About Pat

Baltimore County

        I am a Unitarian ex-nun lesbian grandmother...so I have spent much of my life confronting and trying to resolve conflict--in the context of a dramatically changing world.  Thus many of my  plays reflect a life-long obsession with values: how they are formed, challenged, changed; what happens when they are inadequate, misguided, conflicting.  The themes of my plays include faith and forgiveness, religion and repression, challenging authority and cherishing mentors, seeking justice and… more

POPE JOAN II

POPE JOAN II is a RUBYS grant-winning project and an ​MSAC Individual Artist award project.  It has had professional readings at Rep Stage in Columbia, MD and at the  Shaw Society of London, UK, where it won the T.F. Evans Award.  It was a semi-finalist in the Bridge Initiative, AZ, and enjoyed a reading at Cumberland Theatre, MD.  

​_________________________________Dramaturg's recommendation:

 

Pat has always been drawn to big ideas; her plays tend to frame the largest human questions that have always tempted dramatists.  No fractured American families of four re-hashing the past in a living room for her.  A Montley play tackles themes of faith, the afterlife, racism, gender and sexuality, mysticism,  historical and political process, justice, education, the beleaguered good, and the persistence of evil.

And yet there is an irrevocably fractured family of three at the heart of PJII, Pat’s fanciful "What if?” comedy about the papacy in the contemporary world.  What if an American nun with Buddhist tendencies and a mission for social justice finagled her way into the Vatican? 

More important, what would she do when she got there?  Aided by her spirit guides—Joan of Arc and Pope Joan I,  the 9th century subversive—Sister Joan reaches the top by the end of Act One, but her policies are leading the Church to Schism from the conservative male cardinals headed by Henry Cardinal Gardiner, whose secret connection to Joan…but enough plot.

 PJII is fanciful, theatrically vivid,  a high-stakes look at the interwoven crises—political, environmental, religious—currently threatening to sink the globe for good.  In this play, Pat is shaking Shaw, Paula Vogel, and Joe Orton in the same blender of satire and dialectic in order to come up with a fresh start for the world.

 The reading was a huge success.  Any worries that the play was “too Catholic” were swept aside by the laughs, the engaged silences, and the spontaneous bursts of applause throughout.  All audiences have a stake in the future of the planet.  Pat Montley’s PJII is a hilarious reminder (and a wake‐up call for those who need it) that when the going gets tough, no question, put a woman in charge.

 James Magruder

 

  • Flyer for Reading of Pope Joan II at Rep Stage, Columbia, MD
    Flyer for Reading of Pope Joan II at Rep Stage, Columbia, MD
  • POPE JOAN II

    SYNOPSIS Urged by apparitions of her namesakes St. Joan and the apocryphal 9th-century Pope Joan I, and armed with an infusion of the Life Force, Sister Joan—faster than a speeding angel, more powerful than a prayer, able to leap clerical hierarchies in a single bound—blackmails her way to becoming pope, so she can fight the never-ending battle for truth, justice, gender equality, and the American way by transforming the Catholic Church into a liberal democracy and saving the world from overpopulating.

KALI DANCES

Based on the submission of this script's first draft to the Pennsylvania Council on the Arts, the playwright was awarded a fellowship.  Based on submission of a revised script, she was awarded residencies at the Millay Colony for the Arts (NY) and the Djerassi Resident Artists Program (CA).  The script was a finalist in the Bay Area Playwrights Festival and a semi-finalist in the National Arts Club  (NYC) Playwrights First Award.  It was given a professional reading at the Abingdon Theatre (NYC), was a finalist in the New Harmony Project, and received Honorable Mention for the Jane Chambers Award.

  • KALI DANCES Reading -- NYC
    KALI DANCES Reading -- NYC
  • KALI DANCES Reading -- Chicago
    KALI DANCES Reading -- Chicago
  • KALI DANCES

    SYNOPSIS: When a music teacher is found at the church organ with her throat slit, her lesbian lover, the pastor, and his young daughter confront one another with their grief and anger.  The investigating detective interrogates each of them as a suspect, though the homicide may be a hate crime.   The terrifying Indian Goddess Kali challenges them all to come to terms with her.  Although at its most superficial level, the play is a detective story, at its heart it is a mystery play--exploring the intersection of Hindu and Christian beliefs regarding death.

  • Kali Dances production poster -- Chatham College
    Kali Dances production poster -- Chatham College

ACTS OF CONTRITION

​This play was produced at the Edinburgh Fringe Festival after being given readings at the Pittsburgh New Works Festival and the Baltimore Playwrights Festival.  It won the Kaleidoscope Arts Festival Playwriting Contest, placed second in the Goshen Peace Play Contest, and third in the Kernodle New Play Competition.  Its writing was supported by the Djerassi Resident Artists Program (CA).





  • ACTS OF CONTRITION by Pat Montley.pdf
    SYNOPSIS:   What exactly constitutes an apology, whether voiced in public arenas or by regular folk in the privacy of our homes and offices?  Is it enough to say "I'm sorry that..." (the offense happened)?  Or "I'm sorry you​..." (were offended)?  Or must an apology begin, "I'm sorry I...​(committed the offense)?  Must responsibility be taken?  Or can the offense be dismissed as an accident?  an unintentional slip of the tongue due to ignorance or diminished faculties or simply a misunderstanding?  What are the possible effects of a sincere apology?  An insincere one?  What does it mean to forgive?  Who benefits?  Are there some offenses that are unforgivable?  Does forgiveness require  more than an apology?  This play explores the theme of forgiveness in seventeen discrete two-character scenes.  It raises questions about the nature, purpose and dynamics of apology, repentance, and regret, as well as the need for and cost of giving, getting, delaying, withholding, and negotiating forgi