About Rachel
Rachel Guardiola is an interdisciplinary artist and naturalist. Her studio practice investigates the intersection of art, science, and technology with a focus on the human relationship to wilderness through lens based analog and digital media. Rachel has exhibited internationally with List í Ljósi, The Halide Project, Rhizome DC, Ortega y Gasset Projects, Wassaic Project, Analog Cookbook, Dakar Biennale de l’Art Contemporain, Sydney College of the Arts, Light City Baltimore,… more
The Adventures of the Investigator & Madam VEGA
2016-present. video performance series
From October 2016 to January 2017, I conducted a four month stint of travel in the Arctic Circle during the period of darkness, when the sun sinks below the horizon. During this time, I wandered remote landscapes where I began to develop a fantastical narrative. The video performances exhibit different time traveling characters that explore an alternate planetary environment prompted by sensorial responses to the environment that occurred during the act of physical exploration. Characters perform different activities based upon their own specialized mode of understanding the universe through sense and logic. Since the initial visit, I have returned and continue to work at specific sites on this ongoing project.
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Measuring a Mountain2016-17. video performance. 1 min. 33 sec.
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Testing the Vibrations of Water2016-17. video performance. 3 min. 24 sec. guest performance by artist Kristín Sigurðardóttir
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Snow Swimming, Navigating Fallen Sky2016-17. video performance. 40 sec.
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The Distance of Water2016-17. video performance. 58 sec.
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Madam VEGA's Cabbage Patch2016-17. video performance. 1 min. 48 sec. code: 4883
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Measuring the Gait of the Lost 'Arctodus simus'video performance still
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Echolocations of an Ancient Seavideo performance still
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VEGA Infiltrates Leftover Lab Part Ivideo performance still
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VEGA Infiltrates Leftover Lab Part IIvideo performance still
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Excavating the Golden Ribsvideo performance still
Into the Zone (Anthology of Accounts & Findings)
The projection is adapted to the architecture of each site to create an immersive environment.
The projection is presented with objects and text that function as signifiers to the landscape in the film. The objects in vitrines are situated between the projection source and wall to obstruct the pathway of light. As a result silhouettes are cast upon the projection and imagery from the projection is dispersed around the space to create an environment for the narrative to be experienced. The work at large is activated by the viewer as they physically navigate and piece together clues that unfold the history. The physical act of exploration plays a significant role in my practice, utilizing the mechanical functions of the camera to mimic the means in which the body relates to its environment. The perspective, sequence, and rhythm in which technology is used, relates back to a reference point of the universal onlooker navigating an future past topography.
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Into the Zone (Anthology of Accounts & Findings)2015. 16 mm film, video, projection, hand cranked optical soundtrack, vitrines, objects. 5 min. 30 sec.
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Intro the Zone (Anthology of Accounts & Findings)2015. installation shot KAGRO
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Into the Zone (Anthology of Accounts & Findings)2015. installation shot KAGRO
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Intro the Zone (Anthology of Accounts & Findings)2015. installation shot KAGRO
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Into the Zone (Anthology of Accounts & Findings)2016. installation shot Light City Baltimore National Aquarium
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Into the Zone (Anthology of Accounts & Findings)2015. 16 mm film still
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Into the Zone (Anthology of Accounts & Findings)2015. 16 mm film still
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Into the Zone (Anthology of Accounts & Findings)2015. 16 mm film still