About Lisi

Baltimore City

Lisi Stoessel is a Baltimore-based theatre artist and experience designer exploring the transformative potential of embodied human connection in real time and space. In her capacities as performer, director, scenic designer, and puppeteer, she creates immersive theatrical experiences deeply informed by the place in which they happen. Whether engaging with her audience as a character or inviting them into an environment that fully enlivens the senses, Lisi makes the audience central to her… more

Concept, Aesthetic Direction, and Set Design: H.T. Darling’s Incredible Musaeum

H.T. Darling's Incredible Musaeum Presents: The Treasures of New Galapagos, Astonishing Acquisitions from the Perisphere

Produced by Submersive Productions
Created by the Ensemble
The Peale Center
Baltimore, MD
2017

Concept: Lisi Stoessel
Directors: Lisi Stoessel, Susan Stroupe, Glenn Ricci
Set Design: Lisi Stoessel
Costume Design: Stephanie Parks
Lighting Design: James Johnson
Sound Design: Glenn Ricci
Prop Master: Ursula Marcum
Cast: Josh Aterovis, Francisco Benavides, David Brasington, Emily Hall, Martha Robichaud, Trustina Sabah, Lisi Stoessel, Sarah Olmsted Thomas, Alex Vernon
Puppet Fabrication:  Francisco Benavides,Ursula Marcum, Jess Rassp, Lisi Stoessel, Alex Vernon

Summary:
The Incredible Musaeum immerses the audience inside a Belle Epoque-style cabinet of curiosities brought to life through performance, puppetry, interactive sets, an original soundtrack, multiple story lines, and delights for all the senses. Created by a team of more than 20 Baltimore artists, the performance and installation activates all four floors of The Peale Center. 


"Conceptualist Lisi Stoessel..has created an experience that defies description in the most imaginatively miraculous way possible. Truly a mesmerizing wonder, entering H.T. Darling’s Incredible MUSÆUM is nothing short of venturing to another planet somewhere beyond the reaches of our temporal and spatial understanding. It is spectacle, adventure, mystery, and so much more all captured in one experience."
-Amanda Gunther, Theatre Bloom

"Part rollercoaster ride, part alternative history, part allegory on colonialism and exploitation of indigenous peoples. And it’s all parts fun.”
-Jill Kyle-Keith DC Theatre Scene


"True to its mission to “activate unused, underused or unusual spaces in Baltimore,” Submersive has made the Peale Museum come alive with one of the most exciting theatrical experiences of the year."
-
Patricia Mitchell, DC Metro Theater Arts

Musaeum was made possible with support from the Jim Henson Foundation, the PNC Foundation, Bazaar, James Taylor’s Shocked and Amazed!, and Baltimore City Department of General Services
  • The Grand Hall
    The Grand Hall
    The main exhibition of specimens from New Galapagos. Photo by Glenn Ricci
  • Champagne Toast
    Champagne Toast
    Percy and the Curators welcome the audience in the Grand Hall. Photo by Glenn Ricci
  • Curator Dance
    Curator Dance
    The Curators dance before Maxilla in the Humanoid Specimen Enclosure. Film still by Glenn Ricci
  • Welcome Room
    Welcome Room
    The receiving area of the Musaeum with the Gift Shop behind. Photo by Glenn Ricci
  • The Overland
    The Overland
    Room simulating the Overland of New Galapagos, with Maude and puppets, 'HT Darling's Incredible Musaeum' Photo by Glenn Ricci
  • The Underland
    The Underland
    Room simulating the Underland of New Galapagos, with Maude and cave urchin puppet. Photo by Glenn Ricci
  • HT's Map Table
    HT's Map Table
    H.T. Darling receiving a visitor in his Private Reception Hall. Photo by Glenn Ricci
  • HT's Toilette
    HT's Toilette
    H.T. Darling broods at his dressing table. Photo by Glenn Ricci
  • Groundskeeper's Quarters
    Groundskeeper's Quarters
    The Groundskeeper at his conspiracy wall in the attic. Photo by Glenn Ricci
  • Percy's Desk
    Percy's Desk
    Doctor Percy Warner at his desk in the Back Room. Photo by Glenn Ricci

Performance and Puppetry: H.T. Darling’s Incredible Musaeum

H.T. Darling's Incredible Musaeum Presents: The Treasures of New Galapagos, Astonishing Acquisitions from the Perisphere

Produced by Submersive Productions
Created by the Ensemble
The Peale Center
Baltimore, MD
2017

Concept: Lisi Stoessel
Directors: Lisi Stoessel, Susan Stroupe, Glenn Ricci
Set Design: Lisi Stoessel
Costume Design: Stephanie Parks
Lighting Design: James Johnson
Sound Design: Glenn Ricci
Prop Master: Ursula Marcum
Cast: Francisco Benavides, David Brasington, Emily Hall, Martha Robichaud, Trustina Sabah, Lisi Stoessel, Sarah Olmsted Thomas, Alex Vernon
Puppet Fabrication:  ​Francisco Benavides, Ursula Marcum, Jess Rassp,  Lisi Stoessel, Alex Vernon

Summary:
The Incredible Musaeum immerses the audience inside a Belle Epoque-style cabinet of curiosities brought to life through performance, puppetry, interactive sets, an original soundtrack, multiple story lines, and delights for all the senses. Created by a team of more than 20 Baltimore artists, the performance and installation activates all four floors of The Peale Center. 


"Conceptualist Lisi Stoessel..has created an experience that defies description in the most imaginatively miraculous way possible. Truly a mesmerizing wonder, entering H.T. Darling’s Incredible MUSÆUM is nothing short of venturing to another planet somewhere beyond the reaches of our temporal and spatial understanding. It is spectacle, adventure, mystery, and so much more all captured in one experience."
-Amanda Gunther, Theatre Bloom

"Part rollercoaster ride, part alternative history, part allegory on colonialism and exploitation of indigenous peoples. And it’s all parts fun.”
-Jill Kyle-Keith DC Theatre Scene


"True to its mission to “activate unused, underused or unusual spaces in Baltimore,” Submersive has made the Peale Museum come alive with one of the most exciting theatrical experiences of the year."
-
Patricia Mitchell, DC Metro Theater Arts

Musaeum was made possible with support from the Jim Henson Foundation, the PNC Foundation, Bazaar, James Taylor’s Shocked and Amazed!, and Baltimore City Department of General Services
  • Underland Tour
    Scene from 'HT Darling's Incredible Musaeum' Performer: Lisi Stoessel (Curator Maude). Camera by Glenn Ricci
  • Curator Interview
    Scene from 'HT Darling's Incredible Musaeum' Performers: Lisi Stoessel (Maude) David Brasington (Carol), Alex Vernon (Doctor Percy Warner) Camera by Glenn Ricci
  • The Snow Twins
    The Snow Twins
    Wooden Marionettes fabricated by Lisi Stoessel for 'HT Darling's Incredible Musaeum'. Photograph by Photos by Kintz
  • The Tragedy of the Third Ice Age of New Galapagos
    Scene from 'HT Darling's Incredible Musaeum' Puppeteers: Lisi Stoessel, David Brasington Camera by Glenn Ricci
  • The Owners
    The Owners
    Foam body puppets fabricated by Lisi Stoessel for the remount version of 'HT Darling's Incredible Musaeum'.
  • The Owners Private Fight
    Scene from 'HT Darling's Incredible Musaeum' Puppeteers: Lisi Stoessel, David Brasington. Camera by Glenn Ricci
  • Overland Tour
    Overland Tour
    Maude's tour of the Overland photo by Glenn Ricci
  • The Mastodon
    The Mastodon
    Giant wood and paper mache puppet conceived by Lisi Stoessel and designed/built by Francisco Benavides. Puppeteers: Francisco Benavides, David Brasington, Jess Rassp, Trustina Sabah, Lisi Stoessel, Alex Vernon.

Performance Reel

Excerpts from the following productions:
I. "What's the Time, Mr. Wolf?"
Role: Woman
Directed by Laura Purcell
The Eugene O'Neill National Puppetry Conference
Waterford, CT USA
2014
II. "Clan Destin"
Role: Alfonso
Directed by Oliver Pollak
Created/performed by Atelier des Mimes Berlin
Blue Tap
Berlin, Germany
2015
III. "Juiced"
Role: Sticks
Created/performed by Tia Nina
The Clarice Smith Dance Theatre
College Park, MD USA
2015
  • Lisi Stoessel Performance Reel 2015

Performance: Tia Nina

Tia Nina is a feminist punk rock dance band. Iconic powerhouse trio J Van Stone (Leah Curran Moon), Sammy Rain (Ilana Silverstein) and Sticks (Lisi Stoessel), deliver an exciting, rock ‘n roll meltdown of a show. Tia Nina critiques rock performance by reading the showy, phallic panache of lead guitarists, the aggressive boastful struts of front men, and the sweaty, reckless abandon of great drummers through a lens that exposes how masculine activity, feminine passivity and compulsory heterosexuality are reproduced in rock ‘n roll. Tia Nina shatters expectations and surprise audiences with a gritty, physical, surreal experience that challenges taken-for-granted assumptions about rock performance, modern dance, gender and popular culture. Through a witty social critique of contemporary gender relations, the band delivers a celebration and a deconstruction of rock ‘n roll.

“In the most entertaining way imaginable, they manage to take decades of faux masculinity and heteronormativity that we know as The Rock Show and totally eviscerate it.”
– Glenn Ricci, Delirium Dog

"[Tia Nina] is brave.  It is fun.  It is hilarious...4D entertainment of the 23rd century."- Zach Rosen, DC Metro Theater Arts

“‘Edgy’ is far too conservative and misleading a term to describe these three women’s intense, physical, rhythmic portrayal of the way men perceive and misperceive women … ‘Off the edge of the earth’ would be a better way of putting it.”
-Cliff Brody, cliffordbrody.com


WEBSITE:
tianinarocks.com

VIDEOS:
vimeo.com/tianina
  • JUICED Promo
    Footage from performance at the Clarice Smith Performing Arts Center February 2015 College Park, MD
  • Production Photograph: Ring Girl
    Production Photograph: Ring Girl
    JUICED The Clarice Smith Performing Arts Center February 2015 College Park, MD photo by Ryan Maxwell
  • Production Photograph: Bangover
    Production Photograph: Bangover
    JUICED The Clarice Smith Performing Arts Center February 2015 College Park, MD photo by Ryan Maxwell
  • Production Photograph: Fem Crotch
    Production Photograph: Fem Crotch
    Rockit Launch Atlas Lang Theater Washington, DC photo by Ryan Maxwell
  • Production Photograph: Blowing up Goats
    Production Photograph: Blowing up Goats
    JUICED The Clarice Smith Performing Arts Center February 2015 College Park, MD photo by Ryan Maxwell
  • Production Photograph: Juiced
    Production Photograph: Juiced
    JUICED The Clarice Smith Performing Arts Center February 2015 College Park, MD photo by Ryan Maxwell
  • Production Photograph: Bradley
    Production Photograph: Bradley
    JUICED The Clarice Smith Performing Arts Center February 2015 College Park, MD photo by Ryan Maxwell
  • Production Photograph: Sweet Gear
    Production Photograph: Sweet Gear
    JUICED The Clarice Smith Performing Arts Center February 2015 College Park, MD photo by Ryan Maxwell
  • Production Photograph: Schambein
    Production Photograph: Schambein
    JUICED Capital Fringe Festival July 2016 Washington, DC photo by Photos by Kintz
  • Production Photograph: Tits
    Production Photograph: Tits
    JUICED Capital Fringe Festival July 2016 Washington, DC photo by Photos by Kintz

Performance: The Mesmeric Revelations! Of Edgar Allan Poe

Role: Barkeep (devised with Caitlin Bouxsein)
Directed by Glenn Ricci, Susan Stroupe, Michele Minnick
Created by the ensemble
Produced by Submersive Productions
The Enoch Pratt House
Baltimore, MD
Fall 2015

"The Mesmeric Revelations! of Edgar Allan Poe," a many-layered immersive theater experience in which the audience would freely explore the first floor of the Enoch Pratt House and observe one or more of nine overlapping stories based Poe's life and fiction. The fully devised work incorporated movement, spoken word, song, explorable sets, and private character encounters all synchronized to a 2-hour continuous soundtrack.


"Surprisingly unpredictable, each performance draws a small circle of theatre goers into a world both bizarre and beautiful."
Baltimore Post-Examiner

"Poe himself is not present, but is everywhere in the atmosphere."
Hyperallergic

"An intensely immersive theatrical experience like no other in Baltimore, Washington, or any of the surrounding metropolitan areas, 'The Mesmeric Revelations! Of Edgar Allan Poe' is quickly becoming Baltimore’s own 'Sleep No More'".
TheatreBloom
  • Barkeep Time Lapse
    Footage of first 20 minutes of Barkeep's show. Camera by Glenn Ricci
  • Barkeep_Eliza Key Scene
  • Production Photograph: Barkeep's Journey Begins
    Production Photograph: Barkeep's Journey Begins
    by Glenn Ricci
  • Production Photograph: Wine Offering
    Production Photograph: Wine Offering
    by Glenn Ricci
  • Production Photograph: Ballroom Maelstrom
    Production Photograph: Ballroom Maelstrom
    by Glenn Ricci
  • Production Photograph: Game with Audience
    Production Photograph: Game with Audience
  • Production Photograph: Stuck in the Banister
    Production Photograph: Stuck in the Banister
    by Glenn Ricci

Performance: Shadow-Matter

Shadow-Matter is a movement-based experiment in studying the effects of the unseen; from intimacy and the human subconscious to the vastness of space and the mysterious structure of matter

Shadow-Matter was created and performed in 2012 by Lisi Stoessel, Ben Drexler, and Dannie Snyder for the Artistic Blind Dates program at the Source Festival in Washington, DC. The project was funded by a Creative Communities grant from the Cultural Development Corporation.


"Shadow-Matter is enthralling"- Robert Duffley/DC Theatre Scene

"A tantalizing bit of choreographed sci-fi"- Celia Wren/Washington Post
  • Production Photograph: Communion
    Production Photograph: Communion
    C Stanley Photography
  • Full Video
    Source Festival 2012
  • Production Photograph: First Contact
    Production Photograph: First Contact
    C Stanley Photography
  • Production Photograph: Poi Dance
    Production Photograph: Poi Dance
    C Stanley Photography
  • Production Photograph: Human Puppet
    Production Photograph: Human Puppet
    C Stanley Photography
  • Production Photograph: Black Hole
    Production Photograph: Black Hole
    C Stanley Photography

Set, Robots, and Doll Design: Heddatron

Sets, Robots and wooden dolls created for:

Heddatron by Elizabeth Merriweather
Sideshow Theatre Company
Steppenwolf Garage
Chicago, IL
April 2011

It all starts with a book falling from the sky. Suddenly Jane Gordon, a very depressed and very pregnant Michigan housewife, finds herself kidnapped by a clan of renegade sentient robots and whisked away to the jungles of South America where she is forced to perform the title role in a mechanical version of Hedda Gabler. As a documentarian searches for the truth about Jane’s abduction and Jane’s family mounts a search party, her 10-year-old daughter Nugget discovers a past where a tormented Henrik Ibsen squeezes out each tortured word of his greatest masterpiece. Dark and savagely funny, Heddatron “achieves true, and truly original, theatrical transcendence” (Ben Brantley, NY Times) in a bizarre and strangely familiar world of reality TV and rocket launchers where everyone, metal or otherwise, just wants to feel a little bit human. Sideshow Theatre Company is proud to partner with robotics experts from across Chicago to present a cast of both human actors and functioning robots in the Chicago premiere of Elizabeth Meriwether’s frighteningly funny Heddatron.


"Lisi Stoessel’s set provides one of the most satisfying reveals you’ll see all year."
-Kris Vire/Time Out Chicago

"Director Jonathan L. Green and his team of designers have crafted an outstanding multi-sensory experience, as Christopher M. LaPorte’s sound design builds tension to the reveal of the full grandeur of Lisi Stoessel’s set and Jordan Kardasz’s lighting: the Robot Forest."
-Oliver Sava/Chicago Theatre Blog


*Lisi won a non-equity Jeff Award in Artistic Specialization for her robot design of "Hans"


See more of Lisi's creatures here:
http://www.lstoessel.com/219329/creatures/
  • Conceptual Set Rendering: Robotforest
    Conceptual Set Rendering: Robotforest
    Watercolor, colored pencil
  • Production Photograph: I want to be your Love Borg
    Production Photograph: I want to be your Love Borg
    Hans and Billy approach Jane Peter Coombs
  • Production Photograph: Hans attempts to shake Jane's hand
    Production Photograph: Hans attempts to shake Jane's hand
    Peter Coombs
  • Concept Drawing: Hans
    Concept Drawing: Hans
  • Production Photograph: Robotforest is revealed
    Production Photograph: Robotforest is revealed
    Act 1 set opens to reveal Robotforest
  • Production Photograph: Jane in Robotforest
    Production Photograph: Jane in Robotforest
  • Production Photograph: Entire Act 1 Set
    Production Photograph: Entire Act 1 Set
    Ibsen's house and Jane's house, pre-Robotforest reveal
  • Wooden Dolls
    Wooden Dolls
  • Production Photograph: Ibsen and Else playing with dolls
    Production Photograph: Ibsen and Else playing with dolls
    Peter Coombs
  • Concept Drawing: Critterbots
    Concept Drawing: Critterbots

Puppet design: A Sorcerer's Journey

Lisi cast positives of the actor/puppeteer's faces and then built upon them to create the characters Don Juan and Carlos.

A Sorcerer's Journey
by Ensemble
Single Carrot Theatre
Baltimore, MD
June 2013

Carlos Castaneda’s controversial writings on mysticism captivated a following. Who was the man behind these writings, and what about them launched a movement? An all-new original journey from Single Carrot Theatre.


See more of Lisi's puppets here:
http://www.lstoessel.com/219329/creatures/
  • Don Juan
    Don Juan
    Neoprene, papier mache, cloth, yarn, twine, beads
  • carlos3_bbb.jpg
    carlos3_bbb.jpg
    Neoprene, yarn
  • Carlos
    Carlos
    Neoprene, yarn
  • Conceptual Sketch, Don Juan and Carlos
    Conceptual Sketch, Don Juan and Carlos
    Graphite
  • Actor face positives
    Actor face positives
    Texclay casts of the performer's faces
  • Actor face positives, built up
    Actor face positives, built up
    Additional sculpting with water-based clay to create characters
  • Production Photograph
    Production Photograph
    Don Juan and Carlos
  • Production Photograph
    Production Photograph
    Don Juan and Carlos

Set Design: Lady M

Lady M
by Lauren Feldman and the Ensemble

Swim Pony Performing Arts
at Arts Bank (Philadelphia Live Arts Festival)
Philadelphia, PA
September 2011

Director: Adrienne Mackey
Lighting Designer: Maria Shaplin
Costume Designer: Alisa Kleckner

Enter the mind of Lady Macbeth. With the help of a chorus of witches, Lady M re-tells the story of her life in Shakespeare’s darkest tragedy. Killing the king. The ghost at the table. The frenzied dances of the witches. Out damn spot. A battle is waged against Lady Macbeth's fate as she cycles the story around in a nightmare of bloodshed superimposed onto a background of vocal chaos.

"The cast of ten witches...crawl on (and through) an ingenious set featuring a series of weblike, nearly sheer, fabrics that dominate the entire stage"
-Estia

"The space provided a visceral backdrop. This uncomfortable feeling came from the elaborate, visually wispy and yet heavily used webbing design of Lisi Stoessel"
-Ruth K Brown/Stage Magazine

"Then I saw the stage: A majestic bed and a throne entangled in a dark and twisted web of fibers that vibed chaotic and harrowing all at once."
-Brandon Lafving/Phawker.com


See more of Lisi's set designs here:
http://www.lstoessel.com/53206/designs/
  • Set Design: Lady M
    Set Design: Lady M
    Set Design for 'Lady M'. Photograph by JJ Tiziou
  • Scale Model: Lady M
    Scale Model: Lady M
    Scale Model of the Lady M Set
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: The Web by JJ Tiziou
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: The Witches by JJ Tiziou
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: Lady M sleeps by JJ Tiziou
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: The Witches and Lady M by JJ Tiziou
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: Into the Web by JJ Tiziou
  • Clip from Lady M
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: The bed by JJ Tiziou
  • Set Design: Lady M
    Set Design: Lady M
    Production Photograph: A Witch by JJ Tiziou

Set Design: Hotel Cassiopeia

Hotel Cassiopeia
by Charles Mee

A dreamlike biography of the visual artist Joseph Cornell, staged environmentally.

Single Carrot Theatre
Baltimore, MD
​March 2012

Director: Genevieve de Mahy
Lighting Designer: Joey Bromfield
Costume Designer: Heather Jackson
Props Designer: Ben Hoover

"Set Designer Lisi Stoessel truly captures the raw essence of this artist in her construction of the four main shadowboxes – each distinctive from the other, capturing the reclusive yet beautiful interior of Cornell’s world."
-Amanda Gunther/DC Metro Theatre Arts

"Her set really hits the mark, and offers a tactile feast for the senses, which patrons are encouraged to touch and explore upon their arrival."
-David London/What Weekly


See more of Lisi's set designs here:
http://www.lstoessel.com/53206/designs/
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Production Photograph: Bathtub Dance
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Production Photograph: Ballerina Dance
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Production Photograph: Joseph and Robert
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Production Photograph: The Ballerina and Robert have cake
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Production Photograph: Robert contemplates in the White Box
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Production Photograph: Joseph at Robert's Box
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Conceptual Sketch for Robert's Box
  • Set Design: Hotel Cassiopeia
    Set Design: Hotel Cassiopeia
    Ground plan showing environmental layout of the boxes and audience seating