Work samples

  • Margie Soudek's Salt and Pepper Shakers (3 minute excerpt)

    Short excerpt from the short film "Margie Soudek's Salt and Pepper Shakers" (2022, 12:29). Summary: An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. Margie has been collecting salt and pepper shakers for 73 years -- at 94, her days are spent repeating the same, simple routine. When her granddaughter pays her a visit, the collection, now in the thousands, takes on a new life. The film -- part love letter, part documentary, part experiment -- merges the real, the fantastical, and the world of a computer desktop.

  • My Favorite Object (2 minute excerpt)

    Short excerpt from "My Favorite Object" (2019, 4:54). Analog video transferred to digital. "Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods." - James Joyce

  • Love-liesse (1.5 minute excerpt)

    Love-liesse (2019, 3:45) This collaboration with musician Ami Dang was directly inspired by Ami’s interest in South Asian and Middle Eastern folktales, specifically the tragic romance Sohni Mahiwal which tells the tale of forbidden love outside the rules of the caste system which ends in the lovers' deaths. Using footage Ami shot on her travels to India and 18th century paintings of the tragic romance Sohni Mahiwal, the video mimics Ami’s process of making music, combining traditional methods with modern digital electronic methods, by using the grey & white “transparency” grid as a sort of digital liminal space—a space from which all creation begins—to allow further rumination and where the images from the paintings are transformed and reconstituted into a vast digital landscape to create a new vision.

  • FORTRESS (1 minute excerpt)

    Short excerpt from "FORTRESS" (2018, 3:11). Hand-processed 16mm reversal film transferred to digital. Building a film about building a fortress. The journey is more important than the destination.

About Meredith

Baltimore City

Meredith Moore is a Baltimore-based artist and filmmaker. Her moving image work pushes the boundaries of traditional filmmaking, often combining techniques that range from outdated analog film technologies to complex digital effects.

Her films have screened at Sundance Film Festival, SXSW, True/False Film Festival, Anthology Film Archives, Antimatter Film Festival,… more

Margie Soudek's Salt and Pepper Shakers

Margie Soudek's Salt and Pepper Shakers (2022, 12:29)
Documentary Short

An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. Margie has been collecting salt and pepper shakers for 73 years -- at 94, her days are spent repeating the same, simple routine. When her granddaughter pays her a visit, the collection, now in the thousands, takes on a new life. The film -- part love letter, part documentary, part experiment -- merges the real, the fantastical, and the world of a computer desktop. 

 

​Screenings:

Sundance Film Festival, January 2023

Big Sky Documentary Film Festival, February 2023

True/False Film Festival, March 2023

SXSW Film Festival, March 2023

Athens Film and Video Festival, April 2023

Florida Film Festival, April 2023

Milwaukee Film Festival, April 2023

DOC 10, May 2023

DeadCenter Film Festival, June 2023

DC/DOX, June 2023

Champs-Élysées Film Festival, June 2023

New/Next Film Festival, August 2023

Cinema Eye Awards Short List, October 2023

 

 

  • Margie Soudek's Salt and Pepper Shakers
  • Margie Soudek's Salt and Pepper Shakers (Still 1)
    Margie Soudek's Salt and Pepper Shakers (Still 1)
  • Margie Soudek's Salt and Pepper Shakers (Still 2)
    Margie Soudek's Salt and Pepper Shakers (Still 2)
  • Margie Soudek's Salt and Pepper Shakers (Still 5)
    Margie Soudek's Salt and Pepper Shakers (Still 5)
  • Margie Soudek's Salt and Pepper Shakers (Still 3)
    Margie Soudek's Salt and Pepper Shakers (Still 3)
  • Margie Soudek's Salt and Pepper Shakers (Still 4)
    Margie Soudek's Salt and Pepper Shakers (Still 4)
  • Margie Soudek's Salt and Pepper Shakers (Poster)
    Margie Soudek's Salt and Pepper Shakers (Poster)

My Favorite Object

My Favorite Object (2019, 4:54)
​Analog video tranferred to digital.

"Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods." -James Joyce

Video: Meredith Moore
Sound: Max Eilbacher
Voice: Melissa Epp

​Screenings: 
Antimatter Film Festival, October 2020
That One Film Festival, September 2020
Crossroads Film Festival, August 2020
Baltimore Museum of Art, June 2020
Athens International Film Festival, April 2020
Cosmic Rays Film Festival, March 2020
Kino Klub Split, Croatia, January 2020
Anthology Film Archives, January 2020






  • My Favorite Object
    My Favorite Object (2019, 4:54). Analog video transferred to digital. "Any object, intensely regarded, may be a gate of access to the incorruptible eon of the gods." - James Joyce
  • My Favorite Object (Still)
    My Favorite Object (Still)
  • My Favorite Object (Still)
    My Favorite Object (Still)
  • My Favorite Object (Still)
    My Favorite Object (Still)
  • My Favorite Object (Still)
    My Favorite Object (Still)
  • My Favorite Object (Still)
    My Favorite Object (Still)
  • My Favorite Object (Still)
    My Favorite Object (Still)

Love-liesse

Love-liesse (2019, 3:45)
Music Video for musician Ami Dang.

This video was directly inspired by Ami’s interest in South Asian and Middle Eastern folktales, specifically the tragic romance Sohni Mahiwal which tells the tale of forbidden love outside the rules of the caste system which ends in the lovers' deaths.

Using footage Ami shot on her travels to India and 18th century paintings of the tragic romance Sohni Mahiwal, the video mimics Ami’s process of making music, combining traditional methods with modern digital electronic methods, by using the grey & white “transparency” grid as a sort of digital liminal space—a space from which all creation begins—to allow further rumination and where the images from the paintings are transformed and reconstituted into a vast digital landscape to create a new vision.

In this new vision, the lovers do not perish in the choppy waters, instead they are happily reunited above the waters, depicted here in the late 18th century painting “Embracing Lovers with Sparklers” which shows a loving couple during Diwali, the Hindu Festival of Lights, which celebrates the triumph of light over darkness.

  • Love-liesse - Ami Dang
    Love-liesse (2019, 3:45) This collaboration with musician Ami Dang was directly inspired by Ami’s interest in South Asian and Middle Eastern folktales, specifically the tragic romance Sohni Mahiwal which tells the tale of forbidden love outside the rules of the caste system which ends in the lovers' deaths. Using footage Ami shot on her travels to India and 18th century paintings of the tragic romance Sohni Mahiwal, the video mimics Ami’s process of making music, combining traditional methods with modern digital electronic methods, by using the grey & white “transparency” grid as a sort of digital liminal space—a space from which all creation begins—to allow further rumination and where the images from the paintings are transformed and reconstituted into a vast digital landscape to create a new vision.
  • Love-liesse (still)
    Love-liesse (still)
  • Love-liesse (still)
    Love-liesse (still)
  • Love-liesse (still)
    Love-liesse (still)
  • Love-liesse (still)
    Love-liesse (still)
  • Love-liesse (still)
    Love-liesse (still)
  • Love-liesse (still)
    Love-liesse (still)

FORTRESS

FORTRESS (2018, 3:11)
Hand-processed 16mm reversal film with digital effects. 
Sound: Owen Gardner.

Building a film about building a fortress. The journey is more important than the destination.
Sections of the film were blocked off during the hand development process to keep parts of the film negative.

Screenings:
Anthology Film Archives
Maryland Film Festival
Athens International Film Festival

  • FORTRESS
    FORTRESS (2018, 3:11) Hand-processed 16mm reversal film transferred to digital. Building a film about building a fortress. The journey is more important than the destination.
  • FORTRESS (still)
    FORTRESS (still)
  • FORTRESS (still)
    FORTRESS (still)
  • FORTRESS (still)
    FORTRESS (still)
  • FORTRESS (still)
    FORTRESS (still)

Konono Nº1 Ripoff

Konono Nº1 Ripoff (2013, 3:00)
Music Video for Dan Deacon.


An exercise in identity, the video consists of a series of jittery 3D animated GIF portraits of a small part of the Baltimore arts scene. The 63 person cast is made up of Dan's friends, peers, and collaborators, all active artists. Each person was photographed with objects they deemed special to them- from the deeply sentimental to the highly frivolous. A 2013 time capsule. 

The interactive feature lets viewers participate through the use of a smartphone app that syncs the phone to the music video and results in two simultaneous playing videos. The video on the smartphone displays a more detailed view of the objects of the cast members in the music video. The object rotates 360 degrees in either direction, depending on which way the viewer tilts their phone.



  • Konono Ripoff N°1 (Full Video)
  • Ryan and Mike GIF
    Ryan and Mike GIF
    click to expand the image and to see animation.
  • DDM GIF
    DDM GIF
    click to expand the image and to see animation.
  • Genevra and Ryan GIF
    Genevra and Ryan GIF
    click to expand the image and to see animation.
  • Dina GIF
    Dina GIF
    click to expand the image and to see animation.
  • Hermonie GIF
    Hermonie GIF
    click to expand the image and to see animation.
  • Lesser GIF
    Lesser GIF
    click to expand the image and to see animation.
  • Objects for App Animations
    Objects for App Animations
    In the app, these objects would appear on a viewers phone while the corresponding person could be seen on their computer screen. The viewer was then able to rotate these objects a full 360 degrees depending on which way they tilted their phone for closer inspection.
  • Konono No. 1 Ripoff App Instructions
    Konono No. 1 Ripoff App Instructions
    video still.