About Sean
Baltimore City - Station North A&E District
Sean FitzPatrick was raised in the Hudson Valley in upstate New York and now lives and works in Baltimore, MD. In 2012 he received his BFA in painting from the Maryland Institute College of Art. FitzPatrick has exhibited work in New York, Virginia, and throughout Maryland. Select galleries and institutions include Marianne Boesky Gallery (NY), Artisphere in (VA), the University of Maryland University College (MD), the Washington County Museum of Fine Arts (MD), the Silber Art Gallery (MD), and… more
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2016-present
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The LawnWood, astroturf, spray paint, enamel 24" x 24" x 2"
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The Lawn *detailWood, astroturf, spray paint, enamel 24" x 24" x 2"
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The Lawn *detail 2Wood, astroturf, spray paint, enamel 24" x 24" x 2"
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A cold horror, but the lady don't mindWood, foam, pleather, decorative nails 40" x 30" x 3"
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A cold horror, but the lady don't mind *detailWood, foam, pleather, decorative nails 40" x 30" x 3"
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A cold horror, but the lady don't mind *detail 2Wood, foam, pleather, decorative nails 40" x 30" x 3"
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TimshelWood, hot glue, saw dust, mirror, spray paint, wire, enamel 40" x 30" x 3"
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Timshel *detailWood, hot glue, saw dust, mirror, spray paint, wire, enamel 40" x 30" x 3"
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Timshel *detail 2Wood, hot glue, saw dust, mirror, spray paint, wire, enamel 40" x 30" x 3"
2016
New, ongoing work from 2015.
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A chicken coop or a palace, for me or for you *DetailWood, oil, acrylic, oil markers, spray paint, chicken wire, staples 35" x 35" x 2"
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A chicken coop or a palace, for me or for you *DetailWood, oil, acrylic, oil markers, spray paint, chicken wire, staples 35" x 35" x 2"
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Face #4
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A chicken coop or a palace, for me or for youWood, oil, acrylic, oil markers, spray paint, chicken wire, staples 35" x 35" x 2"
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Gosh (Mars) *DetailWood, wire, spray paint, enamel, oil marker 35" x 22" x 2"
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Gosh (Mars)Wood, wire, spray paint, enamel, oil marker 35" x 22" x 2"
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Between the two members of the alternativeWood, acrylic, spray paint, enamel 37" x 30" x 2"
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Between the two members of the alternative *detailWood, acrylic, spray paint, enamel 37" x 30" x 2"
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Between the two members of the alternative *detail 2Wood, acrylic, spray paint, enamel 37" x 30" x 2"
2016
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Don't truth me, and I won't truth you #3Wood, spray paint, tar roof coating, enamel 37" x 24" x 2"
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Don't truth me, and I won't truth you #3 *detailWood, spray paint, tar roof coating, enamel 37" x 24" x 2"
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Don't truth me, and I won't truth you #3 *detail 2Wood, spray paint, tar roof coating, enamel 37" x 24" x 2"
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Don't truth me, and I won't truth you #3 *detail 3Wood, spray paint, tar roof coating, enamel 37" x 24" x 2"
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It's an intelligence testWood, spray paint, enamel 25" x 25" x 3.5"
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It's an intelligence test *detailWood, spray paint, enamel 25" x 25" x 3.5"
2015-2016
New, ongoing work from 2015.
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Girl (titan)Wood, plaster, rope, spray paint, enamel 35" x 24" x 2"
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Girl (Titan) *DetailWood, plaster, rope, spray paint, enamel 35" x 24" x 2"
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Girl (Titan) *DetailWood, plaster, rope, spray paint, enamel 35" x 24" x 2"
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Don't truth me, and I won't truth you #2Wood, steel, wire, spray paint, enamel 35" x 22" x 2"
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Don't truth me, and I won't truth you #2 *DetailWood, steel, wire, spray paint, enamel 35" x 22" x 2"
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Don't truth me, and I won't truth you #2 *DetailWood, steel, wire, spray paint, enamel 35" x 22" x 2"
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Don't truth me, and I won't truth you #1Wood, steel, glue, nails, spray paint, enamel 35" x 24" x 2"
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Don't truth me, and I won't truth you #1 *DetailWood, steel, glue, nails, spray paint, enamel 35" x 24" x 2"
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Don't truth me, and I won't truth you #1 *DetailWood, steel, glue, nails, spray paint, enamel 35" x 24" x 2"
Stage Fright
This collection of paintings is based on a set of my childhood drawings that I found last year. I had drawn directly on a number of reprinted black and white photographs in a book documenting a person’s travels through the American West. Upon viewing my drawings anew, I saw the work of a child attempting to subvert the quaint narrative of the photographs. My younger self was refusing to play the role of passive viewer, and was instead exerting control by injecting his own perceptions into that narrative. As an adult, I could now see the impulsive and, at times, furious manner in which the drawings were created. In this new collection of paintings, I explore the underlying psychology and aesthetic choices in the original drawings.
Translating the original drawings into paintings is first and foremost an act of recontextualization. As an artist, I’m now able to apply tools that were not at my disposal as a child and, in so doing, elevate what was not originally intended as art into an art context. In these new pieces, I alter through color choices and stylization the photographs that served as the backdrop of the original drawings. I further enhance them by emphasizing certain elements, and adding or removing others. These alterations intensify the mood and emotion of the photograph while still preserving the essential characters. I then recreate each drawing on top of the new backdrop, preserving the expressive mark making of the original childhood drawings.
In painting these new works, I also felt a sense of collaboration with my younger self. I have transformed his forgotten drawings into mature, emotionally charged pieces of art that exhibit the control of a trained artist while remaining true to the raw childhood emotion that inspired them.
Translating the original drawings into paintings is first and foremost an act of recontextualization. As an artist, I’m now able to apply tools that were not at my disposal as a child and, in so doing, elevate what was not originally intended as art into an art context. In these new pieces, I alter through color choices and stylization the photographs that served as the backdrop of the original drawings. I further enhance them by emphasizing certain elements, and adding or removing others. These alterations intensify the mood and emotion of the photograph while still preserving the essential characters. I then recreate each drawing on top of the new backdrop, preserving the expressive mark making of the original childhood drawings.
In painting these new works, I also felt a sense of collaboration with my younger self. I have transformed his forgotten drawings into mature, emotionally charged pieces of art that exhibit the control of a trained artist while remaining true to the raw childhood emotion that inspired them.
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3
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The Dip Dap 1995Oil and Oil Marker on Canvas Completed: 2013 36x36inches
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1996Oil and Oil Marker on Canvas Completed: 2013 36x36inches
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1995Oil and Oil Marker on Canvas Completed: 2013 36x36inches
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Kris's New Boots 1997Oil and Oil Marker on Canvas Completed: 2013 36x36inches
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Dylan Chaps 1996Oil and Oil Marker on Canvas Completed: 2013 36x36inches
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Reata 1996Oil and Oil Marker on Canvas Completed: 2013 48x48inches
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Man King Releasing the Hounds 2002Oil and Oil Marker on Canvas Completed: 2013 48x48 inches
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Hood Race 1994Oil and Oil Marker on Canvas Completed: 2013 48x48inches
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Stage Fright (Woman with Dog) 1996 1/2Oil paint and Oil paint markers on canvas 48 x 48 inches 2014
Thesis Work
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h43.jpg
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h34.jpg
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GS.HW.CP2012 All Oil on Board
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Respawn in:2012 Oil on Canvas 30 x 120 inches working QR codes lead to these websites: www.seanfitzpatrickart.com www.ifidie.net http://www.youtube.com/watch?v=MiAxiGZKpGQv http://www.ted.com/talks/lang/en/adam_ostrow_after_your_final_status_update.html http://www.facebook.com/profile.php?id=100001443009751 http://en.wikipedia.org/wiki/Painting http://en.wikipedia.org/wiki/Masterpiece http://en.wikipedia.org/wiki/Respawn
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Man Shot to Death with Arrows in Greece2012 Oil and Acylic on Canvas 36 x 48 in QR codes lead to these webpages: http://soundcloud.com/sfitzpatrickart/fassbender-sound-clip http://en.wikipedia.org/wiki/Michael_Fassbender