Work samples

  • BAD MOM
    BAD MOM

    A 4 ft. x 3 ft. stuffed pillow, flowers cut and collaged from secondhand fabric. 

  • La Casa de Beatriz Cabrera
    La Casa de Beatriz Cabrera
    2022 A multimedia room installation representing a conversation taking place between a mom and daughter exposing family lineage, the role of caretaker, and the complexities of motherhood.
  • BAD MOM
    BAD MOM

About Monique

Baltimore County

Monique Crabb (b. 1982), a Mexican-American artist whose work represents an interplay of narrative, identity, and symbolism that speaks to the constraints of societal structures and of the human body. Her diverse practice spans textiles, installation, video, and photography, with a focus on traditional craft processes that provide mind-body attunement. Reshaping secondhand fabric and using colors extracted from organic materials she has foraged or grown, allows her the opportunity to… more

Sub Rosa: La Casa de Beatriz Cabrera

A multimedia room installation representing a conversation taking place between a mom and daughter exposing family lineage, the role of caretaker, and the complexities of motherhood.

Pixelated Rose Garden, 2021-2022 (center) Quilt made of secondhand synthetic and plant-dyed fabric, cotton thread and batting, bed

Mamá, 2022 (right wall) HD Digital 5 min. video loop, secondhand plant-dyed fabric, cotton thread and batting

Hija, 2022 (left wall) HD Digital 5 min. video loop, secondhand plant-dyed fabric, cotton thread and batting

  • La Casa de Beatriz Cabrera
    La Casa de Beatriz Cabrera
    2022 A multimedia room installation representing a conversation taking place between a mom and daughter exposing family lineage, the role of caretaker, and the complexities of motherhood.
  • La Casa de Beatriz Cabrera
    La Casa de Beatriz Cabrera
  • La Casa de Beatriz Cabrera
    La Casa de Beatriz Cabrera
  • La Casa de Beatriz Cabrera
    La Casa de Beatriz Cabrera
  • Hija
    Hija
    Close up of the quilted verb list on 'Hija'
  • Mamá
    Mamá
    Close-up of quilted verb list on Mamá quilt.
  • Pixelated Rose Garden
    Pixelated Rose Garden
    2021-2022 Quilt (Machine-pieced with secondhand synthetic and plant dyed fabrics) 119” x 80” After a fight on the night of my parents' honeymoon, my dad said to my mom, "Honey, I didn't promise you a rose garden." I made this rose garden for her.

How Does it Feel

How Does it Feel is a collection of textile paintings made from second hand fabric and dyed with colors extracted from plants and food waste. Each piece, through color and symbols, represent a personally transforming moment in my life surrounding loss and unresolved trauma.


  • How Does It Feel
    How Does It Feel
    23” x 23” Plant & mineral dyed (logwood, fustic wood, iron, weld)
  • self portrait
    self portrait
    20x17" Plant-dyed with organic indigo, cosmos, tannin
  • vacancy I & II.jpg
    vacancy I & II.jpg
    24” x 21” Plant-dyed with cosmos, weld, indigo, madder root, black walnuts, logwood, and iron. Stretched in a float frame with mahogany wood and a distressed gold leaf face. Inspired by the Bandy Bandy snake's defense mechanism of looping its body to detract predators.
  • How Does it Feel
    Did you ever die for a millisecond? Did you ever eat a weed gummy after an intense weekend that involved spreading your dad's ashes in the gulf of Mexico after carrying them around from house to house over the span of 15 years, even losing them at one point, then finally spreading them with one of your 4 brothers and mom, who was wearing a leopard print bathing suit, in an inflatable raft into the warm waters of Galveston not far from the shoreline because it was harder to paddle out than imagined, and the ashes ended up in your mom's face including her mouth, and your brother tells her she deserved it. The next day you visit your other brother at his halfway house and take him to Mcdonald’s for lunch where you watch him devour a big mac with all the sauces running down his face and hands while five TV monitors are airing a zombie show with people being eaten and blood spraying everywhere.

Soft Body

Soft Body is a collection of textile paintings made from second hand fabric and dyed with colors extracted from plants and food waste. Each piece is an exploration of stripping the quilt form of its function while manipulating shapes and color to reflect on the various aspects of occupying a human body. An abstract representation of energy in its varied forms of travel through heat, tears, sound, and light as it temporarily grounds us to earth.
  • Inward
    Inward
    The bookends to Soft Body. Dyed with avocado pits, onion skins, black walnuts, tannin, logwood, and iron. The hexagon in nature is mystical and magical. To name only some of the shape’s wonders: It’s an efficient packing shape that we see bees use, most snowflakes under a microscope take on the hexagonal shape, Saturn has a hexagon-shaped storm still churning at its North Pole that was discovered in 1988, water spinning at its highest velocity makes the shape of a hexagon, and Carbon has the molecular structure of a hexagon. Everything begins with Carbon, it is the key ingredient for most life on earth. We are made of several billions of them in our body. The element is even in our DNA and makes up the body from head to toe.
  • Outward
    Outward
    37 x 42” The bookends to Soft Body. Dyed with avocado pits, onion skins, black walnuts, tannin, logwood, and iron. The hexagon in nature is mystical and magical. To name only some of the shape’s wonders: It’s an efficient packing shape that we see bees use, most snowflakes under a microscope take on the hexagonal shape, Saturn has a hexagon-shaped storm still churning at its North Pole that was discovered in 1988, water spinning at its highest velocity makes the shape of a hexagon, and Carbon has the molecular structure of a hexagon. Everything begins with Carbon, it is the key ingredient for most life on earth. We are made of several billions of them in our body. The element is even in our DNA and makes up the body from head to toe.
  • Heat Rises
    Heat Rises
    46” x 59” Dyed with madder root, fustic wood and cochineal. An ode to mother earth. A deep connection through the monthly rising heat in my own body. I feel her calling for us to change our behavior, like a mother calls out to her child.
  • If We All Cried At Once
    If We All Cried At Once
    43 x 43” Dyed with fustic wood + organic indigo. Hand quilted. According to scientific research there are three different types of tears humans produce— Basal, Reflex, and Emotional, and each have their own special combination of enzymes. The combo that make up emotional tears are helpful for regulating the body and bringing it back to a homeostatic level. This piece represents the abstract and wishful notion that if we all cried at once it would balance out all the hurt of our home, both to our bodies and to our earth.
  • Vibrations
    Vibrations
    36 x 48” Dyed with cutch, fustic wood, logwood, and iron. Machine pieced / Hand quilted. The human body can generate mechanical vibrations at very low frequencies, scientists call them infrasonic waves. The vibrations are produced by the physiological processes of heartbeats, respiratory movements, the brain, blood flow in vessels and so on. The emotional state of a body effects the vibrations emitted.
  • Permanent Shapes
    Permanent Shapes
    Dyed with black walnuts, fustic wood, logwood, and iron. raw edge appliqué / embroidered second hand yarn.

Dear You

2018 - 2019

66 x 66”

Plant-dyed secondhand fabric, hand appliqué and hand quilted

A personal story quilt made with all plant dyed second hand fabric about my brother who suffered from Bipolar Schizoaffective Disorder for over twenty years. I worked on this piece for over a year before he passed away. It’s a story of a person whose seasons in life revolved around jails, hospitals, mental institutions, and half way homes. The evolution of this piece is documented through #johnpaulcabreracrabb on instagram with written stories that correlate to selected symbols that honor my brother’s life.

  • Dear You
    Dear You
    2018 - 2019 66 x 66” Plant-dyed secondhand fabric, hand appliqué and hand quilted A personal story quilt made with all plant dyed second hand fabric about my brother who suffered from Bipolar Schizoaffective Disorder for over twenty years. I worked on this piece for over a year before he passed away. It’s a story of a person whose seasons in life revolved around jails, hospitals, mental institutions, and half way homes. The evolution of this piece is documented through #johnpaulcabreracrabb on instagram with written stories that correlate to selected symbols that honor my brother’s life.
  • Dear You / close up
    Dear You / close up

My Chthonic Duty

2020

Denim, bedsheet ends, cotton napkins, avocado pits, twine, and avocado pit dye.

Chthonic Duty speaks to the subterranean, deep-rooted domestic duty of women that society continually shapes and expects .

  • My Chthonic Duty
    My Chthonic Duty
    2020 Denim, bedsheet ends, cotton napkins, avocado pits, twine, and avocado pit dye. Chthonic Duty speaks to the subterranean, deep-rooted domestic duty of women that society continually shapes and expects .
  • My Chthonic Duty (Detail)
    My Chthonic Duty (Detail)
    avocado pits ink used for text on apron
  • My Chthonic Duty (Detail)
    My Chthonic Duty (Detail)
    second hand cotton napkins wrapped with twin around avocado pits

BAD MOM

This series speaks to the role of motherhood through the structure of patriarchy. 

  • BAD MOM
    BAD MOM

    4 ft. x 3 ft. stuffed pillow

     

    Flowers cut and collaged from secondhand vintage bedsheets and curtains. Appliqued onto a repurposed velvet curtain. 

     

    2024

  • BAD MOM closeup
    BAD MOM closeup

BAD MOM

  • BAD MOM
    BAD MOM
  • BAD MOM
  • BAD MOM
    BAD MOM
  • BAD MOM
    BAD MOM

Permanent Shapes

  • Permanent Shapes
    Permanent Shapes

    Plant-dyed secondhand fabric (black walnuts, fustic wood, logwood, and iron) raw edge appliqué, embroidered second hand yarn.

    Inspired by a boarded up window in an Baltimore city alley and to the ones we love and lose who leave permanent impressions on us.

  • Permanent Shapes
    Permanent Shapes

    Plant-dyed secondhand fabric (black walnuts, fustic wood, logwood, and iron) raw edge appliqué, embroidered second hand yarn.

    Inspired by a boarded up window in an Baltimore city alley and to the ones we love and lose who leave permanent impressions on us.