social media, and a dozen flyers. I watched in astonishment as bags of empty prescription bottles flooded my front porch, messages came pouring into my various inboxes, and even boxes arrived with postage hailing from all corners of the country. The support I felt was all-encompassing. I wish I could personally name each contributor, as every single one of you made this project what it is. I hope you find joy in the work and feel a sense of pride, knowing your little bottles exist somewhere within this installation. To my family, friends, and Baltimore community, you have touched my core with your overwhelming support, unwavering encouragement, beautiful personal narratives, and stories of survival. This work unintentionally became a way for us to reattain a sense of belonging and find connection when we desperately needed it most.
  • over/medicated/under
    over/medicated/under
    Prescription bottles, cable ties 2022 Installation dimensions vary There is no shame in taking medication, whether it's an antibiotic or antipsychotic. This installation coaxes viewers to recontextualize prescription medication, exemplifying unforeseen elegance through material metamorphosis.
  • over/medicated/under (detail)
    over/medicated/under (detail)
    Prescription bottles, cable ties 2022 Installation dimensions vary There is no shame in taking medication, whether it's an antibiotic or antipsychotic. This installation coaxes viewers to recontextualize prescription medication, exemplifying unforeseen elegance through material metamorphosis.
  • over/medicated/under (detail)
    over/medicated/under (detail)
    Prescription bottles, cable ties 2022 Installation dimensions vary There is no shame in taking medication, whether it's an antibiotic or antipsychotic. This installation coaxes viewers to recontextualize prescription medication, exemplifying unforeseen elegance through material metamorphosis.
  • over/medicated/under (detail)
    over/medicated/under (detail)
    Prescription bottles, cable ties 2022 Installation dimensions vary There is no shame in taking medication, whether it's an antibiotic or antipsychotic. This installation coaxes viewers to recontextualize prescription medication, exemplifying unforeseen elegance through material metamorphosis.

Connected

12 X 3.5 X 3.5'

POWDERCOATED NAILS.

Connected explores the power in even the smallest of influences and their potential to unite into something much greater than their individual voices. Fabricated out of thousands of fused nails, this sculpture embraces our connections and recognizes the worth of each individual, as well as our collective impact.

  • Connected
    Connected
    Nails, powdercoat. 12 X 3.5 X 3.5'
  • Connected (detail)
    Connected (detail)
    Nails, powdercoat. 12 X 3.5 X 3.5'
  • Connected (detail)
    Connected (detail)
    Nails, powdercoat. 12 X 3.5 X 3.5'
  • Connected (detail)
    Connected (detail)
    Nails, powdercoat. 12 X 3.5 X 3.5'

Be Careful, You Know Alcoholism Runs in the Family

12’ 8”X 5’ 7” X 6”

SELF-COLLECTED WINE CORKS, ZIP-TIES, WIRESELF-COLLECTED WINE CORKS, ZIP-TIES, WIRE

A visual investigation of the genetic predispositions associated with addiction and the fear associated with one’s likelihood of developing an addictive personality and/or being plagued by addiction.


  • Be Careful, You Know Alcoholism Runs in the Family
    Be Careful, You Know Alcoholism Runs in the Family
    'BE CAREFUL, YOU KNOW ALCOHOLISM RUNS IN THE FAMILY'. 2019. 12’ 8” X 5’ 7” X 6”. Self-collected wine corks, zip-ties, wire. A visual investigation of the genetic predispositions associated with addiction and the fear associated with one’s likelihood of developing an addictive personality and/or being plagued by addiction.
  • Be Careful, You Know Alcoholism Runs in the Family (detail)
    Be Careful, You Know Alcoholism Runs in the Family (detail)
    Self-collected wine corks, zip-ties, wire.
  • Be Careful, You Know Alcoholism Runs in the Family (detail)
    Be Careful, You Know Alcoholism Runs in the Family (detail)
    Self-collected wine corks, zip-ties, wire.
  • Be Careful, You Know Alcoholism Runs in the Family (detail)
    Be Careful, You Know Alcoholism Runs in the Family (detail)
    Self-collected wine corks, zip-ties, wire.
  • Be Careful, You Know Alcoholism Runs in the Family (detail)
    Be Careful, You Know Alcoholism Runs in the Family (detail)
    Self-collected wine corks, zip-ties, wire.
  • Be Careful, You Know Alcoholism Runs in the Family (detail)
    Be Careful, You Know Alcoholism Runs in the Family (detail)
    Self-collected wine corks, zip-ties, wire.

Burdens They Wear

HAND-EMBROIDERY, USED CLOTHING

A collaborative collection of words and statements that viscerally express the reality of the burdens we all carry. This project obliterates the societal standard ingrained within us to falsify our feelings, fears, and thoughts in order to conform to what has been deemed socially appropriate. This ongoing project embraces the words, statements, and brutal reality of the constant struggle with mental health that nearly every individual is confronted with internally and triumphantly brands the truth on our standard daily attire.

"You are not a burden. You have a burden. Which by definition, is too heavy to carry on your own."

  • Burdens They Wear
    Burdens They Wear
    'BURDENS THEY WEAR.' Dimensions vary. Hand-embroidery, used clothing. A collaborative collection of words and statements that viscerally express the reality of the burdens we all carry. This project obliterates the societal standard ingrained within us to falsify our feelings, fears, and thoughts in order to conform to what has been deemed socially appropriate. This ongoing project embraces the words, statements, and brutal reality of the constant struggle with mental health that nearly every individual is confronted with internally and triumphantly brands the truth on our standard daily attire. "You are not a burden. You have a burden. Which by definition, is too heavy to carry on your own."
  • Burdens_Was Wearing This.jpeg
    Burdens_Was Wearing This.jpeg
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • Burdens They Wear
    Burdens They Wear
    HAND-EMBROIDERY, USED CLOTHING
  • burdens-i'll-be-good-promise wen.jpg
    burdens-i'll-be-good-promise wen.jpg
    HAND-EMBROIDERY, USED CLOTHING

If These Walls Could Talk

2020. 6’ 7” X 2’ 8” X 7”.

ACRYLIC ON SALVAGED DOORS.


A series investigating our mental well-being as it’s forced to cope and understand a life that reflects a sense of disquietude, of alienation even, during this ongoing pandemic.
This series is a direct response to Covid-19 and self-isolating in my childhood home.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS. A series investigating our mental well-being as it’s forced to cope and understand a life that reflects a sense of disquietude, of alienation even, during this ongoing pandemic. This series is a direct response to Covid-19 and self-isolating in my childhood home.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.
  • If These Walls Could Talk (detail)
    If These Walls Could Talk (detail)
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.
  • If These Walls Could Talk
    If These Walls Could Talk
    2020. 6’ 7” X 2’ 8” X 7”. ACRYLIC ON SALVAGED DOORS.

Preserved

2018.. 13 X 6 X 5".

BRONZE CASTING OF MY OWN THIGH.


Self-mutilation is a theme that dominates not only the world of mental health but also sources a majority of my subject matter. In most cases, scars remain as a reminder of previous pain, either empowering an individual or even haunting them. The stigma surrounding self-harm is notoriously brutal, and as a result, those bearing their battle wounds feel forced to conceal their scars and bear their shame.

Bronze is one of the longest-lasting art mediums, potentially lasting thousands of years and outliving their creators. This piece is symbolic of a mental barrier I personally found necessary to conquer. Specifically in an attempt to strongly communicate the beauty in one's personal experiences and to effectively communicate that our wounds stand not as a disgrace, but rather as proud reminders of a victorious battle. In this piece, I immortalize the essence of my own vulnerability as I preserve my greatest insecurity eternally in bronze.

  • Preserved
    Preserved
    2018. 13 X 6 X 5". BRONZE CASTING OF THIGH.
  • Preserved
    Preserved
    2018. 13 X 6 X 5". BRONZE CASTING OF THIGH.
  • Preserved (detail)
    Preserved (detail)
    2018. 13 X 6 X 5". BRONZE CASTING OF THIGH.

Defended

2017. INSTALLATION DIMENSION VARY. SNOW-CONE CUPS, HOT GLUE.

A study of the mind's defensive mechanisms that protect us from the things that aim to destroy us.
  • Defended
    Defended
    2017. INSTALLATION DIMENSION VARY. SNOW-CONE CUPS, HOT GLUE
  • Defended
    Defended
    2017. INSTALLATION DIMENSION VARY. SNOW-CONE CUPS, HOT GLUE
  • Defended (detail)
    Defended (detail)
    2017. INSTALLATION DIMENSION VARY. SNOW-CONE CUPS, HOT GLUE
  • Defended (detail)
    Defended (detail)
  • Defended (detail)
    Defended (detail)
  • Defended (detail)
    Defended (detail)

Scarred

96 X 115 X 3”

USED SALAD CUPS, THREAD.

A visual statement addressing the controversial topic of eating disorders in today’s society, as well as the internal and external damage they cause.

The deliberate process of single-handedly washing each cup emphasized the importance of the material itself and my choice subject matter. The layout and pattern of the liner lines on the wall replicate an exact map of the self-harm scars residing on my own thighs.‘Relinquishing all control to the unchangeable pattern marking my skin, I embraced my vulnerability as I allowed my biggest insecurity to dictate the success and vitality of the piece, both aesthetically and functionally.'

"I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."

  • Scarred
    Scarred
    A visual statement addressing the controversial topic of eating disorders in today’s society, as well as the internal and external damage they cause. The deliberate process of single-handedly washing each cup emphasized the importance of the material itself and my choice subject matter. The layout and pattern of the liner lines on the wall replicate an exact map of the self-harm scars residing on my own thighs. "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told." Used plastic dinnerware, thread. 96 x 115 x 3”
  • Scarred (detail)
    Scarred (detail)
    "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."
  • Scarred (detail)
    Scarred (detail)
    "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."
  • Scarred (detail)
    Scarred (detail)
    "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."
  • Scarred (detail)
    Scarred (detail)
    "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."
  • Scarred (detail)
    Scarred (detail)
    "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."
  • Scarred (detail)
    Scarred (detail)
    "I mapped out my scars for the world to see and for the first time, they were called 'beautiful.' And in that moment, my legs no longer made me ashamed, but rather proud of the story they told."

Remnants of Fire

2020. STEEL, PLASTIC, THREAD.
  • Remnants of Fire
    Remnants of Fire
  • Remnants of Fire
    Remnants of Fire
  • Remnants of Fire
    Remnants of Fire
  • Remnants of Fire
    Remnants of Fire
  • Remnants of Fire
    Remnants of Fire
  • Remnants of Fire
    Remnants of Fire

Reconnected

2019 COMMISSION. NAILS, POWDER COAT

Reconnected strives to challenge an individual’s concept of perception and provokes a viewer to reconsider the complexity in that which seems mundane, The work suggests an alternate attitude towards what they consider to be inconsequential and triggers a realization of the infinite potential that can be found in anything, if only they were to take another look. Enticing a newfound understanding of that which has been undervalued, the viewer begins to appreciate the notion that something, or possibly someone, is much greater than the limitations society has characterized them by.

Nails are so simple, yet hold such detrimental value, as they begin the basis of any foundation and exemplify the literal definition of connection. The epitome of a homogeneous and profoundly distinctive shape, The homogeneous merge of this distinctively shaped object then results in a complete metamorphosis from worthless matter into an empowering statement of unification.

  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT
  • Reconnected
    Reconnected
    KEKER, VAN NEST, & PETERS LLP; SAN FRANCISCO, CA. 2019 COMMISSION. NAILS, POWDER COAT