Work samples

  • The Poet is a Funnel
    The Poet is a Funnel
    The Poet is a Funnel, Portrait of Grace Cavalieri, Poet Laureate of Maryland, Watercolor on paper, 22" x 30", 2020
  • Rift
    Rift
    Rift, 15" x 22", Watercolor on paper, 2017
  • Within/Without
    Within/Without
    "Within/Without," 15" x 22" watercolor on paper, 2019
  • Gaze
    Gaze
    "Gaze," 15" x 22", Watercolor on paper, 2017

About Joanna

Harford County

Joanna Barnum uses watercolor to express universal emotional states and the unique spirits of her portrait subjects, balancing experimental, abstract use of the media with sensitive realism and symbolism.

Joanna earned a Bachelor of Fine Arts from the Maryland Institute College of Art in 2006, and has since made her living as an artist across the realms of fine art, illustration, and teaching. She is a Signature Member of the National Watercolor Society and serves on the board of the… more

Portrait of Grace Cavalieri, Poet Laureate of Maryland

During 2019, I was invited to participate in the exhibit "The Creator & The Muse," curated by PoetsArtists. The exhibit was originally scheduled for 2020 in Chicago, but the physical exhibit was cancelled due to the Pandemic. The concept of the show paired painters with other artists, writers, and patrons of the arts to create portraits. I was partnered with Grace Cavalieri, the Poet Laureate of Maryland.

The title of the portrait, "The Poet is a Funnel" is something I've heard Grace say about her process. I wanted to convey how the poet gathers images, impressions, and experiences from the world to create a work of art that is shared. I also wanted to capture Grace's warmth, generosity, and spirituality.

  • The Poet is a Funnel
    The Poet is a Funnel
    The Poet is a Funnel, Portrait of Grace Cavalieri, Poet Laureate of Maryland, Watercolor on paper, 22" x 30", 2020
  • Detail of "The Poet is a Funnel"
    Detail of "The Poet is a Funnel"
    Detail view
  • Process of "The Poet is a Funnel"
    Process of "The Poet is a Funnel"
    A shot of "The Poet is a Funnel" in progress. This piece is painted in watercolor. I used a combination of stick on frisket and masking fluid applied with a rough brush to preserve sections of the paper while blending together the multiple views of the subject.
  • Process 2 of "The Poet is a Funnel"
    Process 2 of "The Poet is a Funnel"
    An additional work in progress image of "The Poet is a Funnel," watercolor.

Lost Edges & Simultaneous Realities, 2018-Present

“Lost Edges & Simultaneous Realities” is a series of large scale portrait paintings exploring the potential for the unpredictable nature of the watercolor medium to reveal the emotional state and unique spirit of the subject. Nuanced control of the watercolor medium is used to create realistic, accurate likenesses which coexist and interweave with chaotic fields of color and texture created through random, experimental use of the medium. These disparate vocabularies may exist in tension or in harmony, provoking an emotional response in the viewer, implying an open-ended narrative, and serving as a metaphor for the intellectual versus the emotional.

"My current process for creating the work in this series begins with shooting photo reference of friends, family, and professional performers, because of photography's ability to capture fleeting expressions and emotions. Sections of my preliminary drawing on watercolor paper are masked out, and watercolor is splashed, dripped, sprayed, and brushed onto the exposed areas, alternating wet-on-wet and wet-on-dry applications. When the masking is removed, the traditional components of the portrait are completed utilizing a controlled application of the media, layering washes of warm and cool colors to create realistic skin tones. Sometimes multiple reference sources are woven together in different layers to create conceptual juxtapositions or to create a feeling of movement or the passage of time. Ultimately, I work back and forth between the figurative and abstract components to resolve the composition and concept for the portrait."

Since earning a BFA in illustration in 2006, I have built an artistic practice combining illustration, commissioned portrait painting, gallery exhibition, and teaching. Over the past few years, my personal fine art painting has regularly returned to the portrait, with an interest in subjects with a powerful personal presence, and a style that balances expressiveness of the medium with accurate likeness. This work has recently begun to delve deeper into the experimental elements key to the “Lost Edges” series, and to increase in size.

  • Two Furies
    Two Furies
    "Two Furies," 22" x 22" watercolor on paper, 2019
  • Kore
    Kore
    22" x 30" watercolor on paper, 2019
  • Too Late
    Too Late
    18" x 24" watercolor on paper, 2019
  • Within/Without
    Within/Without
    "Within/Without," 15" x 22" watercolor on paper, 2019
  • The Chosen One
    The Chosen One
    Watercolor on paper, 41" x 29.5", 2020
  • Blaze
    Blaze
    15" x 22" watercolor on paper, 2018
  • Beautiful Zephyr
    Beautiful Zephyr
    15" x 22" watercolor on paper, 2019
  • Intermediary 2
    Intermediary 2
    22" x 22" watercolor on paper, 2018
  • Beautiful Bones
    Beautiful Bones
    Watercolor on paper, 15" x 22", 2020
  • Whispers
    Whispers
    Watercolor on paper, 15" x 22", 2019

Lost Edges & Simultaneous Realities, 2016-2018

“Lost Edges & Simultaneous Realities” is a series of large scale portrait paintings exploring the potential for the unpredictable nature of the watercolor medium to reveal the emotional state and unique spirit of the subject. Nuanced control of the watercolor medium is used to create realistic, accurate likenesses which coexist and interweave with chaotic fields of color and texture created through random, experimental use of the medium. These disparate vocabularies may exist in tension or in harmony, provoking an emotional response in the viewer, implying an open-ended narrative, and serving as a metaphor for the intellectual versus the emotional.

"My current process for creating the work in this series begins with shooting photo reference of friends, family, and professional performers, because of photography's ability to capture fleeting expressions and emotions. Sections of my preliminary drawing on watercolor paper are masked out, and watercolor is splashed, dripped, sprayed, and brushed onto the exposed areas, alternating wet-on-wet and wet-on-dry applications. When the masking is removed, the traditional components of the portrait are completed utilizing a controlled application of the media, layering washes of warm and cool colors to create realistic skin tones. Sometimes multiple reference sources are woven together in different layers to create conceptual juxtapositions or to create a feeling of movement or the passage of time. Ultimately, I work back and forth between the figurative and abstract components to resolve the composition and concept for the portrait."

Since earning a BFA in illustration in 2006, I have built an artistic practice combining illustration, commissioned portrait painting, gallery exhibition, and teaching. Over the past few years, my personal fine art painting has regularly returned to the portrait, with an interest in subjects with a powerful personal presence, and a style that balances expressiveness of the medium with accurate likeness. This work has recently begun to delve deeper into the experimental elements key to the “Lost Edges” series, and to increase in size.

  • Simultaneous Realities
    Simultaneous Realities
    9" x 12", Watercolor, 2017
  • Escape Velocity
    Escape Velocity
    22" x 15", Watercolor, 2016
  • Aurelia
    Aurelia
    15" x 22", watercolor on paper, 2017
  • Bog Witch
    Bog Witch
    15" x 22", watercolor on paper, 2017
  • Modern Love
    Modern Love
    15" x 22", watercolor on paper, 2017
  • Memento Mori
    Memento Mori
    18" x 24", watercolor on paper, 2017
  • Gaze
    Gaze
    15" x 22", watercolor on paper, 2017
  • Anguish
    Anguish
    "Anguish," 22" x 26" watercolor on paper, 2018
  • Rift
    Rift
    15" x 22", watercolor on paper, 2017
  • Early Spring
    Early Spring
    "Early Spring," 22" x 30" watercolor on paper, 2018

James Webb Space Telescope

In 2016, Joanna was selected to participate in NASA's James Webb Space Telescope artist project as one of a small group of artists invited to observe the new telescope in person and create works inspired by it for exhibits at NASA Goddard, Art.Science.Gallery, and the Texas Museum of Science and Technology during 2017 and 2018. 

Read Bob Bahr's interview of Joanna about this project for Outdoor Painter, "Painting a NASA Telescope."
  • James Webb Space Telescope
    James Webb Space Telescope
    "James Webb Space Telescope," 15" x 22" watercolor on paper, 2016 Painted from Life
  • Icon: Gaze
    Icon: Gaze
    "Icon: Gaze," 22" x 22" watercolor on paper with 24k gold leaf, 2017
  • Icon: Metaphor
    Icon: Metaphor
    "Icon: Metaphor," 22" x 22" watercolor on paper with 24k gold leaf, 2017

Just Desserts

“Just Desserts” (2013-2014) is a series of watercolor portraits depicting adult women in the act of eating dessert. Some of the subjects are blissfully absorbed in the act of eating, while others confront the viewer directly, with expressions ranging from coy to defiant. On a literal level, these works discuss the contemporary American woman's complex, often fraught relationship with food and body image. The unapologetic indulgence of the subjects also serves as a metaphor to confront the scrutiny from society (apparent or unconscious) that women are subject to when choosing to pursue personal ambitions and desires directly or aggressively.
  • Kalindi Eating a Banana
    Kalindi Eating a Banana
  • Emma Eating a Chocolate Chip Cookie
    Emma Eating a Chocolate Chip Cookie
  • Nina Eating a Banana Split
    Nina Eating a Banana Split
  • Gina Eating Blueberry Cheesecake
    Gina Eating Blueberry Cheesecake
  • Marya Eating a Vegan Chocolate Peanut Butter Cookie
    Marya Eating a Vegan Chocolate Peanut Butter Cookie
  • Amy and Eileen Eating Chocolate Ice Cream with Butterscotch Schnapps and Hot Fudge
    Amy and Eileen Eating Chocolate Ice Cream with Butterscotch Schnapps and Hot Fudge