Work samples

  • Marissa O'Guinn - Editing Show Reel
    2015 Editing/Motion Graphics Reel
  • Daydream
    Dir. Marissa O'Guinn - "I initially directed Daydream as a 16mm black and white film that explored the idea of passion and loss. I decided to shoot and direct the same film concept five years later in a digital format, extending the story to indulge in the moment of improvised movement."
  • Andy Dahl, Selected Artwork
    Select exhibition pieces and murals painted by Andy Dahl during his time in New Orleans, Bolivia, Paraguay, California, and Baltimore.
  • Pedaled Revelation: Thesis Exhibition
    Created by Andy Dahl - An interactive sculpture that connects two individuals in a shared, kinetic experience. The spinning mirrors simultaneously reflect the otherwise unseen side of the other while also the self in a shared image. The overarching goal is to connect individuals by sharing an experience.

About Marissa

Baltimore City

Marissa O'Guinn is a director, producer, and editor with a B.A. in film production from New York University’s Tisch School of the Arts.
Andy Dahl is a painter, sculptor, and multimedia community artist with an MFA from the Maryland
Institute College of Arts.
                                                 
In 2016 O'Guinn and Dahl were selected for a fellowship in the inaugural Saul Zaentz Innovation Fund in Film and… more

Jump to a project:

Mobility

A film by
Marissa O’Guinn & Andy Dahl
Producers & Co-Directors

Mobility is a feature length documentary currently in production. The film chronicles two years of extraordinary circumstances occurring in the lives of three separate bicycle riders living in Baltimore City. We follow their journey as they navigate the elusive pathways to social and economic progress in a historically segregated city, Baltimore.

One of our goals with this film is to explore the bicycle as a vehicle for connection. Bicyclists in Baltimore are a diverse community and this film is a platform to share their vividly distinct and rich stories. Moreover, the need for community empowerment across all social, economic, cultural, racial, and gender strata has never been greater. As active residents, bicyclists, and socially engaged visual artists, this is a passion project.


PRESS
  • http://www.baltimoresun.com/entertainment/arts/bal-baltimore-saul-zaentz-innovation-fund-johns-hopkins-2017-story.html
  • http://www.baltimoremagazine.com/2015/8/10/bicyclists-of-baltimore-the-documentary
  • ​https://momentummag.com/bicyclists-of-baltimore-launches-a-full-length-documentary/
  • Mobility Concept Art
    Mobility Concept Art
  • Anthony
    Anthony
  • Jamie Lee chat
    Jamie Lee chat
  • Nahum sitting
    Nahum sitting
  • Riding at dusk
    Riding at dusk
  • Nahum
    Nahum
  • Jamie Lee
    Jamie Lee
  • Victoria
    Victoria
  • Mobility - Rough Assembly Sample Clip 12-20-17

Bicyclists of Baltimore

A multimedia project
by Andy Dahl and Marissa O'Guinn

The idea for Bicyclists of Baltimore started in 2014 with the goal of celebrating the diversity of people who ride bicycles in Baltimore through imagery, video, and story telling.  The project exists on digital platforms not only highlighting individuals within Baltimore, but spreading information on resources, articles, and media related to the bicycle community.

LINKS
PRESS
  • Brittany
    Brittany
    "Here I see as many female riders as male riders, I see a lot of couples riding together, whereas where I was from I saw mostly male riders. So, being an African American woman riding on the road it was kind of like a gawk; “Oh, you ride bikes in a serious manner sometimes?” and it was just like, “Yes, I do like to ride bikes, thank you for noticing.” So here in the city I feel like you’re able to be more comfortable riding without as much judgement as some areas, and that’s just how life is wherever you go. You’re going to be looked at differently and you just have to take it. That’s what it is, and roll with it."
  • Romeo
    Romeo
    "I plan on living around here as long as I can, and I plan on getting a racing bike, and being a bike mechanic, and that’s it."
  • Chris
    Chris
    "It’s completely different from when I started riding. I have to say I’m a little out of touch… a lot out of touch. Some of it is self-induced – having the family, the kid, and the business. Just starting the bike building business took a lot. It really sucked. I knew that the courier thing was going down. That was seven years ago. I knew that I had to make a big change as fast as I could. I don’t have a college degree so… I knew I could build bikes, but getting to the level that I wanted to required a lot of work. I was working 100-plus hour weeks. I worked seven days a week all the time. It was bad for me, and for my wife probably, but it was something that I had to do if I wanted to make a living doing it. I accomplished more years in a short amount of time. I just sucked it up and did it."
  • Bicyclists Of Baltimore: Boson Au
  • Kelechi
    Kelechi
    "I was born in Nigeria, moved here in elementary school to New York and then Georgia. I came to Baltimore about a year ago, August 2015 to take a job as a professor at the University of Baltimore. I’m an environmental engineer and so I’m very keen to the environment. Why drive when you can ride your bike? Especially if it’s just within the city riding. You help yourself, you help the environment – everyone wins. I think 2010 or 11 is when I was biking every single day except for grocery shopping… because I eat a lot [laughs]. So I can’t bike doing that."
  • Kate
    Kate
    "When you can transport yourself and you don’t have to rely on someone else to take you there it’s a different world. I love that I bike to work because that means that I get to start everyday with a bike ride. Other people have to start their day by getting in a car and sitting in traffic. When you’re in a car you feel like you’re in your own universe because you’re all alone in a box. When you’re on a bike you’re a part of the big world that’s complicated and requires you to pay attention, and share a space. It’s just a better way to stay present with the idea that you’re apart of the community."
  • Larry
    Larry
    "I always wanted to have the gift to gather people. I got that gift. Now, I got the gift to gather with bikes. Something I like to do anyway. Somebody that feels like they need to be out doing something they can come out and hang with me, and we still talk about stuff that don’t have nothing to do with bikes. Still laugh and joke, disagree. Lately it’s been a lot of politics and all that, but it’s on bikes, which make it alright. I think if you’re on bikes you really don’t have the energy to be mad. It burns that negative energy and turn it into a positive energy. That’s all I really ever wanted to do. "
  • Denise
    Denise
    "I do art and paint on the side, so I decided to make my bike my own. I painted it to look like Starry Night. It’s just acrylic paints. It’s kind of my baby. I’m trying to tweak it to make it my own. I feel like honestly it kind of looks crappy but it was my first time doing it and I kind of had fun with it. I feel like art is constantly a work in progress."
  • Nicole
    Nicole
    "I’ve been working outside of the city in DC, Silver Spring and Virginia for most of my career. I’ve always lived in the city but haven’t had a real opportunity to explore it–it’s almost as if I didn’t live here. But when I finally started working back in the city it was definitely kind of an opportunity to explore and reacquaint myself with the city because it’s changed so much. I mean, I used to have friends who would want to come to Baltimore to visit and my first reaction would be, “Uhhh I have to look up what we’re going to do…,” because I just lived here but I didn’t really live here ya know?"
  • Liz
    Liz
    “… Traffic is a result of not investing in things like public transit. It’s a result of urban sprawl, and a result of incentivizing economic development where there were no people or no infrastructure…” BICYCLIST: Liz Cornish (Executive Director of Bikemore, a Baltimore based nonprofit that works to increase and improve bicycle infrastructure, policies, and awareness)

City Living

A photo series by Marissa O'Guinn

This photo series is comprised of street photography taken in the fall of 2006 in New York City's East Village neighborhood.  My objective was to capture a slice of life during a Saturday walk through parks, intersections, metro stations, and strolling along sidewalks.  The different settings and individuals in each photograph speak to the real vibrance of the area and the energy that I felt photographing the city during that point in time.

Shot on 35mm color film
  • Daily Paper
    Daily Paper
  • Taxi Pass
    Taxi Pass
  • Gardener
    Gardener
  • Construction
    Construction
  • Braids
    Braids
  • Dog and Owner
    Dog and Owner
  • Cards
    Cards
  • Auto Shop
    Auto Shop
  • Resting in Tompkins
    Resting in Tompkins
  • Street Fair
    Street Fair

Dance

MOTION
A short documentary by Marissa O'Guinn

These stills are photographs from a short documentary film, that I co-wrote, shot and directed.  The film, comprised solely of photography, audio interviews, and music, explores the role that gender plays in the world of dance.  The film features interviews from accomplished choreographer Gus Solomons Jr., teacher Kat Wildish, and dancer Jacob Peter Kovner.

DAYDREAM
A short film by Marissa O'Guinn

I initially directed Daydream as a 16mm black and white film that explored the idea of passion and loss.  I decided to shoot and direct the same film concept five years later on a digital format, extending the story to indulge in the moment of improvised movement.

Dancer - Amelia Munro
Camera/Director/Editor - Marissa O'Guinn
Gaffer - Matt Kelley
Production Assistant - Aaron Kauffman


  • Warm Up
    Warm Up
  • Swings
    Swings
  • Turns
    Turns
  • Bar
    Bar
  • Patterns
    Patterns
  • Kat and pointe shoes
    Kat and pointe shoes
  • Gus Interview
    Gus Interview
  • Warm Up Split
    Warm Up Split
  • Daydream
    Dir. Marissa O'Guinn - "I initially directed Daydream as a 16mm black and white film that explored the idea of passion and loss. I decided to shoot and direct the same film concept five years later in a digital format, extending the story to indulge in the moment of improvised movement."