From an undergrad fascination with English ritual street theater and Peter Brooks’ THE EMPTY SPACE, through my years in Washington crewing with Peter Sellars’ American National Theater, then as one of the first sound designers on the mid-Atlantic theater scene, to my 27 years in Baltimore, I’ve been interested in theater “in the wild.”  I’ve pursued theater that lives in the interstices of commercial, academic, and regional theater spaces. In this, I have leveraged an outsider point-of-view… more