About Samuel

Baltimore City
Samuel Burt is a composer in Baltimore, Maryland. His compositions have been performed across the U.S. As an improviser, he has performed for audiences in Atlanta, Baltimore, Chicago, New York, Pittsburgh, and other U.S. cities and has made numerous appearances in the international High Zero Festival. As a board member of the High Zero Foundation since 2005, he has helped curate the High Zero Festival, Red Room series, and Worlds in Collusion. 

Inspired by John Cage, Burt pursues… more

Daxophone Construction and the Daxophone Choir

The daxophone, pictured, has unlimited potential for making new (singing, grunting, hooting, drumming, scatching) noises.  It's played by clamping a piece of thin wood, bowing it, and placing another heavy piece of wood on it to change the vibrating length. Each carefully chosen and shaped pieces of wood are called tongues. They are both a sonic and visual art. Each is unique in wood grain, shape, and sound.

Samuel Burt built his first daxophone in 2011 consulting with the inventor Hans Reichel. He held a daxophone workshop at the Red Room in 2019 with aims to form a daxophone choir, playing compositions by living composers and arrangements of older music.

Burt plays daxophone in the band Coy Fish led by Sarah Hughes. They released a self-titled album. They opened for the Library of Congress's "Summer Movies on the Lawn" screening of the Wizard of Oz. Maria Shesiuk and Burt collaborated as Lightning Golem to produce an album of daxophone and synthesizer music called Cryptid Research. Burt engineered a recording of a session in Athens, Georgia, of himself on daxophone, Jeff Crouch on trumpet, and Killick Hinds on fretted Walrus guitar. He released it as Sneaky E.

Burt composed music for two daxophonists and percussion, performing it with Eric Franklin and Shelly Purdy at Artscape 2018. The work, entitled Renku No. 1, is built around a form of Japanese poetry where individuals add stanzas to a poem.

He's built 20 daxophones. Considering a daxophone for yourself? http://samuelburt.com/daxophones/
  • daxophone_display.jpg
    daxophone_display.jpg
    Display of daxophone tongues (foreground), daxes (left), daxulele (right), desk mounted daxophone with kalimba tongue (center), and tripod daxophone (center, rear). The tongues are the interchangeable part of the daxophone that provide different sounds and pitch ranges. A dax changes the vibrating length of the tongue to change the pitch. Each body amplifies the vibration of a clamped tongue.
  • Parasympathetic_Activation.mp3
    A track from Cryptid Research, a collaborative electronic music recording project with Maria Shesiuk involving synthesizers and daxophones. This track features the daxophone through a talk box, doubling-down on the "mouthiness" of its sound.
  • Enunciator_Excerpt.mp3
    A recording produced from playing the daxophone through custom built software, written by Burt in Pure Data, designed to add consonant resonances to individual sound events.
  • daxophone_assembly.jpg
    daxophone_assembly.jpg
    Diagrams of daxophone assembly and performance technique.
  • RenkuNo1-exerpt.mp3
    Renku No. 1 was composed by Samuel Burt. This performance took place during Artscape 2018 at the UB Student Center. It was performed by Eric Franklin and Samuel Burt on daxophones and Shelly Purdy on percussion. Renku No. 1 is built around a form of Japanese poetry where individuals add stanzas to a poem. It features haikus by Matsuo Bashō. The performers are guided through a process of performing new musical poetic material to accompany these haikus.
  • burtplayingdaxophone.jpg
    burtplayingdaxophone.jpg
  • Burt-HumbabasTrod.mp3
    Humbaba's Trod is a work composed of daxophone recordings. The daxophone is a bowed wood instrument which is symbolic in relation to Humbaba. Humbaba guarded the cedar forest where the gods lived until Gilgamesh came and fought Humbaba and then cut the trees down to build the gate of a city. The daxophone provides a wide range of sounds (both in pitch and color). It was perfect for generating a rain forest type of environment where each "creature" inhabits a particular range. This work was performed first at Goucher College during the computer music concert.

Composed Music

How are these compositions different from other modern classical music? Burt lives in many musical worlds. He grew up on the traditions of classical music and jazz and became involved in experimental improvised music as a teenager. He blends together the rigor and ornate craftsmanship of classical music with the rhythmically-free, spontaneous, and untuned harmonies of improvised music. His work as an educator affords him opportunities to oversee student works that range through all different styles of contemporary popular music. These influences manifest obliquely in his music, through manipulation of dynamic energy levels and unusual applications of repetition.

While his style is most often centered around densely packed parametric sets of newly invented procedures, the effect of his music ranges from beautiful and flowing to suspenseful. It always engages the mind and guides the listener through the unexplored frontiers of music, both emotionally and intellectually.

Burt's next project could be a commission from you, even for orchestra! Please, contact him if you like what you hear.
  • Mixed Signals
    Mixed Signals was written for Lisa Weiss. It involves a computer (or phone) tracking piano notes and responding. The pianist plays a solo part written in a flowing, yet rigorously composed style, while the computer answers with randomly reordered notes creating a harmonic cloud. This is the first of a series of works for piano and electronics to be composed in 2018.
  • Burt-Finite_Gestures-Artscape_2018_Burt_Purdy.mp3
    Excerpt from Finite Gestures, a composition by Samuel Burt. Performed at Artscape 2018 by Samuel Burt, bass clarinet, and Shelly Purdy, percussion.
  • Parametric Transmutations
    This is one of the densest arrangements of information I have ever produced, a mixture of observationally simple and subtle. You can hear my obsession with long process forms. Performed by Erin Freeman conducting a Peabody Orchestra.
  • Dime Novel
    An award winning composition for violin and piano, it breathlessly flies across an abstract landscape and ends in a rhyme. Performed here by Aurelie Baziger and John Chernoff.
  • Fountain Resonances
    A piece combining the best extended techniques with beautiful layers of shimmering string textures. Composed to be maximally challenging yet easy to assemble. This is an excerpt of the ending of Fountain Resonances. Performed here by C.R. Kasprzyk and string players from the Peabody Conservatory.
  • Dime Novel Score
    Dime Novel Score
    Part of a page from Dime Novel.
  • Orchestra Score
    Orchestra Score
    A corner of a page from Parametric Transmutations.
  • mixed_signals.png
    mixed_signals.png
    Page 5 of Mixed Signals, a work for piano and cell phone.
  • Labyrinths
    Labyrinths
    A semi-graphic score for indeterminate instruments. Each performer finds their own way through each page creating cannons and retrograde imitation along the way.