About Ben

Baltimore City

Ben Piwowar is a Baltimore-based artist whose practice combines painting, drawing, and site-resposive installation. His work uses abstraction and material play to reflect on fragility, adaptation, and regeneration.

He received an MFA in studio art from the University of Connecticut in 2011 and holds undergraduate degrees in painting and literature from the University of Maryland. Notable exhibitions include solo shows at School 33 Art Center in Baltimore and VisArts in Rockville (MD… more

Recent Work

Most of the work in this set was made for "Smart Painting," a group exhibition at Artspace New Haven, Connecticut in early 2014.

My artistic practice is a hybrid of drawing, object manipulation, and site-responsive construction. Through these overlapping activities I engage with a variety of salvaged materials. I choose to work with things that are marked or shaped by prior use—contractors’ trash, unfinished drawings, detritus found on walks, leavings of other people’s projects. These materials are minimally modified in the studio before they are brought to the exhibition space, where relationships between fragmentary components are developed on-site through intuitive arrangement and re-orientation.

The objects that populate my installations function like displaced characters or invasive organisms learning to survive in new territory; in negotiating both their individual presences and a cumulative identity, they labor to establish a kind of microclimate within the gallery. This is both a meditation on fragility and a wry salute to the human capacity to make use and make do: the will to adapt to uncertain conditions and the resourcefulness to manage with what is on hand.

Paintings (pre-2010)

My current work in sculpture and installation began around 2010 as a mutation of my earlier painting practice. Here are some highlights from that earlier body of work.
  • New Aphasia
    New Aphasia
    Acrylic on canvas, 70 in. x 60 in.
  • Names
    Names
    Acrylic on panel, 10 in. x 12 in.
  • Holub
    Holub
    Acrylic on canvas, 54 in. x 40 in.
  • Better Living
    Better Living
    Acrylic on canvas, 66 in. x 50 in.
  • Build High
    Build High
    Acrylic on canvas, 37 in. x 37 in.
  • Prov. Gov.
    Prov. Gov.
    Acrylic and mixed media on canvas, 66 in. x 38 in.
  • Of this much we're certain
    Of this much we're certain
    detail view
  • Of this much we're certain
    Of this much we're certain
    Acrylic and mixed media on canvas, 60 in. x 70 in.

Works on Paper 2011-2013

A selection of small works on paper made between 2011 and 2013.
  • untitled
    untitled
    gouache, graphite, re-used tape, notebook paper 9 in. x 12 in.
  • Actual Size
    Actual Size
    Painting on paper, newspaper clipping, aluminum tape, modified yarn, nails
    8.5 in. x 6 in.
  • untitled
    untitled
    gouache on paper
  • untitled
    untitled
    gouache on paper
  • Results
    Results
    gouache and thread on paper
  • Learn Slower (detail)
    Learn Slower (detail)
    Drawing fragments, striped fabric, spray paint, needle and thread, tape
    Dimensions variable, approx. 24 in. x 20 in.
  • Learn Slower (detail)
    Learn Slower (detail)
    Drawing fragments, striped fabric, spray paint, needle and thread, tape
    Dimensions variable, approx. 24 in. x 20 in.
  • Learn Slower
    Learn Slower
    Drawing fragments, striped fabric, spray paint, needle and thread, tape
    Dimensions variable, approx. 24 in. x 20 in.

Sculpture/Installation 2010-2011

Earlier installation and sculpture. This body of work marks the beginning of my exploration of  architectural space using strategies adapted from my painting practice. Most of the work pictured here was created for my MFA thesis exhibition at the University of Connecticut.
  • It Is What It Sounds Like
    It Is What It Sounds Like
    Watercolor on paper, laminate, nails, clothespins, fabric
  • Better Living
    Better Living
    Painted lumber, blue astroturf, foam, wall painting
  • Better Living
    Better Living
    Painted lumber, blue astroturf, foam, wall painting
    detail view
  • Better Living
    Better Living
    Painted lumber, blue astroturf, foam, wall painting
  • Med. Joy
    Med. Joy
    Painted plywood, homasote, tape, insulation foam, furniture fragment, carpet
  • Med. Joy
    Med. Joy
    Painted plywood, homasote, tape, insulation foam, furniture fragment, carpet
  • BR
    BR
    Lumber, paint, found furniture element
  • Depends Which Ghost
    Depends Which Ghost
    Cardboard, nails, paint, piping, thread

Sculpture/Installation 2010-2011

Earlier installation and sculpture. This body of work marks the beginning of my exploration of  architectural space using strategies adapted from my painting practice. Most of the work pictured here was created for my MFA thesis exhibition at the University of Connecticut.
  • It Is What It Sounds Like
    It Is What It Sounds Like
    Watercolor on paper, laminate, nails, clothespins, fabric
  • Against Weather
    Against Weather
    Lumber, fabric, paint, rope, studio detritus, 2011. This installation is something between an (anti-functional) improvised shelter and a collaged spatial drawing. Like much of my 3-D work, Against Weather's unstable and provisional appearance is a consequence of its site-responsive development. [*note: This piece is entirely distinct from my 2016 project also titled Against Weather, although it is an important precursor. Sort of like a great-uncle who happens to have the exact same name.]
  • Against Weather (detail)
    Against Weather (detail)
    Lumber, fabric, paint, rope, studio detritus
    2011 Detail view
  • No Argument
    No Argument
    Wood, fake fur, canvas
  • You'll do
    You'll do
    Wood, paint, yarn
    2011
  • BR
    BR
    Lumber, paint, found furniture element
  • Med. Joy
    Med. Joy
    Painted plywood, homasote, tape, insulation foam, furniture fragment, carpet
  • Med. Joy
    Med. Joy
    Painted plywood, homasote, tape, insulation foam, furniture fragment, carpet
  • Caller
    Caller
    Wood, paint, wall drawing
    2011
  • Caller
    Caller
    Wood, paint, wall drawing
    detail view
    2011

Indoor Verbs

Indoor Verbs is a gathering of objects and wall drawings, originally created for the 2013 Sondheim Semi-Finalist Exhibition. While certain individual components were prepared ahead of time, the installation as a whole was improvised over a two-day installation period using modified construction materials, furniture fragments, and drawings from my studio. A few elements foraged from the exhibition space also found their way into the finished work.

  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs
  • Indoor Verbs
    Indoor Verbs

Works on Paper II

Selections from an ongoing body of small drawings and paintings on paper.
  • SP22.jpg
    SP22.jpg
    watercolor on paper
  • untitled
    untitled
    gouache on paper
  • untitled
    untitled
    gouache on paper
  • untitled
    untitled
    gouache on paper
  • untitled
    untitled
    ink and gouache on paper
  • untitled
    untitled
    watercolor on paper
  • untitled
    untitled
    ink marker, colored pencil, and acrylic on paper
  • untitled
    untitled
    gouache on paper
  • untitled
    untitled
    gouache, graphite, and ink marker on paper 11 in. x 8 in.
  • untitled
    untitled
    Gouache, pen, and ink on paper

Sculpture/Installation 2014-2015

Selected works completed in 2014 and 2015.


My artistic practice is a hybrid of drawing, object manipulation, and site-responsive construction. Through these overlapping activities I engage with a variety of salvaged materials. I choose to work with things that are marked or shaped by prior use—contractors’ trash, unfinished drawings, detritus found on walks, leavings of other people’s projects. These materials are minimally modified in the studio before they are brought to the exhibition space, where relationships between fragmentary components are developed on-site through intuitive arrangement and re-orientation.

The objects in my installations function like displaced characters or invasive organisms learning to survive in new territory; in negotiating both their individual presences and a cumulative identity, they labor to establish a kind of microclimate within the gallery. This is both a meditation on fragility and a material meditation on the human capacity to make use and make do: the will to adapt to uncertain conditions and the resourcefulness to persist with what is on hand.

  • Countertenor
    Countertenor
    Site-specific wall painting with line drawing, painted wood blocks, fabric, tape. 16 in. x 16 in. x 4 in.
  • Skitter Index
    Skitter Index
    Objects, paint, drawing. 2015.
  • Skitter Index
    Skitter Index
    Detail view
  • Skitter Index (detail)
    Skitter Index (detail)
    Objects, paint, drawing. Detail view.
  • C.S.M.
    C.S.M.
    Wood molding fragment, paint, graphite, wall painting. 2015. This is a stand-alone piece embedded in the Skitter Index installation.
  • Nesting Studies #3 (corner, alarm)
    Nesting Studies #3 (corner, alarm)
    Wood, cable, tape, fabric, nails, paint. 2015.
  • Nesting Studies (#6)
    Nesting Studies (#6)
    Paint, modified wire cage. Installed in doorway of gallery fire exit.
  • Nesting Studies #2
    Nesting Studies #2
    Drawing fragments, wood, wall painting, various other materials. 2015.
  • Funny Once
    Funny Once
    Cardboard from clementine box w/plastic mesh remnant, wall drawing 2014
  • Custom Climate
    Custom Climate
    Objects, paint, drawing 2014

Sculpture/Installation 2015

Installation work made with salvaged materials and studio ephemera for exhibitions in 2015-2016.

My artistic practice is a hybrid of drawing, object manipulation, and site-responsive construction. Through these overlapping activities I engage with a variety of salvaged materials. I choose to work with things that are marked or shaped by prior use—contractors’ trash, unfinished drawings, detritus found on walks, leavings of other people’s projects. These materials are minimally modified in the studio before they are brought to the exhibition space, where relationships between fragmentary components are developed on-site through intuitive arrangement and re-orientation.

The objects that populate my installations function like displaced characters or invasive organisms learning to survive in new territory; in negotiating both their individual presences and a cumulative identity, they labor to establish a kind of microclimate within the gallery. This is both a meditation on fragility and a wry salute to the human capacity to make use and make do: the will to adapt to uncertain conditions and the resourcefulness to manage with what is on hand.
  • Skitter Index
    Skitter Index
    Objects, paint, drawing. 2015.
  • Skitter Index
    Skitter Index
    Detail view
  • Skitter Index
    Skitter Index
    Detail view
  • Skitter Index
    Skitter Index
    Detail view
  • Nesting Studies #3 (corner, alarm)
    Nesting Studies #3 (corner, alarm)
    Wood, cable, tape, fabric, nails, paint. 2015.