My art is about a found common object alphabet,
            transforming minutia into grandeur, 
            cosmic mosaic architecture,
            hybrid image weaving.
My art is about authorship, authenticity, labor, and origin.
My art is about ornaments,
            algorithmic systems,
            spectrums and textures,
            retinal ground psychedelia.
My art is about nothing, nothingness, absence, place-holding, base.
My art is about a balance between lightness and darkness in gray zero.
My art is about increments of exchange,
            symbols of bread in primary colors,
            the origin of recipe, repetition, memory,
            domestication, refinement, and germination.
My art is about the manufactured, consumed, nameless, and discarded.
My art is about canons, precedents, predecessors, self, and scene.
My art is about non-digital residues.
My art is about the accumulation of craft,
            class schema and academic structure,
            the synthetic colliding against our histories.
My art is about a hierarchy of beliefs in moments present.
My art is about living,
            self-preservation, 
            a surface satisfaction.
My art is about acting without formal allegiance,
            knowing a part,
            usurping the view,
            stealing awesomeness,
            obfuscating a precise ending.
 

My art is about a found common object alphabet,
            transforming minutia into grandeur, 
            cosmic mosaic architecture,
            hybrid image weaving.
My art is about authorship, authenticity, labor, and origin.
My art is about ornaments,
            algorithmic systems,
            spectrums and textures,
            retinal ground psychedelia.
My art is about nothing, nothingness, absence, place-holding, base.
My art is about a balance between lightness and darkness in gray zero.
My art is about increments of exchange,
            symbols of bread in primary colors,
            the origin of recipe, repetition, memory,
            domestication, refinement, and germination.
My art is about the manufactured, consumed, nameless, and discarded.
My art is about canons, precedents, predecessors, self, and scene.
My art is about non-digital residues.
My art is about the accumulation of craft,
            class schema and academic structure,
            the synthetic colliding against our histories.
My art is about a hierarchy of beliefs in moments present.
My art is about living,
            self-preservation, 
            a surface satisfaction.
My art is about acting without formal allegiance,
            knowing a part,
            usurping the view,
            stealing awesomeness,
            obfuscating a precise ending.

Remington R, 30x15x8', Aluminium, 2015, was made possible by the Baltimore Office for Promotion and the Arts ‘Transformative Art’ Grant Award. The project included partnering with Seawall Development, GRIA(Greater Remington Improvement Association).  The sculpture is made of welded aluminum fabricated with help from New Arts Foundry. 

My art is about a found common object alphabet,
            transforming minutia into grandeur, 
            cosmic mosaic architecture,
            hybrid image weaving.
My art is about authorship, authenticity, labor, and origin.
My art is about ornaments,
            algorithmic systems,
            spectrums and textures,
            retinal ground psychedelia.
My art is about nothing, nothingness, absence, place-holding, base.
My art is about a balance between lightness and darkness in gray zero.
My art is about increments of exchange,
            symbols of bread in primary colors,
            the origin of recipe, repetition, memory,
            domestication, refinement, and germination.
My art is about the manufactured, consumed, nameless, and discarded.
My art is about canons, precedents, predecessors, self, and scene.
My art is about non-digital residues.
My art is about the accumulation of craft,
            class schema and academic structure,
            the synthetic colliding against our histories.
My art is about a hierarchy of beliefs in moments present.
My art is about living,
            self-preservation, 
            a surface satisfaction.
My art is about acting without formal allegiance,
            knowing a part,
            usurping the view,
            stealing awesomeness,
            obfuscating a precise ending.
 

My art is about a found common object alphabet,
            transforming minutia into grandeur, 
            cosmic mosaic architecture,
            hybrid image weaving.
My art is about authorship, authenticity, labor, and origin.
My art is about ornaments,
            algorithmic systems,
            spectrums and textures,
            retinal ground psychedelia.
My art is about nothing, nothingness, absence, place-holding, base.
My art is about a balance between lightness and darkness in gray zero.
My art is about increments of exchange,
            symbols of bread in primary colors,
            the origin of recipe, repetition, memory,
            domestication, refinement, and germination.
My art is about the manufactured, consumed, nameless, and discarded.
My art is about canons, precedents, predecessors, self, and scene.
My art is about non-digital residues.
My art is about the accumulation of craft,
            class schema and academic structure,
            the synthetic colliding against our histories.
My art is about a hierarchy of beliefs in moments present.
My art is about living,
            self-preservation, 
            a surface satisfaction.
My art is about acting without formal allegiance,
            knowing a part,
            usurping the view,
            stealing awesomeness,
            obfuscating a precise ending.
 

My art is about a found common object alphabet,
            transforming minutia into grandeur, 
            cosmic mosaic architecture,
            hybrid image weaving.
My art is about authorship, authenticity, labor, and origin.
My art is about ornaments,
            algorithmic systems,
            spectrums and textures,
            retinal ground psychedelia.
My art is about nothing, nothingness, absence, place-holding, base.
My art is about a balance between lightness and darkness in gray zero.
My art is about increments of exchange,
            symbols of bread in primary colors,
            the origin of recipe, repetition, memory,
            domestication, refinement, and germination.
My art is about the manufactured, consumed, nameless, and discarded.
My art is about canons, precedents, predecessors, self, and scene.
My art is about non-digital residues.
My art is about the accumulation of craft,
            class schema and academic structure,
            the synthetic colliding against our histories.
My art is about a hierarchy of beliefs in moments present.
My art is about living,
            self-preservation, 
            a surface satisfaction.
My art is about acting without formal allegiance,
            knowing a part,
            usurping the view,
            stealing awesomeness,
            obfuscating a precise ending.
 

Beer and Bread friendship machines, is series of viewing boxes which hold intimate narrative stories inside. These boxes are made from mixed media and house bread figures covered in varnish. Each box addresses a complex moral space that is navigated through humor and grotesque exaggeration.

My art is about a found common object alphabet,
            transforming minutia into grandeur, 
            cosmic mosaic architecture,
            hybrid image weaving.
My art is about authorship, authenticity, labor, and origin.
My art is about ornaments,
            algorithmic systems,
            spectrums and textures,
            retinal ground psychedelia.
My art is about nothing, nothingness, absence, place-holding, base.
My art is about a balance between lightness and darkness in gray zero.
My art is about increments of exchange,
            symbols of bread in primary colors,
            the origin of recipe, repetition, memory,
            domestication, refinement, and germination.
My art is about the manufactured, consumed, nameless, and discarded.
My art is about canons, precedents, predecessors, self, and scene.
My art is about non-digital residues.
My art is about the accumulation of craft,
            class schema and academic structure,
            the synthetic colliding against our histories.
My art is about a hierarchy of beliefs in moments present.
My art is about living,
            self-preservation, 
            a surface satisfaction.
My art is about acting without formal allegiance,
            knowing a part,
            usurping the view,
            stealing awesomeness,
            obfuscating a precise ending.
 

Bread Kingdom is a project in which I began investigating the structural and sculptural properties inherent in existing bread products. This led me to realize my own family recipe and begin sculpting figures. I used my garden of bread sculptures to paint totemic monumental portraits of each form.