About Rahne
Rahne Alexander is an intermedia artist and writer from Baltimore, Maryland. She is a 2021 graduate of the Intermedia+Digital Arts MFA at UMBC, and a 2021 Baker Artist Prize Awardee. Her works in video, performance, music, and painting have been exhibited across the U.S. and around the world, including the Baltimore Museum of Art, Tephra Institute of Contemporary… more
Performance
In October 2019, I also performed a live Grant Application during the annual citywide Open Studios Tour.
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Standards of Care 2.0A moment during Standards of Care 2.0 in December 2019. Photo by Kristen Anchor. Standards of Care 2.0 is the second episode of a performance series about the research and development of interventions and treatments for the alleviation of sex and gender dysphoria in the “western world.” With a run time of approximately ten minutes, Standards of Care 2.0 focuses specifically on the hormonal interventions in trans medical treatment, with a particular focus on injectable hormones for trans women. The Researcher, dressed in scrubs and protective gear, enters her study to return to her work in progress. Drawing from musty tomes of dated research, she is researching methods of endocrinological intervention for her transsexual subject. With soothing background music to help her focus, the Researcher begins to apply her studies, testing her injection technique first on fruit, and then on phalluses. As the Researcher reaches the end of her materials, she relaxes to survey her results, rewarding her work with dessert. Conceived as a series of episodic performances for video, the Standards of Care series examines the ordinary medical, therapeutic, and domestic treatments of trans people and the cultural anxiety byproducts. Combining aspects of slapstick and body horror, the series follows The Researcher, as she explores methods of negating and transforming a vestigial phallus. Each episode of Standards of Care is intended to instruct each other sequentially, as the Researcher proceeds and learns from the work, with the scope of research expanding into endocrinology, depilation, and surgery as well as domestic and cultural realms, including religious ritual, cooking, and music.
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Grant ApplicationAn experimental live Grant Application was presented during Open Studios 2019. Fun with technology and awkwardness.
Publications
2023
Publications in 2023 included:
* "VFW Hall" in Flux (forthcoming in print in 2023)
* "Making Fajitas in Manasquan" in Beach Badge #1
* "You're Never Too Old To Throw Up In A Neptune Bathroom" in Beach Badge #2
* "Twilight For Us All" in Light Ekphrastic, Feb 2022
Ongoing articles in BmoreArt, Jennifer Magazine, and UMBC Magazine
2022
My chapbook, Heretic to Housewife, continued to sell its second pressing and provided opportunities for online literary events throughout 2021.
I was invited to be on faculty at the inaugural Tulsa Glitterary Writers Conference in 2021, where I presented a writing workshop entitled "Voice Exercises: Finding, Strengthening, and Refining the Writer's Voice." I also offered a reading from a cross section of my published works during the conference run.
This kicked off a number of literary events throughout 2021, including a reading and artist talk as part of Urban Ivy's anniversary celebration and a panel at OutWrite entitled "LGBQT+ Writers Reading the Apocalyptic News." I was also a guest panelist at the virtual version of Barrelhouse's annual Writers Connect conference, as part of the "Cross-Genre: Stay in Your Lane(s): Writing and Publishing in Multiple Genres" panel.
In October I joined Eleanor Whitney and Liz Flyntz at Red Emma's for a talk about issues summoned by Whitney's new book, Riot Woman: Using Feminist Values to Destroy the Patriarchy.
In November, the Enoch Pratt Free Library invited me to participate in their Book Chat with Pratt online interview series. I chatted with Lo Smith, with a focus on November as Trans Awareness Month, and the conversation was broadcast and archived on YouTube and Facebook Live.
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Heretic to HousewifeMy chapbook, Heretic to Housewife, continued to sell its second pressing and provided opportunities for online literary events throughout 2021.
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Tulsa Glitterary Writers Conference digital adI was invited to be on faculty at the inaugural Tulsa Glitterary Writers Conference in 2021, where I presented a writing workshop entitled "Voice Exercises: Finding, Strengthening, and Refining the Writer's Voice." I also offered a reading from a cross section of my published works during the conference run.
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Tulsa Glitterary Writers Conference digital adI was invited to be on faculty at the inaugural Tulsa Glitterary Writers Conference in 2021, where I presented a writing workshop entitled "Voice Exercises: Finding, Strengthening, and Refining the Writer's Voice." I also offered a reading from a cross section of my published works during the conference run.
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Tulsa Glitterary Writers Conference digital adI was invited to be on faculty at the inaugural Tulsa Glitterary Writers Conference in 2021, where I presented a writing workshop entitled "Voice Exercises: Finding, Strengthening, and Refining the Writer's Voice." I also offered a reading from a cross section of my published works during the conference run.
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OutWrite panel: LGBQT+ Writers Reading the Apocalyptic NewsLiterary events throuh 2021 included a reading and artist talk as part of Urban Ivy's anniversary celebration and a panel at OutWrite entitled "LGBQT+ Writers Reading the Apocalyptic News."
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Barrelhouse's Writers Connect conference artworkI was also a guest panelist at the virtual version of Barrelhouse's annual Writers Connect conference, as part of the "Cross-Genre: Stay in Your Lane(s): Writing and Publishing in Multiple Genres" panel.
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Digital Ad for Riot Women event at Red Emma'sIn October I joined Eleanor Whitney and Liz Flyntz at Red Emma's for a talk about issues summoned by Whitney's new book, Riot Woman: Using Feminist Values to Destroy the Patriarchy.
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Rahne & Liz Flyntz discuss Riot Women at Red Emma'sIn October I joined Eleanor Whitney and Liz Flyntz at Red Emma's for a talk about issues summoned by Whitney's new book, Riot Woman: Using Feminist Values to Destroy the Patriarchy. Instagram story screengrab from Michael Farley.
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Book Chat with Pratt digital adIn November, the Enoch Pratt Free Library invited me to participate in their Book Chat with Pratt online interview series. I chatted with Lo Smith, with a focus on November as Trans Awareness Month, and the conversation was broadcast and archived on YouTube and Facebook Live.
Film & Video
Passed a nice milestone in 2021 in which my supercut video work was cited in Max Tohline's A Supercut of Supercuts: Aesthetics, Histories, Databases. Subsquently, Tohline published a list of the 20 Most Underrated Supercuts of All Time, and included my 2008 piece Equal+Opposite at number 11.
I also guest-hosted on several episodes of the Projection Booth podcast, including discussions of Witchhammer, The Mephisto Waltz, and Just One of the Guys. The Witchhammer episode was released as a bonus feature of the 2021 DVD release of the film, as a component of Severin Film's comprehensive box set All The Haunts Be Ours: A Compendium of Folk Horror.
And, of course, two of my supercut video collages continued to be available via the BMA Screening Room.
2020
Two of my video collages, "Dude Descending a Staircase #1" (2019) and "Simoom" (2009) were invited for inclusion in the BMA Screening Room, the online video platform launched by the BMA to support the work of Baltimore artists in the wake of the pandemic.
"Dude Descending A Staircase #1" premiered in an exhibit during the International Conference of Chinese Computer Human Interaction, Xiamen, China in June 2019, and was created in direct response to the Supreme Court nomination hearings for Bret Kavanaugh in 2018. "Simoom, "which premiered at the BMA in 2009, is an interpretation of Edgar Allan Poe's first story, "MS. Found In A Bottle," and was commissioned by the 48 Hour Film Festival for their celebration of Poe's anniversary in 2009.
In the days immediately prior to the quarantine shutdown, I was honored to show work in a two-person retrospective (along with Kristen Anchor) in the Microcinema series curated by Stephanie Barber at Rhizome DC.
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Equal+Opposite (2008) as the 11th most Underrated Supercut of All TimeEqual+Opposite (2008) as the 11th most Underrated Supercut of All Time
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My commentary on WITCHHAMMER appears on Severin Film's comprehensive box set All The Haunts Be Ours: A Compendium of Folk Horror.In 2021, I guest-hosted on several episodes of the Projection Booth podcast, including discussions of Witchhammer, The Mephisto Waltz, and Just One of the Guys. The Witchhammer episode was released as a bonus feature of the 2021 DVD release of the film, as a component of Severin Film's comprehensive box set All The Haunts Be Ours: A Compendium of Folk Horror.
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Promotion for Rhizome DC Microcinema
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BMA Screening Room login screen
In the Raw
In March I released an album of solo guitar and voice songs, 50'♀ In The Raw: Live from the Magpie Cage.
To celebrate, I performed a single album release show with Lady Hatchet & Jeff Waters at Zissimo's
50'♀
50'♀contributed a recording of "Came So Far For Beauty" to Last Year's Man, a Baltimore tribute to Leonard Cohen, in 2017. This recording, made with pianist/vocalist Christina Reitemeyer, was a featured selection in a City Paper article in the summer of 2017, and performed live for the first time at the Baltimore Transgender Alliance's Trans March of Resilience Banquet in November 2017.
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Last Year's Man: A Baltimore Tribute to Leonard CohenI still love this track, and you can still buy it from Bandcamp and support Planned Parenthood Maryland. In 2017, 50’♀ contributed a track to this Baltimore-does-Leonard-Cohen tribute record. Proceeds benefitted Planned Parenthood of Maryland. My track, "Came So Far For Beauty," was featured in the City Paper's 2017 annual music issue as one of the "50 Song Soundtrack to Life During the Trump Regime" https://lastyearsmantribute.bandcamp.com/ http://www.citypaper.com/news/features/bcpnews-2017-big-music-issue-20170621-htmlstory.html
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50'♀ performing at Joe Squared
Past Projects
While these projects are currently hibernating, every project rekindles from time to time.
MUSIC
Flaming Creatures (rock & roll fun in collaboration with filmmaker Kristen Anchor)
The Degenerettes (an institution of queer feminist rock & roll music in Baltimore since 2005)
Guided By Wire (perhaps the only all-trans Neko Case/Guided by Voices cover band in the world, in collaboration with Jack Pinder of Manners Manners)
COMEDY
Standup comedy (occasional standup sets, pending booking with the 2018 Freeze Peach festival)
Everybody All The Time (live talk show with Fiona Crowley, ran intermittently at Windup Space from 2013-2015)
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Guided By Wire, the SupergroupIn September 2017, Guided By Wire became a supergroup for a night, expanding beyond our traditional duo (Rahne Alexander & Jack Pinder) to include pedal steel virtuoso Susan Alcorn, bassist Mickey Dehn, drummer Sharon Santos, and keyboardist Christina Reitemeyer. Photo by Theresa Keil.
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Flaming CreaturesA fun rock & roll cinema revival in collaboration with filmmaker/drummer Kristen Anchor
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The DegenerettesAn institution of queer feminist rock & roll music in Baltimore since 2005
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Everybody All The TimeLive talk show with Fiona Crowley, ran intermittently at Windup Space from 2013-2015 and threatens to resurrect more every passing day
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Standup ComedyAt Lexie Mountain's "Vagina Havers" standup special during the Maryland Film Festival, May 2016 at the Windup Space