About Michael Sylvan

This past year included a long recovery from a severe broken ankle, bringing me back into my body and practice with deepening focus and presence, and as a result, I'm reengaged with new directions in my work. I just completed the exceptionally elaborate, luscious "Restoring Joy" piece. The previous year, 2014, was an excellent exhibition year: a "Pop-Up Exhibit" feature on Artworks, Maryland Public Television, and in the summer there was Magnified, a three artist show at the University of… more

The Burning Times Project

This on-going project began in 2006; it is a work of remembrance, honoring the women and men killed as witches during the Witch Trial-Era. This project began with the gathering of the real names and stories of lost lives, an expedition into our past (and too often present) of violence and fear-based persecution. Based on newly translated documentation of this history, my investigation into this fearful period is directed through a lens of gender theory, while also examining the connections between the Witch-Trial Era and the rise of capitalism and colonialism. Over the past eight years, this project has included installations, a memorial wall of names stitched onto a large tapestry (The Shroud of Remembrance – currently two panels each 4’ x 9’), the creation of poetic text to give voice to the victims, and most importantly, hand made poppets representing the individuals executed as “witches.”
  • Poppet in Memory of Janet Barker
    Poppet in Memory of Janet Barker
    Installation view of one of the hand made poppets representing an individual executed as a "witch." This on-going project began in 2006; it is a work of remembrance, honoring the women and men killed as witches during the Witch Trial-Era. This project began with the gathering of the real names and stories of lost lives, an expedition into our past (and too often present) of violence and fear-based persecution. Based on newly translated documentation of this history, my investigation into this fearful period is directed through a lens of gender theory, while also examining the connections between the Witch-Trial Era and the rise of capitalism and colonialism.
  • Burning Times Project Installation View
    Burning Times Project Installation View
    Poppets in memory of individuals executed as "witches" in the Witch Trial Era. Installation view.
  • Burning Times Project: Installation
    Burning Times Project: Installation
    Poppets in memory of individuals executed as "witches" in the Witch Trial Era. Installation view. This on-going project began in 2006; it is a work of remembrance, honoring the women and men killed as witches during the Witch Trial-Era. This project began with the gathering of the real names and stories of lost lives, an expedition into our past (and too often present) of violence and fear-based persecution. Based on newly translated documentation of this history, my investigation into this fearful period is directed through a lens of gender theory, while also examining the connections between the Witch-Trial Era and the rise of capitalism and colonialism.
  • Burning Times Project - installation
    Burning Times Project - installation
    Poppets in memory of individuals executed as "witches" in the Witch Trial Era. Installation view.
  • The Burning Times Project - installation view
    The Burning Times Project - installation view
    Poppets in memory of individuals executed as "witches" in the Witch Trial Era. Installation view.
  • The Burning Times Project
    The Burning Times Project
    Poppets in memory of Anna and Paulus Pappenheimer - one of the most horrific stories from the entire Witch-Trial Era is the torture and brutal deaths of this couple and their family
  • Burning Times Project
    Burning Times Project
    A booklet for each Poppet provides historical information about the individual executed as a "witch" as well as original poetic text to try and give a voice to the specific stories. This on-going project began in 2006; it is a work of remembrance, honoring the women and men killed as witches during the Witch Trial-Era. This project began with the gathering of the real names and stories of lost lives, an expedition into our past (and too often present) of violence and fear-based persecution. Based on newly translated documentation of this history, my investigation into this fearful period is directed through a lens of gender theory, while also examining the connections between the Witch-Trial Era and the rise of capitalism and colonialism.
  • Poppet in Memory of Anna Kaserin
    Poppet in Memory of Anna Kaserin
    Installation view of one of the hand made poppets representing an individual executed as a "witch."
  • Burning Times Project: Shroud of Remembrance
    Burning Times Project: Shroud of Remembrance
    8' x 4' memorial fiber art/mixed media piece installed for Burning Times Project.
  • Burning Times Project: Shroud of Remembrance
    Burning Times Project: Shroud of Remembrance
    A detail image of The Shroud of Remembrance, a large fiber art/mixed media element of the project. This on-going project began in 2006; it is a work of remembrance, honoring the women and men killed as witches during the Witch Trial-Era. This project began with the gathering of the real names and stories of lost lives, an expedition into our past (and too often present) of violence and fear-based persecution. Based on newly translated documentation of this history, my investigation into this fearful period is directed through a lens of gender theory, while also examining the connections between the Witch-Trial Era and the rise of capitalism and colonialism.

The Melissa

"The Melissa" brings my sculptural work to a new level of realization. The piece is entirely covered in hand work, beading and stitching, with increased utilization of semiprecious stones and vintage elements.

The Melissa: Fiber art, beading, sequins, semiprecious stones, buttons, pins,
costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5’ 9” x 20” x 20”
  • The Melissa
    The Melissa
    Full view back: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Full view front: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Back detail view: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Back detail view of torso: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Back detail view of torso: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Front view detail of torso: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Full front view: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"
  • The Melissa
    The Melissa
    Profile view: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, and mixed media collage on a sculptural assemblage of vintage dress form and mannequin pieces. 5'9" x 20" x 20"

The Singer's Robe for the Song of Ruin

The Singer’s Robe for the Song of Ruin was inspired by Lois Lowry’s dystopian novel for young readers, Gathering Blue, which presents a future society based in violence, warfare, and persecution that gathers once a year to hear the “Song of Ruin,” an epic poem holding the collective memory of their ancestral past; its images are stitched into the Singer’s Robe.

The Singer's Robe for the Song of Ruin: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    Detail view back: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    Full view back: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    Detail view back: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    Full view front: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    Detail view front: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    Detail view front: Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric 6' x 4 1/2'
  • The Singer's Robe for the Song of Ruin
    The Singer's Robe for the Song of Ruin
    My "Singer's Robe for the Song of Ruin" in "Storytelling" feature in Fiber Art Now magazine (Fall, 2013) curated by Elena Rosenberg

Descending / Rising - Solo Show at EECBaltimore (Fall, 2013)

I had the wonderful opportunity to show sculptural and two dimensional work in the beautiful gallery space, Art with Us: The Gallery at Emmanuel Episcopal Church:

Descending / Rising: Above and Below. Light and darkness. My work engages the viewer in a transformative journey from visions of starry heaven to the depths of the underworld. Here we encounter the embodied presences of guardians and allies that reside within.
  • Descending / Rising - solo show (2013)
    Descending / Rising - solo show (2013)
    My "Psychogeographic Jacket: It's-a-Beautiful-Day-in-the-Gay-borhood" finds the perfect window niche. Created in 2007, this sculptural garment documents a walking tour through the Mt. Vernon neighborhood. Fiber art, beading, buttons, and mixed media collage on sculptural assemblage of fabric and mannequin pieces. 30" x 24" x 18"
  • "Eye of Time (Peacock God Feather)" - 2010
    "Eye of Time (Peacock God Feather)" - 2010
    One of the small works on canvas that make up the larger "Peacock God" installation.
  • Descending / Rising - solo show (Fall, 2013)
    Descending / Rising - solo show (Fall, 2013)
    Detail image of "The Burning Times" installation. This ongoing project, which remembers the women and men killed as witches during the Witch-Trial Era, is one of my most important projects as an artist. This project began in 2006; it is a work of remembrance beginning with the gathering of names and stories of lost lives, an expedition into our past (and too often present) of violence and fear-based persecution. Based on newly translated documentation of this history, my investigation into this fearful period is directed through a lens of gender theory, while also examining the connections between the Witch-Trial Era and the rise of capitalism and colonialism.
  • Descending / Rising - solo show (Fall, 2013)
    Descending / Rising - solo show (Fall, 2013)
    Exhibition view. "Machinal" sculpture "reaches" out into the space.... "Machinal" (2008): Fiber art, beading, and mixed media collage on vintage dress and mannequin pieces. 4 1/2' x 2' x 1 1/2'
  • Presidential Dinnerware
    Presidential Dinnerware
    Mount detail
  • Descending / Rising - solo show (Fall, 2013)
    Descending / Rising - solo show (Fall, 2013)
    Detail of "The Burning Times" installation. This ongoing project, which remembers the women and men killed as witches during the Witch-Trial Era, is one of my most important projects as an artist. Begun in 2006, this project has included installations, a memorial wall of names stitched onto a large tapestry ("The Shroud of Remembrance" - currently two 4'x9' panels), the creation of poetic text to give voice to the victims, and most importantly, hand made poppets representing the individuals executed as "witches."
  • Descending / Rising - solo show (Fall, 2013)
    Descending / Rising - solo show (Fall, 2013)
    Installation view including the labyrinth made of river rocks.
  • Descending / Rising - solo show (Fall, 2013)
    Descending / Rising - solo show (Fall, 2013)
    Exhibition view - "Queen of the Night" hanging sculpture in the foreground and another view of "The Burning Times" project. "Queen of the Night" (2008): Fiber art, beading, semiprecious stones, mirror pieces, sequins, buttons, pins, and costume jewelry on sculptural assemblage of vintage dress and mannequin pieces. 6' x 3' x 3'
  • Descending / Rising solo show (2013)
    Descending / Rising solo show (2013)
    "The Singer's Robe for the Song of Ruin" with "The Burning Times" installation on the back wall. "The Singer's Robe for the Song of Ruin" (2010): Fiber art, beading, sequins, semiprecious stones, buttons, pins, costume jewelry, found objects, and mixed media collage on fabric. 6' x 4 1/2'
  • Faerie Companion Mask
    Faerie Companion Mask
    An older piece, a sculptural mask, mixed media/fiber art assemblage.

Guardian in the Garden of Delight

Fiber art / mixed media work 5' long by 29 1/2" wide - covered in hand beading and needle work
  • Detail image Guardian in the Garden of Delight
    Detail image Guardian in the Garden of Delight
    5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons The turquoise heart-shaped beads are an especially wonderful detail. As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces.
  • Detail image Guardian in the Garden of Delight
    Detail image Guardian in the Garden of Delight
    5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons (2014)
  • Detail image Guardian in the Garden of Delight
    Detail image Guardian in the Garden of Delight
    5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons
  • Detail image Guardian in the Garden of Delight
    Detail image Guardian in the Garden of Delight
    5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons
  • Detail image of Guardian in the Garden of Delight
    Detail image of Guardian in the Garden of Delight
  • Guardian in the Garden of Delight
    Guardian in the Garden of Delight
    full image 5' x 26" - Fiber art, beading, sequins, semiprecious stones, button As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces.
  • Detail image Guardian in the Garden of Delight
    Detail image Guardian in the Garden of Delight
    5' x 26" - Fiber art, beading, sequins, semiprecious stones, button (2014)

Peacock God

Sculptural fiber art / mixed media work, installation
  • msrobinsonpeacock4.jpg
    msrobinsonpeacock4.jpg
  • "Eye of Forgiveness (Peacock God Feather)"
    "Eye of Forgiveness (Peacock God Feather)"
    2015 work-in-progress on newest Eye piece for this ongoing project begun in 2008.
  • "Eye of Joy (Peacock God Feather)" Card
    "Eye of Joy (Peacock God Feather)" Card
    Each "Eye" begins as a card gifted to a specific recipient; this is the first new Eye card gifted in more than a year, and a fiber art / mixed media work on canvas follows, joining the ongoing installation project. The individual Eye pieces make up the peacock tail and are connected to the sculptural torso and mask which began this project. So this is the starting work of "Eye of Joy (Peacock God Feather)"
  • Peacock God (detail)
    Peacock God (detail)
    Detail image of Peacock God Mask and several of the "Eyes," individual smaller canvases
  • msrobinsonpeacock6.jpg
    msrobinsonpeacock6.jpg
  • msrobinsonpeacock5.jpg
    msrobinsonpeacock5.jpg
  • Peacock God Torso, installation
    Peacock God Torso, installation
  • msrobinsonpeacock3.jpg
    msrobinsonpeacock3.jpg
  • msrobinsonpeacock2.jpg
    msrobinsonpeacock2.jpg
  • Peacock God installed
    Peacock God installed

Fiber Art / Mixed Media

Fiber art / mixed media 2D work
  • Corvid Love Song
    Corvid Love Song
    Fiber art / mixed media work (2012) Detail image: fiber art/mixed media on fabric
  • Dance of the Bee Priestesses (2010)
    Dance of the Bee Priestesses (2010)
    Fiber art / mixed media on fabric, 20" x 10"
  • Dance of the Bee Priestesses (2010)
    Dance of the Bee Priestesses (2010)
    Detail image: fiber art/mixed media on fabric, 20" x 10"
  • The Swarm (detail image)
    The Swarm (detail image)
    "The Swarm" (2011) was awarded Jurors' Prize in the 4th Annual Towson Arts Collective exhibition in 2011. Jurors: Jed Dodds, Susan Spaid As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces. The Swarm: 5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons
  • The Swarm (detail image)
    The Swarm (detail image)
    "The Swarm" (2011) was awarded Jurors' Prize in the 4th Annual Towson Arts Collective exhibition in 2011. Jurors: Jed Dodds, Susan Spaid As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces. The Swarm: 5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons
  • The Swarm
    The Swarm
    "The Swarm" (2011) was awarded Jurors' Prize in the 4th Annual Towson Arts Collective exhibition in 2011. Jurors: Jed Dodds, Susan Spaid. As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces. The Swarm: 5' x 26" - Fiber art, beading, sequins, semiprecious stones, buttons
  • Nourished by My Passions (2012)
    Nourished by My Passions (2012)
    "Nourished by My Passions" was selected for the 1310 Gallery's FIBER OPTICS exhibition, in Ft. Lauderdale, an exhibition of innovative fiber art curated by Lisa Rockford. As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces. Nourished by My Passions: 50" x 34" - Fiber art, beading, sequins, semiprecious stones, buttons
  • Nourished by My Passions (detail image)
    Nourished by My Passions (detail image)
    "Nourished by My Passions" (2012) was selected for the 1310 Gallery's FIBER OPTICS exhibition, in Ft. Lauderdale, an exhibition of innovative fiber art curated by Lisa Rockford. As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces. Nourished by My Passions: 50" x 34" - Fiber art, beading, sequins, semiprecious stones, buttons
  • Nourished by My Passions (detail image)
    Nourished by My Passions (detail image)
    "Nourished by My Passions" (2012) was selected for the 1310 Gallery's FIBER OPTICS exhibition, in Ft. Lauderdale, an exhibition of innovative fiber art curated by Lisa Rockford. As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces. Nourished by My Passions: 50" x 34" - Fiber art, beading, sequins, semiprecious stones, buttons

Restoring Joy - new work!

I'm excited to be sharing this recently finished piece, "Restoring Joy," fiber art/mixed media work. This piece is 55" x 34 1/2".

As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces.
  • Restoring Joy
    Restoring Joy
    (Detail image) Finished in January, 2016. It's a large piece 55" x 34 1/2" As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces.
  • work-in-progress "restoring joy"
    work-in-progress "restoring joy"
    New work always begins with an exciting print! This work was started in May, 2014 and completed in January, 2016. It's a large piece 55" x 34 1/2" As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces.
  • Restoring Joy
    Restoring Joy
    Finished in January, 2016. It's a large piece 55" x 34 1/2" As a fiber artist, my pieces begin with textiles selected for elaborate patterns which are then overworked with labor-intensive hand stitching and beadwork, buttons, costume jewelry, found objects, and appliquéd pieces.