About Jan
Lives and works in Maryland. Teaches fine arts subjects as an adjunct at several area colleges.
Jump to a project:
paintings, core color
paintings evolved from core color
paintings, layers as form
painting evolved from layers of paint to form an image.
methods of describing
paintings pursuing imagery in connective strata
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over goldacrylic on aluminum 22 x 24 inches
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black and whiteacrylic on aluminum 18 x 20 inches
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circle backacrylic on aluminum 22 x 24 inches
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gold fieldacrylic on aluminum 22 x 24 inches
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white linesacrylic on aluminum 6 x 8 inches
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green dartsacrylic on aluminum 6 x 8 inches
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adjustmentsacrylic on aluminum 12 x 16 inches
flowed lands
paintings using the instability of the wet paint surface to invoke chance in the creation process
paintings, evolved intuitively
paintings evolved intuitively, from random form or color
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3/4acrylic on aluminum 24 x 30 inches
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traceacrylic on aluminum 6 x 8 inches
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untitled, 2acrylic on aluminum 24 x 27 inches
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untitled, 1acrylic on aluminu 22 x 24 inches
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pink formacrylic on aluminum 22 x 24 inches
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2.5acrylic on aluminum 22 x 24 inches
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vanilla shakeacrylic on aluminum 18 x 16 inches
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onging pinkacrylic on aluminum 18 x 16 inches
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blackoutacrylic on aluminum 22 x 24 inches
paintings, mark as line
paintings pursuing mark as line
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paced linesacrylic on aluminum 24 x 27 inches
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2 + 2acrylic on aluminum, 22 x 24 inches
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interweaveacrylic on aluminum 24 x 27 inches
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blue lines, with goldacrylic on aluminum 22 x 24 inches
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blue lines, with yellowsacrylic on aluminum 22 x 24 inches
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1 - 1acrylic on aluminum, 22 x 24 inches
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1-2-3acrylic on aluminum, 22 x 24 inches
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49thacrylic on aluminum 22 x 24
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blue lines, with purpleacrylic on aluminum 22 x 24 inches
terminology
drawings pursuing the impossibility of describing something intangible through visual means.
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deflectorpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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protractorpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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true to formpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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a good ideapigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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still waitingpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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nomadpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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no time like the presentpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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sorry I missed youpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
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translatorpigments, metallics clustered through an evaporation process, and graphite on Dura-lar 40 x 30 inches
carbon drawings
carbon paper is used to make drawings on stone paper, pursuing ideas of materiality, density, thinness, black, sequence, the copy and the multiple.
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carbon 11carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 12carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 15carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 14carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 13carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 16carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 17carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 18carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 19carbon and carbon paper on stone paper 14 x 9.5 inches
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carbon 20carbon and carbon paper on stone paper 14 x 9.5 inches